Successful long term relationships are all about power levels. A high power level male will attract and succeed with a high level power female.How do we define those power levels? We can’t, they are inherently in us, and invisible to scientists, accountants, psychologists and spiritualists alike. None can explain the Universe in its entirety, and it is more than chemistry, biology, physics, genetics, horoscopes, religion, in-laws, fame, psychology and spirituality.We may be infatuated by a person, but as soon as we hold their hands, kiss their lips, and especially, make love or have sex with them, their power levels will be instantly exposed.

His mouth was a little too wide and snaked from corner to corner. His nose had been broken a few times, and when you looked at him straight on like I was doing as I stared at him across the circle bar, you could really tell. But his eyes were beautiful, cunning and otherworldly. His hair was a controlled mess; wispy dark strands that swooped across his forehead with long sideburns. He had high cheekbones, a strong jawline. When you combined all the parts, they equaled so much more than the sum. He was exotically, dangerously beautiful. He'd been mine once. He'd broken my heart once. And he was here to kill me. He only needed to do that once, too.

They jogged along in silence, Jem playing with the thong of the whip, and Mary aware of his hands beside her. She glanced down at them out of the tail of her eye, and she saw they were long and slim; they had the same strength, the same grace, as his brother's. These attracted her; the others repelled her. She realised for the first time that aversion and attraction ran side by side; that the boundary line was thin between them. The thought was an unpleasant one, and she shrank from it. Supposing this had been Joss beside her ten, twenty years ago? She shuttered the comparison at the back of her mind, fearing the picture it conjured. She knew now why she hated her uncle.

The world population is nearing seven billion. John Travolta and Farrah Fawcett didn’t procreate and produce all seven thousand million of us. Audrey Hepburn and Burt Lancaster didn’t personally populate the world. Almost every child that was ever born is the byproduct of two everyday people who found each other attractive enough to go jump in the sack together. Almost every child that was ever born came about because two everyday people thought the other was attractive enough to warrant a second glance. If you want proof that attraction belongs to the individual, go sit on a bench at the mall and look at all the different couples walking by.You will believe that there literally is someone for everyone.

David.""Nobody home but you and me," he said, nibbling at her jaw, her throat, her mouth as he guidedher out of the kitchen. "You know what I was thinking the other day?""No." How could she? She didn't know what she was thinking right now."That it's a complex business. My girlfriend lives with her mother."She did laugh now, at the idea of being called anyone's girlfriend."And I live with my kids. No place to go to do all the things I've imagined doing with you. Do youknow the things I've imagined doing with you?""I'm getting the picture. David, it's the middle of the day.""The middle of the day." He paused at the base of the steps. "And an opportunity. I hate wastedopportunities, don't you?

When you have two people who love each other, are happy and gay and really good work is being done by one or both of them, people are drawn to them as surely as migrating birds are drawn at night to a powerful beacon. If the two people were as solidly constructed as the beacon there would be little damage except to the birds. Those who attract people by their happiness and their performance are usually inexperienced. They do not know how not to be overrun and how to go away. They do not always learn about the good, the attractive, the charming, the soon-beloved, the generous, the understanding rich who have no bad qualities and who give each day the quality of a festival and who, when they have passed and taken the nourishment they needed, leave everything deader than the roots of any grass Attila's horses' hooves have ever scoured.

Do you know what I see in you now? The usual aura. A steady golden yellow, healthy and strong, with spikes of purple here and there. But when I do this. . . .”He rested a hand on my hip, and my whole body tensed up. That hand moved around my hip, slipping under my shirt to rest on the small of my back. My skin burned where he touched me, and the places that were untouched longed for that heat.“See?” he said. He was in the throes of spirit now, though with me at the same time. “Well, I guess you can’t. But when I touch you, your aura . . . it smolders. The colors deepen, it burns more intensely, the purple increases. Why? Why, Sydney?” He used that hand on me to pull me closer. “Why do you react that way if I don’t mean anything to you?” There was a desperation in his voice, and it was legitimate.

Among all the modes by which love is brought into being, among all the agents which disseminate that blessed bane, there are few so efficacious as this gust of feverish agitation that sweeps over us from time to time. For then the die is cast, the person whose company we enjoy at that moment is the person we shall henceforward love. It is not even necessary for that person to have attracted us, up till then, more than or even as much as others. All that was needed was that our predilection should become exclusive. And that condition is fulfilled when — in this moment of deprivation — the quest for the pleasures we enjoyed in his or her company is suddenly replaced by an anxious, torturing need, whose object is the person alone, an absurd, irrational need which the laws of this world make it impossible to satisfy and difficult to assuage — the insensate, agonising need to possess exclusively.

