Now let's talk about dreams. Yes. Dreams. I believe that dreams are one of the best thing in the world. It's so powerful. Because of people dreaming; things are being done and things are being made. Things happen. Dreams are being manifested to beautiful things. Dreams can make people happy, but sad as well (if they don't happen). Well let me tell you, I believe dreams come true because one person decided it so.
The verb 'to darn' is explained in my pocket dictionary as follows: 'To mend by imitating the texture of the stuff, with thread and needle.' But this definition does not correspond to the work accomplished by good Chinese housewives. When they mend a sock, they do not try 'to imitate the texture of the stuff'. Their art makes no attempt at concealment: it even takes a certain pride in revealing itself.
Wonderful art can spring from misery,I'm the last person to deny that.I'd go even further:the best works of art of all time are probably stemmed from the deep human sorrow or hellish frustration,the death of a loved one or a divorce and yes:jealousy.Heartache and impotence as the man-spring for making the unverifiable verifiable and for giving it face.How romantic,beautiful and especially useful pain and misery can be.
The source of our art then is not in the achievements of other artists in other days and lands, although it has learned a great deal from these, our art is founded on a long and growing love and understanding of the North in an ever clearer experience of oneness with the informing spirit of the whole land and a strange brooding sense of Mother Nature fostering a new race and a new age... So the Canadian artist was drawn North.
This is the time for every artist in every genre to do what he or she does loudly and consistently. It doesn't matter to me what your position is. You've got to keep asserting the complexity and the originality of life, and the multiplicity of it, and the facets of it. This is about being a complex human being in the world, not about finding a villain. This is no time for anything else than the best that you've got.
True freedom only exists in art.The problem is you have to be incredibly good.No,I am putting it wrong:You don't so much have to be outstanding,what you really need are connections,if you don't want to be dependent on all kinds of government foundations who will impose their ideas and restrictions on you in turn.It can be touch and go in the beginning:It takes guts to let go of everything.But you make it,you're free.
The work of the art student is no light matter. Few have the courage and stamina to see it through. You have to make up your mind to be alone in many ways. We like sympathy and we like to be in company. It is easier than going it alone. But alone one gets acquainted with himself, grows up and on, not stopping with the crowd. It costs to do this. If you succeed somewhat you may have to pay for it as well as enjoy it all your life.
The artist has some internal experience that produces a poem, a painting, a piece of music. Spectators submit themselves to the work, which generates an inner experience for them. But historically it's a very new, not to mention vulgar, idea that the spectators experience should be identical to, or have anything to do wit, the artist's. That idea comes from an over-industrialized society which has learned to distrust magic.
I found that those friends of mine who welcomed the unseen into the realm of their seen offered immediate understanding. Some are Christians, some are not. Most are artists of some kind or other; artistry can extend to a way of being, of living lovingly in this world. Many seem to have almost a spiritual affinity for the unmarked trail, armed only with True North. ["Leap With Faith" Blogpost By Carolyn Weber — July 27, 2011]
Photography is like stealing.You rob someone of a moment that exposes something essential about their character,their soul if you like.there are people who are very conscious of that,who find that terrifying.The thought that everyone,friend of foe,can get so close to you,look you straight in the eye and judge you without having any control over it or being able to respond.A part of them has become the property of the photographer.
He doesn't believe in talking too much about art, especially while you're looking at it. The pressure to appreciate is the great enemy of actual enjoyment. Most people don't know what they like because they feel obligated to like so many different things. They feel they're supposed to be overwhelmed, so instead of looking, they spend their time thinking up something to say, something intelligent, or at least clever.
So, really," continued Jacob as if this were perfectly normal to expound on art in these circumstances, "when you think about it, the artists who make people stop and think, who push the form, who make you uncomfortable, who are laughable, well, they're the ones who get remembered." Idly, Jacob dug a hole in the snow with his shovel and then another one next to it. "So why wouldn't you want to join the ranks of the ridiculed?
I don’t like the shrug. It’s an abdication of responsibility for making sure that art keeps doing the things that art should do. If you shrug, that keeps the wheels turning the way they’re turning. It lets corporations turn you into selfish consumers. It lets them fit you for a new pair of blinkers. And that means that predictability keeps getting prized over experimentation and product keeps getting prized over art.
...failure with clay was more complete and more spectacular than with other forms of art. You are subject to the elements... Any one of the old four - earth, air, fire, water - can betray you and melt, or burst, or shatter - months of work into dust and ashes and spitting steam. You need to be a precise scientist, and you need to know how to play with what chance will do to your lovingly constructed surfaces in the heat of the kiln.
You've sinned, I suppose, but your punishment has been out of all proportion. They have turned you into something other than a human being. You have no power of choice any longer. You are committed to socially acceptable acts, a little machine capable only of good. And I see that clearly - that business about marginal conditionings. Music and the sexual act, literature and art, all must be a source now not of pleasure but of pain.
