You get your confidence and intuition back by trusting yourself, by being militantly on your own side. You need to trust yourself, especially on a first draft, where amid the anxiety and self-doubt, there should be a real sense of your imagination and your memories walking and woolgathering, tramping the hills, romping all over the place. Trust them. Don't look at your feet to see if you are doing it right. Just dance.

Do you know what the imagination is, Susan?"The child nodded sagely. "That's when you see things that aren't really there.""Well, not exactly," said Kris with a smile. "No -- to me the imagination is a place all by itself. A very wonderful country. You've heard of the British Nation and the French Nation?"Susan nodded again."Well, this is the Imagination. And once you get there you can do almost anything you want.

Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man.

I’d stumbled upon the inner sanctuary of a woman who loved the world. Loved the faces of people she saw. Loved the way a hand looked when it was relaxed. Loved the way a woman looked when she touched her own face. The way a man looked when he opened himself to her. Loved the way wind changed a tree or a field or a child’s hair. The beauty of a neck meeting a shoulder. The softness of a smile that wasn’t forced.

It’s a struggle for me to remain open," she admits. "To not shut down because I’m defensive or scared or maybe my ego is getting in the way. And the other side of that is just believing that I belong where I am and deserve to take up space. I fight constantly between those two things, between not apologizing for what I want and staying vulnerable and creatively supple and not thinking I know better than everyone else.

The field of scientific abstraction encompasses independent kingdoms of ideas and of experiments and within these, rulers whose fame outlasts the centuries. But they are not the only kings in science. He also is a king who guides the spirit of his contemporaries by knowledge and creative work, by teaching and research in the field of applied science, and who conquers for science provinces which have only been raided by craftsmen.

One of the few things I know about writing is this:spend it all, shoot it, play it, lose it, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is a signal to spend it now. Something more will arise later, something better. These things fill from behind, from beneath, like well water.

And so, as I sleep, some dream beguiles me, and suddenly I know I dream.Then I think: this is a dream, a pure diversion of my will; now that I have unlimited power, I am going to create a tiger.Oh incompetence! Never do my dreams engender the wild beast I longed for.The tiger indeed appears, but stuffed or flimsy, or with impure variations of shape, or of an implausible size, or all too fleeting, or with a touch of the dog or bird.

The old ways are dead. And you need people around you who concur. That means hanging out more with the creative people, the freaks, the real visionaries, than you're already doing. Thinking more about what their needs are, and responding accordingly. Avoid the dullards; avoid the folk who play it safe. They can't help you anymore. Their stability model no longer offers that much stability. They are extinct, they are extinction.

Those who loved with all their heart and mind and might have always thought of death, and those who knew the endless nights of harrowing concern for others have longed for it. The life I want is a life I could not endure in eternity. It is a life of love and intensity, suffering and creation, that makes life worthwhile and death welcome. There is no other life I should prefer. Neither should I like not to die." (The Faith of a Heretic)

When you've got creative momentum, the last thing you want to do is stop. I'd write and write and wake up with my head slumped over and my fingers still on the keyboard and the last sentence trailing off like eeeeeejjjjjjjjjjjjj . . . Then I'd finally crawl to bed. Mornings were rough, but I got used to it. It was invigorating to write a couple thousand words while the rest of the world was asleep. More invigorating than rest.

Maya Angelou said, "People will forget what you said, people will forget what you did, but people will never forget how you made them feel." I'm proud that Mike Schur and I rejected the idea that creativity needs to come from chaos. I like how we ran our writers' room and our set. People had a great time when they came to work on our show and that mattered to us. I like to think the spirit we had on set found its way onto the show.

Because of the routines we follow, we often forget that life is an ongoing adventure. . . Life is pure adventure, and the sooner we realize that, the quicker we will be able to treat life as art: to bring all our energies to each encounter, to remain flexible enough to notice and admit when what we expected to happen did not happen. We need to remember that we are created creative and can invent new scenarios as frequently as they are needed.

The only way to maximize group creativity—to make the whole more than the sum of its parts—is to encourage a candid discussion of mistakes. In part, this is because the acceptance of error reduces cost. When you believe your flaws will be quickly corrected by the group, you're less worried about perfecting your contribution, which leads to a more candid conversation. We can only get it right when we talk about what we got wrong.

It often feels like a tremendous amount of work is required to get an idea moving forward, like pushing a train uphill. But at a certain point, the thing takes on its own momentum, and takes unexpected turns. So it's that feeling of holding on, rather than pushing it, that is the most exciting thing. It's that need to occasionally bounce off the walls, letting anything happen for any reason, and having nothing to guide you that is the joy.