I think that cars today are almost the exact equivalent of the great Gothic cathedrals; I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.

All of everything came into existence simply because it wanted to be. The big bang wasn't so much a big bang as a hasty dash toward an opportunity to trade nothingness for somethingness. The main contributory factor to the entire universe was a momentary effect in need of a cause.

The worst part of writing fiction is the fear of wasting your life behind a keyboard. The idea that, dying, you'll realize you only lived on paper. Your only adventures were make-believe, and while the world fought and kissed, you sat in some dark room masturbating and making money.

In the view of such harmony in the cosmos which I, with my limited human mind, am able to recognize, there are yet people who says there is no God. But what makes me really angry is that they quote me for support of such views. (The Expanded Quotable Einstein, Princeton University, page 214)

Where is our comfort but in the free, uninvolved, finally mysterious beauty and grace of this world that we did not make, that has no price? Where is our sanity but there? Where is our pleasure but in working and resting kindly in the presence of this world? (pg. 215, Economy and Pleasure)

Creative work is often driven by pain. It may be that if you don't have something in the back of your head driving you nuts, you may not do anything. It's not a good arrangement. If I were God, I wouldn't have done it that way.[Interview, The Wall Street Journal, Nov. 20, 2009]

For this world has neither worth nor weight with God; so slight it is, it weighs not with God so much as a pebble or a single clod of earth; as I am told, God has created nothing more hateful to Him than this world, and from the day He created it He has not looked upon it, so much He hates it.

Never forget that you are not in the world; the world is in you. When anything happens to you, take the experience inward. Creation is set up to bring you constant hints and clues about your role as co-creator. Your soul is metabolizing experience as surely as your body is metabolizing food

How many people make a career out of writing anyway?' Cath snapped. She felt like everything inside her was snapping. Her nerves. Her temper. Her esophagus. 'I'll write because I love it, the way other people knit or . . . or scrapbook. And I'll find some other way to make money.

In nature, improbabilities are the one stock in trade. The whole creation is one lunatic fringe. If creation had been left up to me, I'm sure I wouldn't have had the imagination or courage to do more than shape a single, reasonably sized atom, smooth as a snowball, and let it go at that.

There was only the dark infinity in which nothing was. And something happened. At the distance of a star something happened, and everything began. The Word did not come into being, but it was. It did not break upon the silence, but it was older than the silence and the silence was made of it.

Natural science in England, as Darwin already knew to his cost, was still the purview of Christian scholars. But here was a question that Darwin found compelling: if God had created all the creatures of the world, what possible reason could there be for the variations found in the Galápagos?

Courtesy, not control, that was His means. Just as He requested the stars to sing and they leapt into bright being, so request was to be their rule over bird and beast, seas and trees, mountains and moons and all the dancing distances between the heavenlies filled with the unending song of Creation.

In the eyes of others a man is a poet if he has written one good poem. In his own he is only a poet at the moment when he is making his last revision to a new poem. The moment before, he was still only a potential poet; the moment after, he is a man who has ceased to write poetry, perhaps forever.

Ideally a painter (and, generally, an artist) should not become conscious of his insights: without taking the detour through his conscious reflection, his progressive steps, mysterious even to himself, should enter so swiftly into the work that he is unable to recognize them in the moment of transition.