But how nice it would be to know that some good Yankee woman - And there must be SOME good Yankee women. I don’t care what people say, they can’t all be bad! How nice it would be to know that they pulled weeds off our men’s graves and brought flowers to them, even if they were enemies. If Charlie were dead in the North it would comfort me to know that someone - And I don’t care what you ladies think of me,” her voice broke again, “I will withdraw from both clubs and I’ll — I’ll pull up every weed off every Yankee’s grave I can find and I’ll plant flowers, too — and — I just dare anyone to stop me!

Stop. J'en suis sorti. Des souvenirs. Du passé. Mais tôt ou tard les choses que tu as laissé derrière toi te rattrapent. Et les choses les plus simples, quand tu es amoureux, te semblent les plus belles. Parce que leur simplicité n'a pas d'égal. Et j'ai envie de crier. Dans ce silence qui fait mal. Stop. Laisse tomber. Reprends-toi. Voilà. Fermé. A double tour. Au fond du cœur, bien au fond. Dans ce jardin. Quelques fleurs, un peu d'ombre et puis la douleur. Mets-les là, cache les bien surtout, là où personne ne peut les voir. Là où toi tu ne peux pas les voir.

And, indeed it is a very pleasant thing for to ride forth in the dawning of a Springtime day. For then the little birds do sing their sweetest song, all joining in one joyous medley, whereof one may scarce tell one note from another, so multitudinous is that pretty roundelay; then do the growing things of the earth smell the sweetest in the freshness of the early daytime—the fair flowers, the shrubs, and the blossoms upon the trees; then doth the dew bespangle all the sward as with an incredible multitude of jewels of various colors; then is all the world sweet and clean and new, as though it had been fresh created for him who came to roam abroad so early in the morning.

An Evening AirI go out in the grey eveningIn the air the odor of flowers and the sounds of lamentation.I go out into the hard loneliness of the barren field of grey eveningIn the air the odor of flowers and the sounds of lamentation.In the gathering darkness a long, swift train suddenly Passes me like a lighting.Hard and ponderous and loud are the wheels.As ponderous as the darkness, and as beautiful.I look on, enchanted, and listen to the sounds of lamentationIn the soft fragrant air.The long rails, grey-dark, smooth as a serpent, shiver, andA soft, low thing cries out in the distance,But the sounds are hard and heavy,In the air the odor of flowers and the sounds of lamentation.

I love humanity, which has been a constant delight to me during all my seventy-seven years of life; and I love flowers, trees, animals, and all the works of Nature as they pass before us in time and space. What a joy life is when you have made a close working partnership with Nature, helping her to produce for the benefit of mankind new forms, colors, and perfumes in flowers which were never known before; fruits in form, size, and flavor never before seen on this globe; and grains of enormously increased productiveness, whose fat kernels are filled with more and better nourishment, a veritable storehouse of perfect food—new food for all the world's untold millions for all time to come.

The breath of wind that moved them was still chilly on this day in May; the flowers gently resisted, curling up with a kind of trembling grace and turning their pale stamens towards the ground. The sun shone through them, revealing a pattern of interlacing, delicate blue veins, visible through the opaque petals; this added something alive to the flower's fragility, to it's ethereal quality, something almost human ,in the way that human can mean frailty and endurance both at the same time. The wind could ruffle these ravishing creations but it couldn't destroy them, or even crush them; they swayed there, dreamily; they seemed ready to fall but held fast to their slim strong branches-...

In the midst of the heavy, hot fragrance of summer, and of the clean salty smell of the sea, there was the odor of wounded men, a sickly odor of blood and antiseptics which marked the zone of every military hospital. All Athens quickly took on that odor, as the wounded Greek soldiers were moved out of hospitals and piled into empty warehouses to make way for German wounded. Now every church, every empty lot, every school building in Athens is full of wounded, and on the pathways of Zappion, the park in the heart of Athens, bandaged men in makeshift wheel chairs are to be seen wherever one walks. Zappion is a profusion of flowers, heavy-scented luxurious flowers; but even the flower fragrance is not as strong as that of blood.

Setenta balcones hay en esta casa, setenta balcones y ninguna flor. ¿A sus habitantes, Señor, qué les pasa? ¿Odian el perfume, odian el color?La piedra desnuda de tristeza agobia, ¡Dan una tristeza los negros balcones! ¿No hay en esta casa una niña novia? ¿No hay algún poeta bobo de ilusiones?¿Ninguno desea ver tras los cristales una diminuta copia de jardín? ¿En la piedra blanca trepar los rosales, en los hierros negros abrirse un jazmín?Si no aman las plantas no amarán el ave, no sabrán de música, de rimas, de amor. Nunca se oirá un beso, jamás se oirá una clave...¡Setenta balcones y ninguna flor!

