Good Morning!" said Bilbo, and he meant it. The sun was shining, and the grass was very green. But Gandalf looked at him from under long bushy eyebrows that stuck out further than the brim of his shady hat."What do you mean?" he said. "Do you wish me a good morning, or mean that it is a good morning whether I want it or not; or that you feel good this morning; or that it is a morning to be good on?""All of them at once," said Bilbo. "And a very fine morning for a pipe of tobacco out of doors, into the bargain...."Good morning!" he said at last. "We don't want any adventures here, thank you! You might try over The Hill or across The Water." By this he meant that the conversation was at an end."What a lot of things you do use Good morning for!" said Gandalf. "Now you mean that you want to get rid of me, and that it won't be good till I move off.

A man once asked me ... how I managed in my books to write such natural conversation between men when they were by themselves. Was I, by any chance, a member of a large, mixed family with a lot of male friends? I replied that, on the contrary, I was an only child and had practically never seen or spoken to any men of my own age till I was about twenty-five. "Well," said the man, "I shouldn't have expected a woman (meaning me) to have been able to make it so convincing." I replied that I had coped with this difficult problem by making my men talk, as far as possible, like ordinary human beings. This aspect of the matter seemed to surprise the other speaker; he said no more, but took it away to chew it over. One of these days it may quite likely occur to him that women, as well as men, when left to themselves, talk very much like human beings also.

Our hearts bear a similarity with storerooms. We hold in them our trampled convictions, our fears, suppressed acts of valor, disappointments, enmity, anguish, secrets, things we wish we should have done, things we wish we shouldn’t have, regret.And continue piling them up with emotions, memories, conversations which did happen and conversations which didn’t, soured relationships and bitter people all of which we should have discarded, we keep it within until there is no space left, until the room is full, occupied after which we go on to lock it. Once in a while we happen to open the room and sight the dust accumulated all over, we relive each moment, each memory and each emotion again and soon fall upon the realization as to how deeply the room is in need of cleaning and so we clean it.We clean it so that we can fill it once more, hold it, bear it, relish it, heal from it and then finally let it go.

Slowly, even though I thought it would never happen, New York lost its charm for me. I remember arriving in the city for the first time, passing with my parents through the First World's Club bouncers at Immigration, getting into a massive cab that didn't have a moment to waste, and falling in love as soon as we shot onto the bridge and I saw Manhattan rise up through the looks of parental terror reflected in the window. I lost my virginity in New York, twice (the second one wanted to believe he was the first so badly). I had my mind blown open by the combination of a liberal arts education and a drug-popping international crowd. I became tough. I had fun. I learned so much.But now New York was starting to feel empty, a great party that had gone on too long and was showing no sign of ending soon. I had a headache, and I was tired. I'd danced enough. I wanted a quiet conversation with someone who knew what load-shedding was.

The first conversation began awkwardly, although Espinoza had been expecting Pelletier's call, as if both men found it difficult to say what sooner or later the would have to say. The first twenty minutes were tragic in tone, with the word fate used ten times and the word friendship twenty-four times. Liz Norton's name was spoken fifty times, nine of them in vain. The word Paris was said seven times, Madrid, eight. The word love was spoken twice, once by each man. The word horror was spoken six times and the word happiness once (by Espinoza). The word solution was said twelve times. The word solipsism seven times. The world euphemism ten times. The word category, in the singular and the plural, nine times. The word structuralism once (Pelletier). The term American literature three times. The words dinner or eating or breakfast or sandwich nineteen times. The words eyes or hands or hair fourteen times. The the conversation proceeded more smoothly.

[M]rs. Miniver was beginning to feel more than a little weary of exchanging ideas (especially political ones) and of hearing other people exchange theirs. It's all very well, she reflected, when the ideas have had time to flower, or at least to bud, so that we can pick them judiciously, present them with a bow, and watch them unfold in the warmth of each other's understanding: but there is far too much nowadays of pulling up the wretched little things just to see how they are growing. Half the verbal sprigs we hand each other are nothing but up-ended rootlets, earthy and immature: left longer in the ground they might have come to something, but once they are exposed we seldom manage to replant them. It is largely the fault, no doubt, of the times we live in. Things happen too quickly, crisis follows crisis, the soil of our minds is perpetually disturbed. Each of us, to relieve his feels, broadcasts his own running commentary on the preposterous and bewildering events of the hour: and this, nowadays, is what passes for conversation.

