You can’t blame yourself for what Socrates did. Those birds came because he wanted them to come, at least a part of him did. The pissed off part. Let that roll around in your brain for a while.”Jamie considered this. “No, Eddie. The hurt part, that’s what did it.”The crow shrieked again. It seemed louder, and that meant it was closer. Or maybe it was another crow, maybe several. Jamie and Eddie looked toward the sky, listening to the screams. Jamie spoke first.“We can’t let it happen again. We may be the only ones who know the truth about what Socrates can do.” “That thought probably has occurred to Socrates too.

The 3 types of terror: The Gross-out: the sight of a severed head tumbling down a flight of stairs, it's when the lights go out and something green and slimy splatters against your arm. The Horror: the unnatural, spiders the size of bears, the dead waking up and walking around, it's when the lights go out and something with claws grabs you by the arm. And the last and worse one: Terror, when you come home and notice everything you own had been taken away and replaced by an exact substitute. It's when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there's nothing there...

Envy said, “Girl, I remember well,ye, who I flung from Hell,and not a day has passed, I haven’t missedthe loss of your soul that I mourned,I’ve been bereft and forlorn,for the sweet taste of your flesh I’ve yet to kiss.But no worries—bygones,that’s the past—long gone,I don’t hold a grudge, no, in no way.And though your family they did swindlemy joy of flaying ye on a spindle, I begrudge ye not a little, so let’s play.So, merely toss your token in my well,and all your dreams I will unveil,for ye alone, them I’ll grant.Come closer, little Penny,your hands I know are not empty,ye have something I dreadfully want.

هذا هو القاسم المشترك في معظم قصص الحب.. السهاد وعدم القدرة على النوم.. السير تحت بيت الحبيبة.. كتابة الخطابات الغرامية

From "Lady In Waiting" in the anthology The Morgue :Now I have yet to meet the corpse could hold up its end of a conversation, so at most I might whistle while fixin’ one up ‘stead of engagin’ myself in any small talk that’s goin’ to be so one-sided anyways. But Cindy Flowers’ corpse weren’t no ordinary body when it walked upright, and it sure weren’t ordinary just because it was lyin’ before me in a pine wood box. So for the first time I felt the need to get a few things said to one of our visitors, and I leaned down to get myself real close to her face. Her eyes was closed ‘cause Pa had already sewed her lids shut.

Fantastic literature has been especially prominent in times of unrest, when the older values have been overthrown to make way for the new; it has often accompanied or predicted change, and served to shake up rational Complacency, challenging reason and reminding man of his darker nature. Its popularity has had its ups and downs, and it has always been the preserve of a small literary minority. As a natural challenger of classical values, it is rarely part of a culture's literary mainstream, expressing the spirit of the age; but it is an important dissenting voice, a reminder of the vast mysteries of existence, sometimes truly metaphysical in scope, but more often merely riddling.

I’m an old man, now. I’ve been alone since my 17th birthday. I’d wanted to marry, have a bunch of kids, and maybe be a grandpa. The big family around the Thanksgiving table, laughing and pouring wine and cracking jokes and harmlessly teasing the missus—I wanted that. I wanted to do something good with my life—something right. I didn’t want what happened to Danny, my best childhood friend, to be the only mark I’d ever make in this world. But I thought it best not to fancy such hopes and dreams: a family, love. I’d been cursed by my best friend, and I thought it right not to inflict that curse on anyone who’d be foolish enough to love me.

Our little tribal circles, bound by social contracts and selfish mutual need. Everyone working in their own greedy self-interests and huddling together with their tribe, at war with all those outside who they regard as barely human. What breaks a human mind out of that iron cage of mistrust, is a sacrifice. The martyr who gives up everything, who abandons all personal gain, who lays down his life for the good of those outside his group. He becomes a symbol all can rally around. So instead of trying to make a selfish, violent primate somehow empathize with the whole world, which is impossible, you only need to get him to remember and love the martyr. As one is forgotten, another must replace it.

Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all your carefully conceived denials, whether deliberate or unconscious. And for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name.And then the nightmares will begin.

Host: For those of you just tuning in, our guests tonight are the amazing Murder Magician, and his lovely minion, The Assistant...Assistant: Charmed, I'm sureHost: Who recently killed The Rumor. And you were awarded the Oppenheimer prize for villainy at last week's annual summit for dastardly deeds-- what are you going to do with all that money?Murder Magician: Well, I'm so glad you asked that-- because I spent all the money on this giant MURDERBOT, and I've been dying to show it off!Assistant: It's true... every penny.Host: Wow! That's impressive! So what does it do?Murder Magician: Well, Mr. Clark... it murders people.Laughter.Murder Magician: I'm serious.Assistant: He is.

Sono sovraccarico di tensione, irritato ed irritabile. Con le persone, con gli oggetti. Il pensiero più disturbante? Che sia stato io stesso ad alimentare qualcosa che forse non c’era. Ora sicuramente quel coltello che mi scava dentro non è più un illusione. Gli occhi e le orecchie invisibili a cui è affidata la mia persona non avranno mancato di tradurre i miei nuovi atteggiamenti in paragrafi e capitoli, corredati di suggerimenti e domande, a dubbi legati alla mia affidabilità ed efficienza. Un giorno non mi spiacerebbe avere accesso ai rapporti compilati e incasellati a mio nome. Avrei l’occasione di leggere il diario segreto che qualcuno ha scritto su di me.

As survivors and procreators, we unravel stories that at their root are not dissimilar from the habitual behaviors seen in nature. But as beings who know they will die we digress into episodes and epics that are altogether dissociated from the natural world. We may isolate this awareness, distract ourselves from it, anchor our minds far from its shores, and sublimate it as a motif in our sagas. Yet at no time and in no place are we protected from being tapped on the shoulder and reminded, “You’re going to die, you know.” However much we try to ignore it, our consciousness haunts us with this knowledge. Our heads were baptized in the font of death; they are doused with the horror of moribundity.

I have seen many cases like N. during the five years I've been in practice. I sometimes picture these unfortunates as men and women being pecked to death by predatory birds. The birds are invisible - at least until a psychiatrist who is good, or lucky, or both, sprays them with his version of Luminol and shines the right light on them - but they are nevertheless very real. The wonder is that so many OCDs manage to live productive lives, just the same. They work, they eat (often not enough or too much, it's true), they go to movies, they make love to their girlfriends and boyfriends, their wives and husbands . . . and all the time those birds are there, clinging to them and pecking away little bits of flesh.

No wonder that the ghost and goblin stories had a new zest. No wonder that the blood of the more timid grew chill and curdled, that their flesh crept, and their hearts beat irregularly, and the girls peeped fearfully over their shoulders, and huddled close together like frightened sheep, and half-fancied they beheld some impish and malignant face gibbering at them from the darkling corners of the old room. By degrees my high spirits died out, and I felt the childish tremors, long latent, long forgotten, coming over me. I followed each story with painful interest; I did not ask myself if I believed the dismal tales. I listened and fear grew upon me - the blind, irrational fear of our nursery days. ("Horror: A True Tale")

Clarke, in the deep folds of dream, was conscious that the path from his father’s house had led him into an undiscovered country, and he was wondering at the strangeness of it all, when suddenly, in place of the hum and murmur of the summer, an infinite silence seemed to fall on all things, and the wood was hushed, and for a moment in time he stood face to face there with a presence, that was neither man nor beast, neither the living nor the dead, but all things mingled, the form of all things but devoid of all form. And in that moment, the sacrament of body and soul was dissolved, and a voice seemed to cry “Let us go hence,” and then the darkness of darkness beyond the stars, the darkness of everlasting.