where does creativity come from? Creativity comes from the Universe itself. “There is music and poetry in the Universe itself — surely we hear it on planet earth.” And Creativity comes from our joys and sorrows, our deep-hearted experiences. It also comes “from and in the heart of God. All our spiritual traditions the world over agree that creativity follows through the human heart and that it flows from the Divine Heart.”Creativity is seen as a spiritual, inwardly-driven activity, directly influenced by a Higher Power, or God. That is the ultimate in inspiration for me: to know I have “permission” to be creative and to be a creator too.

They're kicking us out saying it's time to close We're leaning on each other try'na beat the cold Carry your shoes and I give you my coat Walking these streets like they're paved gold Anymore excuses is not to goNeither one of us want to take that taxi home Singing our hearts, standing on chairsSpending the time like we were millionaires Laughing our heads off, the two of us staredSpending the time like we were millionairesLost my heart and I hope to dieSeeing that sunlight hit your eyesBeen up all night but you still look amazing to me Half the time of the night you only dream About if God came down he could take me nowCause in my mind, yeah we will always be

Prayers For Rain' begins like practically every Cure song, with an introduction that's longer than most Bo Diddley singles. Never mind the omnipresent chill, why does Robert Smith write such interminable intros? I can put on 'Prayers For Rain,' then cook an omelette in the time it takes him to start singing. He seems to have a rule that the creepier the song, the longer the wait before it actually starts. I'm not sure if Smith spends the intro time applying eye-liner or manually reducing his serotonin level, but one must endure a lot of doom-filled guitar patterns, cathedral-reverb drums and modal string synth wanderings during the opening of 'Prayers for Rain.

But there was a discipline, it was just that we didn't understand. We thought he was formless, but I think now he was tormented by order, what was outside it. He tore apart the plot - see his music was immediately on top of his own life. Echoing. As if, when he was playing he was lost and hunting for the right accidental notes. Listening to him was like talking to Coleman. You were both changing direction with every sentence, sometimes in the middle, using each other as a springboard through the dark. You were moving so fast it was unimportant to finish and clear everything. He would be describing something in 27 ways. There was pain and gentleness everything jammed into each number.

«Eliza opened her furry black satchel. She pulled out a portable CD player. “Gav, look here. Once, I loved this machine. Because it plays all my CDs. But nobody buys music in the stores any more! Even I don’t pay for music, and I’m rich! I’m carrying a zombie in my purse!”“Well, yes, that platform is obsolete now, but a new business model will arise for music.”“No it won’t! That’s a lie! Nobody will ever pay! The music business is the walking dead! Don’t lie to me.” Eliza stuffed her doomed device back in her furry purse.Gavin rubbed his chin. “Your Digital Native generation really has some issues.”»

Besides this I place another equally obvious confirmation of my view that opera is based on the same principles as our Alexandrian culture. Opera is the birth of the theoretical man, the critical layman, not of the artist: one of the most surprising facts in the history of all the arts. It was the demand of throughly unmusical hearers that before everything else the words must be understood, so that according to them a rebirth of music is to be expected only when some mode of singing has been discovered in which textword lords it over counterpoint like master over servant: For the words, it is argued, are as much nobler than the accompanying harmonic system as the soul is nobler than the body.

Then all the winds of Heaven ran to join hands and bend a shoulder, to bring down to me the sound of a noble hymn that was heavy with the perfume of Time That Has Gone.The glittering multitudes were singing most mightily, and my heart was in blood to hear a Voice that I knew.The Men of the Valley were marching again.My Fathers were singing up there.Loud, triumphant, the anthem rose, and I knew, in some deep place within, that in the royal music was a prayer to lift up my spirit, to be of good cheer, to keep the faith, that Death was only an end to the things that are made of clay, and to fight, without heed of wounds, all that brings death to the Spirit, with Glory to the Eternal Father, forever, Amen.

I heard the universe as an oratorio sung by a master choir of stars, accompanied by the orchestra of the planets and the percussion of satellites and moons. The aria they performed was a song to break the heart, full of tragic dissonance and deferred hope, and yet somewhere beneath it all was a piercing refrain of glory, glory, glory. And I sensed that not only the grand movements of the cosmos, but everything that had happened in my life, was a part of that song. Even the hurts that seemed most senseless, the mistakes I would have done anything to erase--nothing could make those things good, but good could still come out of them all the same, and in the end the oratorio would be no less beautiful for it.

