Information is strength without coordination. We become a danger mostly to ourselves when we have it. Understanding is the ability to coordinate that raw information in meaningful ways. Understanding creates a certain enthusiasm. We can direct our knowledge toward potentially useful ends--but we may also be a danger to others. Wisdom, however, is knowing how, when, and why we use our understanding; wisdom is settling into our understanding without being too enamored by it.
Media consumers in the 0s, 10s, 20s, and 30s have no such print alliances. To them, the idea of printing on a dead tree and then trucking it to houses and newsstands seems ludicrous, old-fashioned, inconvenient, and wasteful. To these folks, paper-based publications are a pain to carry and search, easy to misplace, and hard to share, and the information in them is outdated the moment it appears. For those who weren't raised on paper, digital is superior in almost every way.
(Everyone, I guess, sees their position as the neutral one and everyone else's position as biassed. I wonder why 177 minutes of the Today programme is completely secular; you feel horribly excluded by 3 minutes of Thought for Today. I see a sinister anti-religious bias when David Attenborough goes through a whole series without ever once aying "On the other hand maybe God made it all"; you feel that 30 minutes of hymn singing on Sunday evening amounts to theocratic oppression.)
I would tell young journalists to be brave and go against the tide. When everyone else is relying on the internet, you should not; when nobody's walking, you should walk; when few people are reading profound books, you should read. ... rather than seeking a plusher life you should pursue some hardship. Eat simple food. When everyone's going for quick results, pursue things of lasting value. Don't follow the crowd; go in the opposite direction. If others are fast, be slow. -- Jin Yongquan
U.S. News Organizations observe the anniversary of September 11 with investigations about the nation’s continuing vulnerability to terrorism. First, the New York Daily News reports that two of its reporters carried box cutters, razor knives, and pepper spray on fourteen commercial flights without getting caught. Then ABC News reports that it smuggled fifteen pounds of uranium into New York City. Then Fox News reports that it flew Osama bin Laden to Washington, D.C., and videotaped him touring the White House.
Voting, we might even say, is the next to last refuge of the politically impotent. The last refuge is, of course, giving your opinion to a pollster, who will get a version of it through a desiccated question, and then will submerge it in a Niagara of similar opinions, and convert them into--what else?--another piece of news. Thus we have here a great loop of impotence: The news elicits from you a variety of opinions about which you can do nothing except to offer them as more news, about which you can do nothing.
For many, what they see on television becomes more true than what they see with their eyes in the external world. But this is not so, for one must never forget that every television and has been edited. The viewer does not see the event. He sees in edited form of the event. It is not the event which is seen, but an edited symbol or an edited image of the event. An aura and illusion of objectivity and truth is built up, which could not be totally the case, even if the people shooting the film were completely neutral.
Confession: I don't want everybody to be beautiful, not in that unlined, creaseless, symmetrical way. Android beauty, like it comes out of a test tube. Beauty without blemish or mark. Not only do I not identify with such people, I don't believe in them either. I don't even find them attractive. This is what makes watching television so hard: they don't cast actors anymore, only models. When they make a movie of my life, they'd better cast a character actor in the lead. Don't try to tell me I'm not a character.
The futility of everything that comes to us from the media is the inescapable consequence of the absolute inability of that particular stage to remain silent. Music, commercial breaks, news flashes, adverts, news broadcasts, movies, presenters—there is no alternative but to fill the screen; otherwise there would be an irremediable void.... That’s why the slightest technical hitch, the slightest slip on the part of the presenter becomes so exciting, for it reveals the depth of the emptiness squinting out at us through this little window.
Once someone tries a real extra virgin -- an adult or a child, anybody with taste buds -- they'll never go back to the fake kind. It's distinctive, complex, the freshest thing you've ever eaten. It makes you realize how rotten the other stuff is, literally rotten. But there has to be a first time. Somehow we have to get those first drops of real extra virgin oil into their mouths, to break them free from the habituation to bad oil, and from the brainwashing of advertising. There has to be some good oil left in the world for people to taste.
And next time we hear someone saying something like, 'We are pursuing this strategy because other strategies, when we had considered them, we concluded that, in terms of overall effectiveness, they were not sound strategies, which is why we enacted the one we are now embarked upon, which our enemies would like to see us fail, due to they hate freedom,' we will wait to see if the anchorperson cracks up, or chokes back a sob of disgust, and if he or she does not, we'll feel a bit insane, and therefore less confident, and therefore more passive.
The obvious types of American fascists are dealt with on the air and in the press. These demagogues and stooges are fronts for others. Dangerous as these people may be, they are not so significant as thousands of other people who have never been mentioned.The American fascist would prefer not to use violence. His method is to poison the channels of public information.With a fascist the problem is never how best to present the truth to the public but how best to use the news to deceive the public into giving the fascist and his group more money or more power.
Because today we live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups... So I ask, in my writing, What is real? Because unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms. I do not distrust their motives; I distrust their power. They have a lot of it. And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing.
Whole columns are devoted to parliamentary debates and to political intrigues; while the vast everyday life of a nation appears only in the columns given to economic subjects, or in the pages devoted to reports of police and law cases. And when you read the newspapers, your hardly think of the incalculable number of beings—all humanity, so to say—who grow up and die, who know sorrow, who work and consume, think and create outside the few encumbering personages who have been so magnified that humanity is hidden by their shadows, enlarged by our ignorance.
The owners and top managers of most news media organizations tend to be conservative and Republican. This is hardly surprising. The shareholders and executives of multi-billion-dollar corporations are not very interested in undermining the free enterprise system, for example, income from offended advertisers. These owners and managers ultimately decide which reporters, newscasters, and editors to hire or fire, promote or discourage. Journalists who want to get a head, therefore, may have to come to terms with the policies of the people who own and run media businesses.
