محظوظة أنت لأنك تتعاملين معي .. لا أريد منك شيئا آخر فعلا و لا أحمل أى أفكار سوداء لن تجدي هذا الحظ لو تعاملت بجمالك هذا مع واحد آخر

Imagine the universe is like this cloth.” Philippos said, lifting up an old rag off the ground. “There are thousands of tiny threads woven in tiny, little patterns. If you follow one thread it will lead you to the end, but also you’ll see that more threads are connected to it. What if you decide to follow another? Where would that lead you? And if you cut one thread, what would happen to the cloth then? Would it fray until it fell apart? Or would it just change pattern?” he paused thoughtfully. “Wielders like you can see those possibilities. You can follow the threads and see where they begin and end, where and how they connect with everything else and what might happen if something changes along the way.

I notice he doesn't have his meteorite bag and see out the window it's probably going to pour any minute, but wee need to et out of here. Immediately. "We're going to search for meteorites," I say, like that's what most people do on winter mornings. I never really told either of them too much about last summer, which is reflected in both of their flummoxed faces. But who freaking cares?Not us.In a flash, we're through the door, across the street and into the woods, running for no reason and laughing for no reason and totally out of breath and out of our minds when Brian catches me by my shirt, whips me around, and with one strong hand flat against my chest, he pushes me against a tree and kisses me so hard I go blind.

A girl stood before him in midstream, alone and still, gazing out to sea. She seemed like one whom magic had changed into the likeness of a strange and beautiful seabird. Her long slender bare legs were delicate as a crane's and pure save where an emerald trail of seaweed had fashioned itself as a sign upon the flesh. Her thighs, fuller and soft-hued as ivory, were bared almost to the hips, where the white fringes of her drawers were like feathering of soft white down. Her slate-blue skirts were kilted boldly about her waist and dovetailed behind her. Her bosom was as a bird's, soft and slight, slight and soft as the breast of some dark-plumaged dove. But her long fair hair was girlish: and girlish, and touched with the wonder of mortal beauty, her face.

jeg ville gerne være højere, så jeg kunne se dig i øjnene, jeg ville gerne expandere, så jeg kunne rumme os begge, jeg ville gerne koncentrere mig, så det hele kunne nås inden for dette øje-bliks grænser, så ingen overflødige ord skulle spilde tiden med at forbinde vore afstandes sår, jeg ville gerne koncentrere mig, så ordenes mislykkede graviditeter blev afbrudt, så nye afstande døde før fødselen, jeg ville gerne være højere, så jeg kunne se dig i øjnene, jeg ville gerne indfange dine øjnes udtryk og indtryk; men afstanden er for stor, og du ser det hele fra en anden vinkel - ser ned på mit forståelsessøgende blik.

I tried to find a way to go on. I could see familiar traces of the path that was my life, but there was always the wall behind me. Do you know what I mean? First you try and climb, pretending it never happened, but it's too tall. Then you try to go around, thinking you can fix it, but it is too far. Then, in frustration, you beat on it with your hands, but it does nothing, so you tire and sit down and just stare at it. You stare because you can't bring yourself to walk away. Walking away means that you're giving up, abandoning them. "There is no way back. There is only forward. It's impossible to imagine there's any reason to move ahead, but that isn't the real reason you give up. The real fear--the terror that keeps you rooted--is that you might be wrong." --Myron, Monk of Maribo

She sat up, cheeks flushed and golden hair tousled. She was so beautiful that it made my soul ache. I always wished desperately that I could paint her in these moments and immortalize that look in her eyes. There was a softness in them that I rarely saw at other times, a total and complete vulnerability in someone who was normally so guarded and analytical in the rest of her life. But although I was a decent painter, capturing her on canvas was beyond my skill. She collected her brown blouse and buttoned it up, hiding the brightness of turquoise lace with the conservative attire she liked to armor herself in. She’d done an overhaul of her bras in the last month, and though I was always sad to see them disappear, it made me happy to know they were there, those secret spots of color in her life.

You read all kinds of books and see all kinds of movies about the man who is obsessed and devoted, whose focus is a single solid beam, same as the lighthouse and that intense, too. It is Heathcliff with Catherine. It is a vampire with a passionate love stronger than death. We crave that kind of focus from someone else. We'd give anything to be that "loved." But that focus is not some soul-deep pinnacle of perfect devotion - it's only darkness and the tormented ghosts of darkness. It's strange, isn't it, to see a person's gaping emotional wounds, their gnawing needs, as our romance? We long for it, I don't know why, but when we have it, it is a knife at our throat on the banks of Greenlake. It is an unwanted power you'd do anything to be rid of. A power that becomes the ultimate powerlessness.