The Gentle GardenerI'd like to leave but daffodils to mark my little way,To leave but tulips red and white behind me as I stray;I'd like to pass away from earth and feel I'd left behindBut roses and forget-me-nots for all who come to find.I'd like to sow the barren spots with all the flowers of earth,To leave a path where those who come should find but gentle mirth;And when at last I'm called upon to join the heavenly throngI'd like to feel along my way I'd left no sign of wrong.And yet the cares are many and the hours of toil are few;There is not time enough on earth for all I'd like to do;But, having lived and having toiled, I'd like the world to findSome little touch of beauty that my soul had left behind.

Flowers and fruits are always fit presents; flowers, because they are a proud assertion that a ray of beauty outvalues all the utilities of the world. These gay natures contrast with the somewhat stern countenance of ordinary nature: they are like music heard out of a work-house. Nature does not cocker us; we are children, not pets; she is not fond; everything is dealt to us without fear or favor, after severe universal laws. Yet these delicate flowers look like the frolic and interference of love and beauty. Men use to tell us that we love flattery even though we are not deceived by it, because it shows that we are of importance enough to be courted. Something like that pleasure, the flowers give us: what am I to whom these sweet hints are addressed?

So I am not a broken heart. I am not the weight I lost or miles or ran and I am not the way I slept on my doorstep under the bare sky in smell of tears and whiskey because my apartment was empty and if I were to be this empty I wanted something solid to sleep on. Like concrete. I am not this year and I am not your fault.I am muscles building cells, a little every day, because they broke that day,but bones are stronger once they heal and I am smiling to the bus driver and replacing my groceries once a week and I am not sitting for hours in the shower anymore. I am the way a life unfolds and bloom and seasons come and go and I am the way the spring always finds a way to turn even the coldest winter into a field of green and flowers and new life. I am not your fault.

Louis found me in the rear parlor, the one more distant from the noises of the tourists in the Rue Royale, and with its windows open to the courtyard below. I was in fact looking out the window, looking for the cat again, though I didn't tell myself so, and observing how our bougainvillea had all but covered the high walls that enclosed us and kept us safe from the rest of the world. The wisteria was also fierce in its growth, even reaching out from the brick walls to the railing of the rear balcony and finding its way up to the roof. I could never quite take for granted the lush flowers of New Orleans. Indeed, they filled me with happiness whenever I stopped to really look at them and surrender to their fragrance, as though I still had the right to do so, as though I still were part of nature, as though I were still a mortal man.

Final DispositionOthers divided closets full of mother's things.From the earth, I took her poppies.I wanted those fandango foldsof red and black chiffon she doted on,loving the wild and Moorish music of them,coating her tongue with the thin skinof their crimson petals.Snapping her fingers, flamenco dancer,she'd mock the clack of castanetsin answer to their gypsy cadence.She would crouch toward the flounce of flowers,twirl, stamp her foot, then kick it outas if to lift the ruffles, scarletalong the hemline of her yard.And so, I dug up, soil and all,the thistle-toothed and gray-green clumpsof leaves, the testicle seedpods and hairy stemsboth out of season, to transplant them in my less-exotic garden. There, they bloomher blood's abandon, year after year,roots holding, their poppy heads noddinga carefree, opium-ecstatic, possibly forever sleep.

What a lovely thing a rose is!"He walked past the couch to the open window and held up the drooping stalk of a moss-rose, looking down at the dainty blend of crimson and green. It was a new phase of his character to me, for I had never before seen him show any keen interest in natural objects. "There is nothing in which deduction is so necessary as religion," said he, leaning with his back against the shutters. "It can be built up as an exact science by the reasoner. Our highest assurance of the goodness of Providence seems to me to rest in the flowers. All other things, our powers, our desires, our food, are all really necessary for our existence in the first instance. But this rose is an extra. Its smell and its color are an embellishment of life, not a condition of it. It is only goodness which gives extras, and so I say again that we have much to hope from the flowers.

The GeraniumWhen I put her out, once, by the garbage pail,She looked so limp and bedraggled,So foolish and trusting, like a sick poodle,Or a wizened aster in late September,I brought her back in againFor a new routine -Vitamins, water, and whateverSustenance seemed sensibleAt the time: she'd livedSo long on gin, bobbie pins, half-smoked cigars, dead beer,Her shriveled petals fallingOn the faded carpet, the staleSteak grease stuck to her fuzzy leaves.(Dried-out, she creaked like a tulip.)The things she endured!-The dumb dames shrieking half the nightOr the two of us, alone, both seedy,Me breathing booze at her,She leaning out of her pot toward the window.Near the end, she seemed almost to hear me-And that was scary-So when that snuffling cretin of a maidThrew her, pot and all, into the trash-can,I said nothing.But I sacked the presumptuous hag the next week,I was that lonely.