When we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss. It was more than that. It was the period in which we suffered more total losses than in all the rest of our life put together.
I was just four when a hired teenage field hand attempted to molest me. Miraculously, I got away, and I told my dad. My father made three important choices that day: He listened to me, he believed me, and he took action. I was one of the fortunate ones--I had a childhood.
And if I sit in that room at the top of the house and I think about my life and if I shut my eyes from time to time and imagine being warm in the summer and I hear the bees buzzing and for a moment I truly am Alice in Wonderland, do you have the heart to tell me I am not?
Siempre flotaban en el aire los perfumes de los dulces de leche y nuez que hacía mi abuela, los de sus conservas y mermeladas, los del tomillo y el epazote que crecían en macetas en el jardín, y más recientemente los de naranjas, azahares y miel.
For there comes a time in life when the pity previously reserved only for children takes on a different form, a time when we study the faces of 'old people' and sense that one day we will be just like them. And that is the moment when early childhood comes to an end.
I never drew a picture of anything that was before me but always from fancy, a sure sign of the absence of artistic eyesight; and I illustrated my lack of real feeling for art by a very early speech: 'Mama,' said I, 'I have drawed a man. Shall I draw his soul now?
The stove, she knew, wished it were a volcano, the humble teaspoons wished they were steamshovels, and the sink wished it were a well so all the others could have their wishes. Yet they all stayed exactly the same no matter what they wished, no matter what they saw and heard.
Every child should have love, every person should have it. She herself would rather have had her mother's love - the love she still continued to believe in, the love that had followed her through the jungle in the form of a bird so she would not be too frightened or lonely.
Sitting in his old schoolroom on the sofa with little cushions on the arms and looking into Natasha's wildly eager eyes, Rostov was carried back into that world of home and childhood which had no meaning for anyone else, but gave him some of the greatest pleasure in his life.
That's what makes it so right. Your eyes—your soul is there, but the rest of you is still so undefined. That's the beauty of childhood. The eyes show everything you've seen so far, but the rest of you is still so open to possibility, to whatever you might become.
Most people, looking back at their childhood, see it as a misty country half-forgotten or only to be remembered through an evocative sound or scent, but some episodes of those short years remain clear and brightly coloured like a landscape seen through the wrong end of a telescope.
You know, it's a sad and unfortunate state of affairs that you have to live in a world where eight-year-olds refuse to believe in anything that they cannot touch or measure, and anyone who happens to see a thing that is invisible to most people is immediately branded a lunatic.
Aching familiar in a way that made me wish I was still eight. Eight was before death or divorce or heartbreak. Eight was just eight. Hot dogs and peanut butter, mosquito bites and splinters, bikes and boogie boards. Tangled hair, sunburned shoulders, Judy Blume, in bed by nine thirty.
The poet believed that 'Beauty' first entered the world not at its creation, nor with the first garden, the first sunrise, the birth of the first man and woman and their first sexual act. The poet believed that 'Beauty' entered the world the day the first child blushed.
When the dawn light is coursing through the slats in the shutters at last, making thin stripes on the floor, she, tossing, decides that for every human soul there must surely be a possible childhood worth living, but once it slips by, there isn’t any reclaiming it or revising it.