The houses have been condemned on Memory LaneI’m tired of this struggle that leaves everything the sameI’ve tried so hard to make it workthat I’m dying insideWell, you can take my pastBut you can’t have my tomorrowPromises that remain promises are useless and they’re cheapI wish I could put a price on words so I could make them keepI put so much faith in youI lost all my faith in meWell, you can take my pastBut you can’t have my tomorrowI’m giving up on giving upI can’t leave it all to prayer‘Cause the first step in getting betteris knowing what’s not thereYou said you’d make it betterand that just makes it worseWell, you can take my pastBut you can’t have my tomorrowYes, I want my life to lastSo you can’t have my tomorrowNo, you can’t have my tomorrow

Then, all of a sudden, those pea-green lawns where the first scarlet poppies were flowering, those canary-yellow fields which striped the tawny hills sloping down to a sea full of azure glints, all seemed so trivial to me, so banal, so false, so much in contrast with Ayl's person, with Ayl's world, with Ayl's idea of beauty, that I realized her place could never have been out here. And I realized, with grief and fear, that I had remained out here, that I would never again be able to escape those gilded and silvered gleams, those little clouds that turned from pale blue to pink, those green leaves that yellowed every autumn, and that Ayl's perfect world was lost forever, so lost I couldn't even imagine it any more, and nothing was left that could remind me of it, even remotely, nothing except perhaps that cold wall of gray stone.

ROSE: I love you, Jack.JACK: No...don’t say your goodbyes, Rose. Don’t you give up. Don’t do it.ROSE: I’m so cold.JACK: You’re going to get out of this...you’re going to go on and you’re going to make babies and watch them grow and you’re going to die an old lady, warm in your bed. Not here...Not this night. Do you understand me?ROSE: I can’t feel my body.JACK: Rose, listen to me. Winning that ticket was the best thing that ever happened to me. It brought me to you. And I’m thankful, Rose. I’m thankful. You must do me this honor...promise me you will survive....that you will never give up...not matter what happens...no matter how hopeless...promise me now, and never let go of that promise.ROSE: I promise.JACK: Never let go.ROSE: I promise. I will never let go, Jack. I’ll never let go.

The ChairI’m writing to you, who made the archaic wooden chairlook like a throne while you sat on it.Amidst your absence, I choose to sit on the floor,which is dusty as a dry Kansas day.I am stoic as a statue of Buddha,not wanting to bother the old wooden chair,which has been silent now for months.In this sunlit moment I think of you.I can still picture you sitting there--your forehead wrinkled like an un-ironed shirt,the light splashed on your face,like holy water from St. Joseph’s.The chair, with rounded curveslike that of a full-figured woman,seems as mellow as a monk in prayer.The breeze blows from beyond the curtains,as if your spirit has come back to rest.Now a cloud passes overhead,and I hush, waiting to hear what restsso heavily on the chair’s lumbering mind.Do not interrupt, even if the wind offers to carryyour raspy voice like a wispy cloud.

Shimamoto was in charge of the records. She'd take one from its jacket, place it carefully on the turntable without touching the grooves with her fingers, and, after making sure to brush the cartridge free of any dust with a tiny brush, lower the needle ever so gently onto the record. When the record was finished, she'd spray it and wipe it with a felt cloth. Finally she'd return the record to its jacket and its proper place on the shelf. Her father had taught her this procedure, and she followed his instructions with a terribly serious look on her face, her eyes narrowed, her breath held in check. Meanwhile, I was on the sofa, watching her every move. Only when the record was safely back on the shelf did she turn to me and give a little smile. And every time, this thought hit me: It wasn't a record she was handling. It was a fragile soul inside a glass bottle.

Usually, the murmur that rises up from Paris by day is the city talking; in the night it is the city breathing; but here it is the city singing. Listen, then, to this chorus of bell-towers - diffuse over the whole the murmur of half a million people - the eternal lament of the river - the endless sighing of the wind - the grave and distant quartet of the four forests placed upon the hills, in the distance, like immense organpipes - extinguish to a half light all in the central chime that would otherwise be too harsh or too shrill; and then say whetehr you know of anything in the world more rich, more joyous, more golden, more dazzling, than this tumult of bells and chimes - this furnace of music - these thousands of brazen voices, all singing together in flutes of stone three hundred feet high, than this city which is but one orchestra - this symphony which roars like a tempest.

It's Also Tradition to Wear White,I Study Myself in The Mirror Now,as Annabelle Curls My Hair. My Dress is Strapless,Layers of ivorychiffon Floating to The Floor.a Necklace of Diamonds and Rubies Sparkles at My ThroatGarnet Leans Against The Newel Post and Whistles As I Come Down The Stairs. My Cheeks Flush. Have You Been To The Royal Palace Yet? Garnet Asks Me.I Stare at Him for a SecondWondering if He's Joking. Yes, I Say Slowly. You Bumped Into Me at The Exetor's Ball.Did I? Garnet's Eyebrows Pinch Together. HuhWell,You Haven't Seen Anytging Until You've Seen The Winter Ball Decorations.We are Escorted to a Extension Made Entirely of Glass. It is Lit with Thousands of Candles. Giving The Room a Beautiful Golden Glow. The Floor is Made Out Of Blue Glass and Enormous Ice Sculptures Glitter in The Flickering Light. I See What Garnet Meant-The Whole Effect is Magnificent.