The male frog, in mating season," said Crake, "makes as much noise as it can. The females are attracted to the male frog with the biggest, deepest voice because it suggests a more powerful frog, one with superior genes. Small male frogs - it's been documented - discover that if they position themselves in empty drainpipes, the pipe acts as a voice amplifier, and the small frog appears much larger than it really is.""So?""So that's what art is, for the artist," said Crake. "An empty drainpipe. An amplifier. A stab at getting laid.""Your analogy falls down when it comes to female artists," said Jimmy. "They're not in it to get laid. They'd gain no biological advantage from amplifying themselves, since potential mates would be deterred rather than attracted by this sort of amplification. Men aren't frogs, they don't want women who are ten times bigger than them.""Female artists are biologically confused," said Crake.

Cosette, in her seclusion, like Marius in his, was all ready to take fire. Destiny, with its mysterious and fatal patience, was slowly bringing these two beings near each other, fully charged and all languishing with the stormy electricities of passion,—these two souls which held love as two clouds hold lightning, and which were to meet and mingle in a glace like clouds in a flash.The power of a glance has been so much abused in love stories, that it has come to be disbelieved in. Few people dare now to say that two beings have fallen in love because they have looked at each other. Yet it is in this way that love begins, and in this way only. The rest is only the rest, and comes afterwards. Nothing is more real than these great shocks which two souls give each other in exchanging this spark.At that particular moment when Cosette unconsciously looked with this glance which so affected Marius, Marius had no suspicion that he also had a glance which affected Cosette.

I read your poem," I croaked. "'Fall.'"Then something I never thought would happen, happened: Marcus Flutie was shocked by something I said."You did?" he said. "I thought you lost it!""Well someone found it for me. Where do you get off saying," I lowered my voice, "we'll be naked without shame in paradise?"He didn't open his mouth."I know what that means, you know. Who do you think I am?"He didn't open his mouth."We are never going to be naked without shame in paradise."He didn't open his mouth."We're NEVER going to have sex," I whispered, clearly over-stating my case.He didn't open his mouth. The mouth that used to bite mine."And I'm just going to forget about that biting thing from the other night," I said.He looked at me right in the eyes. If he'd focused hard enough on my pupils, he could've seen his own reflection, his own face smirking at me."You couldn't forget if you tried," he said, before walking away.He's right. And I don't know if I hate him or love him for that.

Occupied in observing Mr. Bingley’s attentions to her sister, Elizabeth was far from suspecting that she was herself becoming an object of some interest in the eyes of his friend. Mr. Darcy had at first scarcely allowed her to be pretty: he had looked at her without admiration at the ball; and when they next met, he looked at her only to criticise. But no sooner had he made it clear to himself and his friends that she had hardly a good feature in her face, than he began to find it was rendered uncommonly intelligent by the beautiful expression of her dark eyes. To this discovery succeeded some others equally mortifying. Though he had detected with a critical eye more than one failure of perfect symmetry in her form, he was forced to acknowledge her figure to be light and pleasing; and in spite of his asserting that her manners were not those of the fashionable world, he was caught by their easy playfulness. Of this she was perfectly unaware: to her he was only the man who made himself agreeable nowhere, and who had not thought her handsome enough to dance with.

I'd already sensed the attraction between us. it was apparent from the first time we met. But that sort of attraction was so usual that it didn't rate serious attention, let alone concern. When the attraction turned into something that smelled and tasted like substance, though, that was when things got complicated.A married woman will first deny to herself that anything improper is going on. She'll make excuses for her eagerness to see the man in question. She likes his sharp mind, for example, or his fresh views, or the stories he tells about his experiences, which are so different from her own. She'll dismiss as mere amusement her mind's tendency to wonder where he is and what he's doing, and whether he's thinking of her. She might even avoid the fellow for a day or two to test herself. If she doesn't see him and she feels fine about that, she'll know there's no cause for concern. The test is fake, though, too, because she's lying to herself to make sure she passes the test, which will then justify her choice to see him again, often.

The sense of respiration is an example of our natural sense relationship with the atmospheric matrix. Remember, respiration means to re-spire, to re-spirit ourselves by breathing. It, too, is a consensus of many senses. We may always bring the natural relationships of our senses and the matrix into consciousness by becoming aware of our tensions and relaxations while breathing. The respiration process is guided by our natural attraction to connect with fresh air and by our attraction to nurture nature by feeding it carbon dioxide and water, the foods for Earth that we grow within us during respiration. When we hold our breath, our story to do so makes our senses feel the suffocation discomfort of being separated from Earth's atmosphere. It draws our attention to follow our attraction to air, so we inspire and gain comfort. Then the attraction to feed Earth comes into play so we exhale food for it to eat and we again gain comfort. This process feels good, it is inspiring. Together, we and Earth conspire (breathe together) so that neither of us will expire. The vital nature of this process is brought to consciousness when we recognize that the word for air, spire, also means spirit and that psyche is another name for air/spirit/soul.