If you want to be relevant only in your household, then you only need to know the things that are important in your house, and if you want to be relevant in your neighborhood, you need to know what's important in your neighborhood. The same thing applies to your city, state, and country. And if you want to be relevant to the entire world, program that computer known as your brain with all kinds of information from everywhere in order to prepare yourself.
History teacher Bob Alston's "expertise late not in his sweeping knowledge of the topic but in his ability to pick after a tumble, to get a fix on what he does not know, and to generate a roadmap to guide his new learning. He was an expert at cultivating puzzlement it was Alston's ability to stand back from first impressions, to question his quick leaps of mind, to keep track of his questions that together pointed him in the direction of new learning.
In a way, her strangeness, her naivete, her craving for the other half of her equation was the consequence of idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings; had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like any artist with no art from, she became dangerous.
These are the few ways we can practice humility:To speak as little as possible of one's self.To mind one's own business.Not to want to manage other people's affairs.To avoid curiosity.To accept contradictions and correction cheerfully.To pass over the mistakes of others.To accept insults and injuries.To accept being slighted, forgotten and disliked.To be kind and gentle even under provocation.Never to stand on one's dignity.To choose always the hardest.
Reality is a complex phenomenon, filled with dimensions, not the least of which are two that Christians affirm and understand: the physical and the spiritual. We are invited by Cervantes to enter into Don Quixote's imaginary world and reflect on these players. We are to ignore no points of view: neither the idealism of Don Quixote nor the realism/literalism of Sancho Panza. The point that comes across is this: we must not have a reductionist attitude toward reality.
The determination of the average man is not merely a matter of speculative curiosity; it may be of the most important service to the science of man and the social system. It ought necessarily to precede every other inquiry into social physics, since it is, as it were, the basis. The average man, indeed, is in a nation what the centre of gravity is in a body; it is by having that central point in view that we arrive at the apprehension of all the phenomena of equilibrium and motion.
Look!You want to see? See! Feast your eyes, glut your soul on my cursed ugliness! Look at Erik's face! Now you know the face of the voice! You were not content to hear me, eh? You wanted to know what I looked like? Oh, you women are so inquisitive! Well, are you satisfied? I'm a good-looking fellow, eh?...When a woman has seen me, as you have, she belongs to me.She loves me forever! I am a kind of Don Juan, you know!...Look at me! I am Don Juan Triumphant! -Erik in The Phantom of the Opera
Our lives are marked by the people who choose to matter more: the teacher who encouraged our curiosity, the neighbor who lent a helping hand in time of need, the great leaders and perceptive thinkers whose vision and innovation improve the quality of our lives. And that's what it means to matter more. It's not about pursuit of riches or fame. It's about making a difference in people's lives. Remembered or not, lived out in a small town or on the world stage, the journey of relevance matters.
How much larger your life would be if your self could become smaller in it; if you could really look at other men with common curiosity and pleasure; if you could see them walking as they are in their sunny sefishness and their virile indifference! You would begin to be interested in them, because they are not interested in you. You would break out of this tiny and tawdry theatre in which your own little plot is always played, and you would find yourself under a freer sky, in a street full of splendid strangers.
Curiosity and irreverence go together. Curiosity cannot exist without the other. Curiosity asks, "Is this true?" "Just because this has always been the way, is the best or right way of life, the best or right religion, political or economic value, morality?" To the questioner, nothing is sacred. He detests dogma, defies any finite definition of morality, rebels against any repression of a free, open search of ideas no matter where they may lead. He is challenging, insulting, agitating, discrediting. He stirs unrest.
Who knows what adventure we might find here?" Drizzt said excitedly. "Who knows what secrets might be unveiled to us?""Adventure?" Dunkin asked incredulously, looking to the carnage along the beach, and to the zombies still frozen in the water. "Reward?" he added with a chuckle. "Punishment, more likely, though I have done nothing to harm you, any of you!""We are here to unveil a mystery," Drizzt said, as though that fact should have piqued the man's curiosity, "To learn and to grow. To live as we discover the secrets of the world about us.
We'll choose knowledge no matter what, we'll maim ourselves in the process, we'll stick our hands into the flames for it if necessary. Curiosity is not our only motive; love or grief or despair or hatred is what drives us on. We'll spy relentlessly on the dead; we'll open their letters, we'll read their journals, we'll go through their trash, hoping for a hint, a final word, an explanation, from those who have deserted us--who've left us holding the bag, which is often a good deal emptier than we'd supposed.
I watched the enormity of the clouds for several minutes. What I wanted to experience in the water, I realized, was how life of the reef was layered and intertwined. I now had many individual pieces at hand: named images, nouns. How were they related? What were the verbs? Which syntaxes were indigenous to the place? I asked a dozen knowledgeable people. No one was inclined to elaborate- or they didn’t know. “Did you see the octopus?” Someone shouted after the dive. Yes, I thought, but who among us knows what it was doing? What else was THERE, just then? WHY?
Henry had written a novel because there was a hole in him that needed filling, a question that needed answering, a patch of canvas that needed painting—that blend of anxiety, curiosity and joy that is at the origin of art—and he had filled the hole, answered the question, splashed colour on the canvas, all done for himself, because he had to. Then complete strangers told him that his book had filled a hole in them, had answered a question, had brought colour to their lives. The comfort of strangers, be it a smile, a pat on the shoulder or a word of praise, is truly a comfort.
I tried to explain again. 'Perhaps it would have been easier if I said that not being able to find something is like suddenly not remembering the words to your favourite song that you knew off by heart. It's like suddenly forgetting the name of someone you know really well and see every day, or the name of a group who sang a famous song. It's something so frustrating that it plays on your mind over and over again because you know there's an answer but no one can tell you it. It niggles and niggles at me and I can't rest until I know the answer.''I Understand,' he said softly.