You never listen to me anymore. Before, if I was talking to you, you would always listen. But now you have no time to even talk to me.'Yeah... Has Keaty told you not to eat the Stew?''Richard!'I frowned 'What?''You are not listening to me!''… Oh. Well I'm sorry. I've got a lot on my mind.''Not me.''Huh?''I am not on your mind.''Uh... of course you are.''I am not' she poked me in the ribs. 'I think you do not love me anymore.'I looked at her in astonishment '… Are you serious?''Very serious' she said petulantly'But... I mean... do we have to talk about this right now?''Yes. It must be now. Etienne is not here, and maybe soon I will never see you agai...''Francoise!' I hissed. 'Keep it down!''Maybe I should keep it down but maybe I should not. In the dope field, when I would not be quiet, you pushed me to the ground and held me tightly'. She giggled. 'It was very exciting'.

طه: بالسهولة دي .. هيلاقوا العضم .. و هيعرفوا إنه (السرفيس) .. الـ(DNA)...وليد: ليه .. (تامر حسني) .. عضمه منقوش عليه اسمه ؟ وبعدين ده معندهوش (DNA)أصلاً.. لما بنلاقي حاجة كده بنبقى عارفين إنّها مِش جاية .. و مالهاش ديّة .. ده إذا حد بلّغ أصلاً.

Bit by bit, I found myself relaxing into the conversation. Kitty had a natural talent for drawing people out of themselves, and it was easy to fall in with her, to feel comfortable in her presence. As Uncle Victor had once told me long ago, a conversation is like having a catch with someone. A good partner tosses the ball directly into your glove, making it almost impossible for you to miss it; when he is on the receiving end, he catches everything sent his way, even the most errant and incompetent throws. That’s what Kitty did. She kept lobbing the ball straight into the pocket of my glove, and when I threw the ball back to her, she hauled in everything that was even remotely in her area: jumping up to spear balls that soared above her head, diving nimbly to her left or right, charging in to make tumbling, shoestring catches. More than that, her skill was such that she always made me feel that I had made those bad throws on purpose, as if my only object had been to make the game more amusing. She made me seem better than I was, and that strengthened my confidence, which in turn helped to make my throws less difficult for her to handle. In other words, I started talking to her rather than to myself, and the pleasure of it was greater than anything I had experienced in a long time.

Tamina serves coffee and calvados to the customers (there aren't all that many, the room being always half empty) and then goes back behind the bar. Almost always there is someone sitting on a barstool, trying to talk to her. Everyone likes Tamina. Because she knows how to listen to people.But is she really listening? Or is she merely looking at them so attentively, so silently? I don't know, and it's not very important. What matters is that she doesn't interrupt anyone. You know what happens when two people talk. One of them speaks and the other breaks in: "It's absolutely the same with me, I..." and starts talking about himself until the first one manages to slip back in with his own "It's absolutely the same with me, I..."The phrase "It's absolutely the same with me, I..." seems to be an approving echo, a way of continuing the other's thought, but that is an illusion: in reality it is a brute revolt against a brutal violence, an effort to free our own ear from bondage and to occupy the enemy's ear by force. Because all of man's life among his kind is nothing other than a battle to seize the ear of others. The whole secret of Tamina's popularity is that she has no desire to talk about herself. She submits to the forces occupying her ear, never saying: "It's absolutely the same with me, I...

