أني لاجد نصيحة أثمن من أن اقول ليعد كل منا الى فطرته.. ليعد الى بكارته وعذريته التي لم تدنسها لفلفات المنطق ومراوغات العقل

Who will teach me to write? a reader wanted to know.The page, the page, that eternal blankness, the blankness of eternity which you cover slowly, affirming time's scrawl as a right and your daring as necessity; the page, which you cover woodenly, ruining it, but asserting your freedom and power to act, acknowledging that you ruin everything you touch but touching it nevertheless, because acting is better than being here in mere opacity; the page, which you cover slowly with the crabbed thread of your gut; the page in the purity of its possibilities; the page of your death, against which you pit such flawed excellences as you can muster with all your life's strength: that page will teach you to write.

I only meant, you know, you shouldn’t be wasting your time on imbeciles. I know how hard it is to find the right person, but that’s no reason to exhaustively work your way through all the wrong people. You seem to be living your romantic life by some kind of process of elimination. It’s like matching a Louis Quatorze armchair with one of those plastic patio tables. It simply doesn’t work.” “Oh, I see,” Bel said. “I’m an armchair, is that it?” “A Louis Quatorze armchair,” I qualified. “And my boyfriends are patio tables.” “Actually,” I remembered, “this one’s more like one of those self-assembly Swedish wardrobes.

To all the talented young men who wander about feeling that there is nothing in the world for them to do, I should say: 'Give up trying to write, and, instead, try not to write. Go out into the world; become a pirate, a king in Borneo, a labourer in Soviet Russia; give yourself an existence in which the satisfaction of elementary physical needs will occupy almost all your energies.' I do not recommend this course of action to everyone, but only to those who suffer from the disease which Mr Krutch diagnoses. I believe that, after some years of such an existence, the ex-intellectual will fin that in spite of is efforts he can no longer refrain from writing, and when this time comes his writing will not seem to him futile.

Her father sat her down and spoke to her with great seriousness. "You are not a witch, Katerina. There is magic in the world, and some of it is wholesome, and some of it is not, but it is a thing that is in the blood, and it is not in yours."The foolish will always treat you badly, because they think you are not beautiful," he said, and she knew this was true. Plain Kate. She was a plain as a stick and thin as a stick and flat as a stick. Her nose was too long and her brows too strong. Her father kissed her twice, once above each brow. "We cannot help what fools think. But understand, it is your skill with a blade that draws this talk. If you want to give up your carving, you have my blessing.""I will never give it up," she answered.

What's wrong with the world," Nana explained, "is that people stopped listening to their hearts... "Not everybody stopped listening," she continued, "but enough people did to make a difference. We've go so much in this life that all we know how to do is want more. So we concentrate on the wrong things--things we can see--as being the measure of a person. We think if we can win something big or buy something snazzy it'll make us more than we are. Our hearts know that's not true, but the eyes are powerful. It's easier to fix on what we can see than listen to the still, small voice of a whispering heart." Nana turned her eyes on me like a vet looking for fleas: "A heart will say amazing things if it's given half a chance.

Having bad experiences sometimes helps; it makes it clearer what it is youshould be doing. I know that sounds very Pollyannaish but it’s true. People who have had only good experiences aren’t very interesting. They may be content, and happy after a fashion, but they aren’t very deep. It may seem a misfortune now, and it makes things difficult, but well—it’s easy to feel all the happy, simple stuff. Not that happiness is necessarily simple. But I don’t think you’re going to have a life like that, and I think you’ll be the better for it. The difficult thing is to not be overwhelmed by the bad patches. You mustn’t let them defeat you. You must see them as a gift—a cruel gift, but a gift nonetheless.

...In books there's always somebody standing by ready to say hey, the world's in danger, evil's on the rise, but if you're really quick and take this ring and put it in that volcano over there everything will be fine."But in real life that guy never turns up. He's never there. He's busy handing out advice in the next universe over. In our world no one ever knows what to do, and everyone's just as clueless and full of crap as everyone else, and you have to figure it all out by yourself. And even after you've figured it out and done it, you'll never know whether you were right or wrong. You'll never know if you put the ring in the right volcano, or if things might have gone better if you hadn't. There's no answers in the back of the book.

