During my 20’s and 30’s at some point I started to think, “I have to give it up and I have to grow up.” But the truth is that I can never give it up and that’s another thing that I always tell people, especially young people: don’t even bother thinking that you’re going to give up whatever your art or your creative thing is. It’s always there for you.
Of all the words that exist in any language only a bare minority are pure, unadulterated, original roots. The majority are "coined" words, forms that have been in one way or another created, augmented, cut down, combined, and recombined to convey new needed meanings, The language mint is more than a mint; it is a great manufacturing center, where all sorts of productive activities go on unceasingly.
Split your skull—a hatchet works well enough. Take a more delicate instrument—a scalpel, perhaps—and make a hand-sized slit; it doesn’t matter where. Reach in (no glove needed), plunge down to the very bottom, pinch the inside layer of membrane and yank, hard. If it feels like you’ve just turned your brain inside out, you have. Writing is brain surgery, pure and simple.
If you cannot create, then buy a company that can. In particular, the large corporations buy small, personnally owned companies that have made breakthroughs in particular areas. They are buying creativity, though the immediate rush this produces doesn't last long. Once integrated into an administrative atmosphere, the creativity is sucked out of them.(IV - From Managers and Speculators to Growth)
You’ve heard poets talk about, poems flowing out of their bodies; painters, they get on a roll. You all have seen the musician, when they are in that state, the guitar, the piano, whatever instrument just becomes part of their body, their ego is completely gone and it is just their connection to the art, their connection to the emotions they are trying to share with the audience- that is pure flow.
In the world of the dreamer there was solitude: all the exaltations and joys came in the moment of preparation for living. They took place in solitude. But with action came anxiety, and the sense of insuperable effort made to match the dream, and with it came weariness, discouragement, and the flight into solitude again. And then in solitude, in the opium den of remembrance, the possibility of pleasure again.
Trying to think more outside the box is like taking a picture with a camera, the more you do it, the more you learn about different positions and angles. The more you take pictures, the more you learn that you can change the camera distance range or change the speeds, and different amounts of light let in. Likewise, the camera speed is the same as allowing yourself time for outside ideas and thoughts to flow.
I see a creative process as a necessarily thievish undertaking. Dig beneath a beautiful piece of writing, Monsieur Boustouler, and you will find all manner of dishonor. Creating means vandalizing the lives of other people, turning them into unwilling and unwitting participants. You steal their desires, their dreams, pocket their flaws, their suffering. You take what does not belong to you. You do this knowingly.
People who have a creative side and do not live it out are most disagreeable clients. They make a mountain out of a molehill, fuss about unnecessary things, are too passionately in love with somebody who is not worth so much attention, and so on. There is a kind of floating charge of energy in them which is not attached to its right object and therefore tends to apply exaggerated dynamism to the wrong situation.
...Why are corporations so fleeting?...Instead of imitating the freewheeling city, these businesses minimize the very interactions that lead to new ideas. They erect walls and establish hierarchies. They keep people from relaxing and having insights. They stifle conversations, discourage dissent, and suffocate social networks. Rather than maximizing employee creativity they become obsessed with minor efficiencies.
To tell you the truth, though, I still haven't made up my mind whether I shall publish at all. Tastes differ so widely, and some people are so humourless, so uncharitable, and so absurdly wrong-headed, that one would probably do far better to relax and enjoy life than worry oneself to death trying to instruct or entertain a public which will only despise one's efforts, or at least feel no gratitude for them.
, I found the whole modern world talking scientific fatalism; saying that everything is as it must alwayshave been, being unfolded without fault from the beginning. The leaf on the tree is green because it couldnever have been anything else. Now, the fairy-tale philosopher is glad that the leaf is green precisely becauseit might have been scarlet. He feels as if it had turned green an instant before he looked at it.
It is a burden...(M)ake no mistake about that. Any great gift or power or talent is a burden and this more than any, and you will long to be free of it. But there is nothing to be done. If you were born with the gift, then you must serve it, and nothing in this world or out of it may stand in the way of that service, because that is why you were born and that is the Law."- Susan Cooper ("Merriman" The Dark is Rising)
The crazy creatives are the creatives who never go completely mad. They aren't so easily disheartened by the seemingly endless amounts of scrutiny that creative individuals tend to receive because they, like insanity, are the ones who feed off of opposition and negative feedback and manage to continue along with a healthy ambition. It is the crazy that teaches us to use our gifts wisely and own all the attackers.
Schools train you to be ignorant with style [...] they prepare you to be a usable victim for a military industrial complex that needs manpower. As long as you're just smart enough to do a job and just dumb enough to swallow what they feed you, you're going to be alright [...] So I believe that schools mechanically and very specifically try and breed out any hint of creative thought in the kids that are coming up.