I'm sorry.""Sorry? For what?" He straightened and moved a bit closer, sounding honestly puzzled."I am not much of a conversationalist, I'm afraid. I am not used to - to any of this. You must find this terribly...""Terribly what?""Boring." She faced him squarely then, for she refused to shy away from difficulties.He let out a short bark of laughter. "Boring? My dear Miss Bainbridge, boring is definitely something you are not.""I don't know how you can say that," she retorted somewhat crossly. "There is really no need for you to be polite. I haven't said any of the things I should. I have been blunt and no doubt impolite. I have never danced before with any man I haven't known since I could toddle. And now I cannot even come up with the most commonplace remark."His chuckle was low and warm [...]."Oh, you know what I mean." Really the man was maddening. "You shouldn't laugh at someone who is admitting their grievous social ineptitude.""What else should I do?" His teeth glinted in the darkness. "Let me assure you that I have danced with a great many girls whom I have not known since childhood. And I have heard a great many commonplace remarks. It is, quite frankly, a relief to enjoy the quiet and cool of the garden without hearing that the weather is quite nice this evening or that the breeze is most refreshing or that the party is so enjoyable.

مارتا عاشق پر سياوش بود. دانيك هر سال چند گلدان برايمان هديه مي آورد. همه خشك مي شدند. پر سياوش هاي دانيك هميشه سرحال بودند، با برگ هاي سبز تيره و ساقه هاي سياه، به قول آلنوش شبيه سيم برق. مارتا مي گفت (( زيباترين گياه دنياست! چرا نگه داشتنتش اين قدر بايد سخت باشد؟ ))٠ آلنوش شكلك در مي آورد٠ (( نگه داشتن چيزهاي زيبا آسان نيست، مثل نگه داشتن من!))

Tell me something. Do you believe in God?'Snow darted an apprehensive glance in my direction. 'What? Who still believes nowadays?''It isn't that simple. I don't mean the traditional God of Earth religion. I'm no expert in the history of religions, and perhaps this is nothing new--do you happen to know if there was ever a belief in an...imperfect God?''What do you mean by imperfect?' Snow frowned. 'In a way all the gods of the old religions were imperfect, considered that their attributes were amplified human ones. The God of the Old Testament, for instance, required humble submission and sacrifices, and and was jealous of other gods. The Greek gods had fits of sulks and family quarrels, and they were just as imperfect as mortals...''No,' I interrupted. 'I'm not thinking of a god whose imperfection arises out of the candor of his human creators, but one whose imperfection represents his essential characteristic: a god limited in his omniscience and power, fallible, incapable of foreseeing the consequences of his acts, and creating things that lead to horror. He is a...sick god, whose ambitions exceed his powers and who does not realize it at first. A god who has created clocks, but not the time they measure. He has created systems or mechanisms that serves specific ends but have now overstepped and betrayed them. And he has created eternity, which was to have measured his power, and which measures his unending defeat.'Snow hesitated, but his attitude no longer showed any of the wary reserve of recent weeks:'There was Manicheanism...''Nothing at all to do with the principles of Good and Evil,' I broke in immediately. 'This god has no existence outside of matter. He would like to free himself from matter, but he cannot...'Snow pondered for a while:'I don't know of any religion that answers your description. That kind of religion has never been...necessary. If i understand you, and I'm afraid I do, what you have in mind is an evolving god, who develops in the course of time, grows, and keeps increasing in power while remaining aware of his powerlessness. For your god, the divine condition is a situation without a goal. And understanding that, he despairs. But isn't this despairing god of yours mankind, Kelvin? Is it man you are talking about, and that is a fallacy, not just philosophically but also mystically speaking.'I kept on:'No, it's nothing to do with man. man may correspond to my provisional definition from some point of view, but that is because the definition has a lot of gaps. Man does not create gods, in spite of appearances. The times, the age, impose them on him. Man can serve is age or rebel against it, but the target of his cooperation or rebellion comes to him from outside. If there was only a since human being in existence, he would apparently be able to attempt the experiment of creating his own goals in complete freedom--apparently, because a man not brought up among other human beings cannot become a man. And the being--the being I have in mind--cannot exist in the plural, you see? ...Perhaps he has already been born somewhere, in some corner of the galaxy, and soon he will have some childish enthusiasm that will set him putting out one star and lighting another. We will notice him after a while...''We already have,' Snow said sarcastically. 'Novas and supernovas. According to you they are candles on his altar.''If you're going to take what I say literally...'...Snow asked abruptly:'What gave you this idea of an imperfect god?''I don't know. It seems quite feasible to me. That is the only god I could imagine believing in, a god whose passion is not a redemption, who saves nothing, fulfills no purpose--a god who simply is.