The earth is an orbiting speck in incomprehensible vastness. The histories of our civilizations, our accomplishments and secrets, great good and evil—these are no more significant than the single twinkle of a star. Perhaps, this is why we try to outshine the heavens with our cities and make theatrical events of our simple lives.
A half-century later, Mark Twain would say that the gold rush drastically changed the American character, ending the tradition of patient apprenticeships, the gradual mastery of self, talent, and money. Gold created the get-rich-quick mentality that has been with us ever since, most recently during the dot-com bubble of the late 1990s.
A thousand years ago the Chinese had an entirely codified kitchen while the French were still gnawing on bones. Chopsticks have been around since the fourth century B.C. Forks didn't show up in England until 1611, and even then they weren't meant for eating but just to hold the meat still while you hacked at it with your knife.
Palaeontology is the Aladdin's lamp of the most deserted and lifeless regions of the earth; it touches the rocks and there spring forth in orderly succession the monarchs of the past and the ancient river streams and savannahs wherein they flourished. The rocks usually hide their story in the most difficult and inaccessible places.
One time Bonaventure heard the graphite of a pencil rasp across a piece of paper and leave a slight and quivered mark behind. He listened so hard he heard the graphite's history, when it was still a part of metamorphic rock that didn't know it would one day almost capture what was almost a thought from the mind of an insane man.
Unjust social orders do no fall merely by appeals to the consciences of the oppressor, though such appeals may be an important element; history teaches us that they fall because a large enough number of people organize a movement powerful enough to push them down. Rarely do such revolutions emerge in a neat and morally pristine process.
History reminds us that revolutions are not events, so much that they’re processes – that for tens of thousands of years, people have been making decisions that irrevocably shaped the world that we live in today; just as today, we are making subtle, irrevocable decisions that people of the future will remember as revolutions.
I expressed skepticism, in the first chapter, about the utility of time machines in historical research. I especially advised against graduate students relying on them, because of the limited perspective you tend to get from being plunked down in some particular part of the past, and the danger of not getting back in time for your orals.
I aim to make the fiction flexible so that it bends itself around the facts as we have them. Otherwise I don’t see the point. Nobody seems to understand that. Nobody seems to share my approach to historical fiction. I suppose if I have a maxim, it is that there isn’t any necessary conflict between good history and good drama.
Setiap orang tahu, bahwa pada umumnya gadis Jawa tidak diberitahu mengenai rencana perkawinan yang dibuat para pelindungnya untuknya. Dalam daerah Pasundan boleh jadi betul, bahwa anak perempuan dan anak muda yang bertunangan bisa saling mengenal, melihat, dan bertemu, tetapi tanyakanlah di tempat-tempat lain mana di Jawa hal itu terjadi.
One cannot launch a new history — the idea is altogether unthinkable; there would not be the continuity and tradition. Tradition cannot be contrived or learned. In its absence one has, at the best, not history but ‘progress’ — the mechanical movement of a clock hand, not the sacred succession of interlinked events.
History was a bitch sometimes. You couldn’t change where you were from. But still, you didn’t have to stay there. You didn’t have to stay stuck in the past, like the ladies in the DAR, or the Gatlin Historical Society, or the Sisters. And you didn’t have to accept that things had to be the way they were, like Lena.
Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right.
This is what history is: all those centuries of bodies, moving over these canals, twisting and blooming into life in these houses, these streets; all that flesh hungering, coming together, separating, continuing, accumulating, relinquishing, aging and breaking down. Bodies as tulips bent to the demands of light, colored into blossom, spent.
From time to time, I open a newspaper. Things seem to be proceeding at a dizzying rate. We are dancing not on the edge of a volcano, but on the wooden seat of a latrine, and it seems to me more than a touch rotten. Soon society will go plummeting down and drown in nineteen centuries of shit. There’ll be quite a lot of shouting. (1850)