At their core, Tiger Eyes, Forever..., and Sally J. Freeman are all books about teenage issues, but to an adult reader, the parents' story lines seem to almost overshadow their daughters. I'm bringing an entirely new set of experiences to these novels now, and my reward is a fresh set of story lines that i missed the first time around. I'm sure that in twenty or thirty years I'll read these books again and completely identify with all the grandparent characteristics. That's the wonderful thing about Judy Blume - you can revisit her stories at any stage in life and find a character who strikes a deep chord of recognition. I've been there, I'm in the middle of this, someday that'll be me. The same characters, yet somehow completely different. (Beth Kendrick)

Dear Aspiring Writer, you are not ready. Stop. Put that finished story away and start another one. In a month, go back and look at the first story. RE-EDIT it. Then send it to a person you respect in the field who will be hard on you. Pray for many many many red marks. Fix them. Then put it away for two weeks. Work on something else. Finally, edit one last time. Now you are ready to sub your first work.Criticism is hard to take at first. Trust me, I've been there. But learn to think of crit marks as a knife. Each one is designed to cut away the bad and leave a scar. Scars prove you've lived, learned and walked away a winner. Any writer who tells you they don't need edits is lying. I don't care if they have 100 books out. Edits make you grow and if you aren't growing as a writer, you are dead.

Allow me to give my lord one last piece of counsel," the old man had said, "the same counsel I once gave my brother when we parted for the last time. He was three-and-thirty when the Great Council chose him to mount the Iron Throne. A man grown with sons of his own, yet in some ways still a boy. Egg had an innocence to him, a sweetness we all loved. Kill the boy within you, I told him the day I took ship for the Wall. It takes a man to rule. An Aegon, not an Egg. Kill the boy and let the man be born." The old man felt Jon's face. "You are half the age that Egg was, and your own burden is crueler one, I fear. You will have little joy of your command, but I think you have the strength in you to do the things that must be done. Kill the boy, Jon Snow. Winter is almost upon us. Kill the boy and let the man be born.

But how?" my students ask. "How do you actually do it?" You sit down, I say. You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. So you sit down at, say, nine every morning, or ten every night. You put a piece of paper in the typewriter, or you turn on the computer and bring up the right file, and then you stare at it for an hour or so. You begin rocking, just a little at first, and then like a huge autistic child. You look at the ceiling, and over at the clock, yawn, and stare at the paper again. Then, with your fingers poised on the keyboard, you squint at an image that is forming in your mind -- a scene, a locale, a character, whatever -- and you try to quiet your mind so you can hear what that landscape or character has to say above the other voices in your mind.

Long after our cities are condemned and deserted, our city parks will stand as a testament of the serenity of our weekends to distant trespassers. As we wait in the bushes to embrace their heavy garments, the trespassers may think, cuddling themselves in their warm garments, ‘what a carefree people this was, a people much like ourselves before the cold.’ The trespassers idealize us, unaware of the many serious life lessons the recreationist would have been confronted with on any given visit:- No feeding the geese. If a man doesn’t know how to eat, he isn’t fit to teach lesser beings.- Pick up your trash. The park is a place where your children vicariously display your own values, but cutely. It is not a dumping ground.- Keep off the grass. Because Sunday is not Sin-day. Take your blankets into the woods for that kind of summer fun.

In the shower today I tried to think about the best advice I'd ever been given by another writer. There was something that someone said at my first Milford, about using style as a covering, but sooner or later you would have to walk naked down the street, that was useful...And then I remembered. It was Harlan Ellison about a decade ago.He said, "Hey. Gaiman. What's with the stubble? Every time I see you, you're stubbly. What is it? Some kind of English fashion statement?""Not really.""Well? Don't they have razors in England for Chrissakes?""If you must know, I don't like shaving because I have a really tough beard and sensitive skin. So by the time I've finished shaving I've usually scraped my face a bit. So I do it as little as possible.""Oh." He paused. "I've got that too. What you do is, you rub your stubble with hair conditioner. Leave it a couple of minutes, then wash it off. Then shave normally. Makes it really easy to shave. No scraping."I tried it. It works like a charm. Best advice from a writer I've ever received.

Rules for Living by Olivia Joules1. Never panic. Stop, breathe, think.2. No one is thinking about you. They're thinking about themselves, just like you.3. Never change haircut or color before an important event.4. Nothing is either as bad or good as it seems.5. Do as you would be done by, e.g. thou shalt not kill.6. It is better to buy one expensive thing that you really like than several cheap ones that you only quite like.7. Hardly anything matters: if you get upset, ask yourself, "Does it really matter?"8. The key to success lies in how you pick yourself up from failure.9. Be honest and kind.10. Only buy clothes that make you feel like doing a small dance.11. Trust your instincts, not your overactive imagination.12. When overwhelmed by disaster, check if it's really a disaster by doing the following: (a) think, "Oh, fuck it," (b) look on the bright side, and if that doesn't work, look on the funny side. If neither of the above works then maybe it is a disaster so turn to items 1 and 4.13. Don't expect the world to be safe or life to be fair.