In 1857, Bizet departed for Rome and spent three years there. He studied the landscape, the culture, Italian literature and art. Musically he studied the scores of the great masters. At the end of the first year he was asked to submit a religious work as his required composition. As a self-described atheist, Bizet felt uneasy and hypocritical writing a religious piece. Instead, he submitted a comic opera. Publicly, the committee accepted, acknowledging his musical talent. Privately, the committee conveyed their displeasure. Thus, early in his career, Bizet displayed an independent spirit that would be reflected in innovative ideas in his opera composition.[The Pearl Fishers - Georges Bizet, Virginia Opera]

She sat listening to the music. It was a symphony of triumph. The notes flowed up, they spoke of rising and they were the rising itself, they were the essence and the form of upward motion, they seemed to embody every human act and thought that had ascent as its motive. It was a sunburst of sound, breaking out of hiding and spreading open. It had the freedom of release and the tension of purpose. It swept space clean, and left nothing but the joy of an unobstructed effort. Only a faint echo within the sounds spoke of that from which the music had escaped, but spoke in laughing astonishment at the discovery that there was no ugliness or pain, and there never had to be. It was the song of an immense deliverance.

I put on slight music I could ignore and started to write. The type of this music I most favored they no longer made. Turns out they asked around one day and I was the only one enjoying it so they decided to just stop making it. Most of the bands that were making the music when this decision was made simply disappeared and got real jobs, the ones that survived made different music that appealed to more people. The result was that when I listened to that music it felt a bit like travelling to the past or visiting ghosts, and this despite the undeniable fact that a very healthy portion of the music I listened to otherwise was created a far longer time ago, by people long-departed, yet produced no similar feelings.

The vocal chorus will be along shortly: I like that part especially and the abrupt manner in which it throws itself forward, like a cliff against the sea. For the moment, the jazz is playing; there is no melody, only notes, a myriad of tiny jolts. They know no rest, an inflexible order gives birth to them and destroys them without even giving them time to recuperate and exist for themselves. They race, they press forward, they strike me a sharp blow in passing and are obliterated. I would like to hold them back, but I know if I succeeded in stopping one it would remain between my fingers only as a raffish languishing sound. I must accept their death; I must even will it. I know few impressions stronger or more harsh.

Yeah – Sure I rememberMatter of fact it was just last SeptemberShe still calls it the fall to rememberLittle Heather when it all came togetherYou remember the first time you met her?She cried when it rained and blamed the weatherBut inside she strained with suicide lettersThe kind of cold you couldn’t warm with a sweater Hardly lasted past December She said she was headed down to defeat That’s the last you’d seen and never had dreamed That the same little Heather – It’s who you saw last weekIn an instant you couldn’t have missed her gleamAs she listened she looked like a distant queen With a difference, there for all to seeShe found a different – A different kind of free

ARTThe world is full of confusion and contradiction. We cannot expect to do anything that is absolutely right. We can only measure rightness by the truth within ourselves. And our own truth will never be quite the same as somebody else's. I wish that I could touch you and be sure that it was the right thing to do. I only want to touch you briefly. Just once so that you will know. We are flesh and blood and full of faults. But we are also full of warmth. The world is full of confusion but there is compassion in its midst. communication via simple touch can transmit so much of us in just one minute. Like a painting or a piece of music. I want to touch your soul. I only wish I could be sure it was the right thing to do.

Night air has the strangest flavourSpace to breathe it - time to savourAll that night air has to lend meTil the morning makes me angryIn the night air, the night air.I've acquired a kind of madnessDaylight fills my heart with sadnessAnd only silent skies can soothe meFeel that night air flowing through me In the night air, the night air.I don't need those car-crash coloursI control the stars above usClose my eyes to make the night fallThe comfort of world revolvingI can hear the earth in orbitIn the night air, in the night air.I've acquired a taste for silencedarkness fills my heart with calmnessand each thought like a thief is drivento steal the night air from the heavensIn the night air, in the night air...