The cool thing about getting older, is that you have so much to look back on. If you take the time to reflect on your life journey to where you are now, you will be amazed at how many times “fate” caused you to make great decisions that lead you to where you are now.
[G]rowing into your future with health and grace and beauty doesn’t have to take all your time. It rather requires a dedication to caring for yourself as if you were rare and precious, which you are, and regarding all life around you as equally so, which it is. (267-268)
It’s this freedom that’s the key to becoming visible again. Not caring what others think is freeing. Expressing yourself any way you want is freeing. Having opinions, emotional wisdom, spiritual understanding…these things free you. And in freedom, we find power.
•Judge less–or at least later.•Give new ideas and images a chance.•Understand that everyone has his own truth or her own.•Remember: you are not married to any belief, opinion, or ideology.•Expect to discover something delicious every day. (260)
Nat: Maybe you broke something.Midge: I know. Never fall down, never fall down!Nat: Ah, it's nothing. I fall down every morning. I get up, I have a cup of coffee, I fall down. That's the system. Two years old, you stand up and then BOOM! seventy years later, you fall down again.
And I'm not going to get any thinner or any younger, my ass is going to hit the ground, if it hasn't already--and I want to be with somebody who can still see me in here. I'm still in here. And I don't want to be resented or despised for changing...I'd rather be alone.
Put away these frozenjawed primates and their annals of ways beset and ultimate dark. What deity in the realms of dementia, what rabid god decocted out of the smoking lobes of hydrophobia could have devised a keeping place for souls so poor as is this flesh. This gawky wormbent tabernacle.
We're always trotting out some story of a ninety-seven-year-old who runs marathons, as if such cases were not miracles of biological luck but reasonable expectations for all. Then, when our bodies fail to live up to this fantasy, we feel as if we somehow have something to apologize for.
She is leaving him, not all at once, which would be painful enough, but in a wrenching succession of separations. One moment she is here, and then she is gone again, and each journey takes her a little farther from his reach. He cannot follow her, and he wonders where she goes when she leaves.
By the time men get to be of our age, Mr. Vaiden, about all any new acquaintance can do is to remind them of somebody else. You know at times I have thought that is why we die. We become more and more intricately linked with the past, until finally we drift completely into it...and we are dead.
I once laughed at the vanity of women of thirty or forty who whitened their ruddy old skin with lead, but now I know such salves are not disguises for old crones who wish to catch a young husband. Instead they are only a mask we wear so that we can, for a little while, still recognize ourselves.
What made Olive the saddest about the Gardners was that everyone wanted to be enshrined in someone’s memory. It was the only way of living on after death, really: in the minds of loved ones. Memories were the only things that made aging bearable, a way of reverting to better, simpler days.
I'm not ready to let the youthful part of myself go yet. If maturity means becoming a cynic, if you have to kill the part of yourself that is naive and romantic and idealistic - the part of you that you treasure most - to claim maturity, is it not better to die young but with your humanity intact?
Age doesn't arrive slowly, it comes in a rush. One day nothing has changed, a week later, everything has. A week may be too long a time, it can happen overnight. You are the same and still the same and suddenly one morning two distinct lines, ineradicable, have appeared at the corners of your mouth.
It must be murder to be an aging beauty, a former Tadzio, to see your future as an ignored spectator rushing up to meet you like the hard pavement. What a small sip of gall to be able to time with each passing year the ever-shorter interval in which someone's eyes focus upon you. And then shift away.
