Monsters’ can help us by giving a tangible form to our secret fears. It is less widely appreciated today that ‘wonders’ such as the unicorn legitimize our hopes. But all imaginary animals, to some degree all animals, are ultimately both monsters and wonders, which assist us by deflecting and absorbing our uncertainties . It is hard to tell ‘imaginary animals’ from symbolic, exemplary, heraldic, stylized, poetic, literary, or stereotypical ones. What is reality? Until we answer that question with confidence, a sharp differentiation between real animals and imaginary ones will remain elusive. There is some yeti in every ape, and a bit of Pegasus in every horse. Men and women are not only part angel and part demon, as the old cliché goes; they are also part centaur, part werewolf, part mandrake, and part sphinx.

You guys know about vampires? … You know, vampires have no reflections in a mirror? There’s this idea that monsters don’t have reflections in a mirror. And what I’ve always thought isn’t that monsters don’t have reflections in a mirror. It’s that if you want to make a human being into a monster, deny them, at the cultural level, any reflection of themselves. And growing up, I felt like a monster in some ways. I didn’t see myself reflected at all. I was like, “Yo, is something wrong with me? That the whole society seems to think that people like me don’t exist?" And part of what inspired me, was this deep desire that before I died, I would make a couple of mirrors. That I would make some mirrors so that kids like me might see themselves reflected back and might not feel so monstrous for it.

As Mr. R. U. Sayee has well said: 'It should be clear a priori that fairy lore must have developed as a result of modifications and accretions received in different countries and at many periods, though we must not overlook the part played by tradition in providing a mould that to some extent determines the nature of later additions.' It must also be self-evident that a great deal of confusion has been caused by the assumption that some spirit-types were fairies which in a more definite sense are certainly not of elfin provenance. In some epochs, indeed, Faerie appears to have been regarded as a species of limbo to which all 'pagan' spirits - to say nothing of defeated gods, monsters, and demons - could be banished, along with the personnel of Olympus and the rout of witchcraft. Such types, however, are usually fairly easy of detection.

That's arrogance, Harry. " he said, gently. "On a level so deep, you don't even realize it exists. And do you know why it's there?" "No?" I asked. He smiled again. "Because you have set a higher standard for yourself. You think that, because you have more power than others, you have to do more with it." "To whom much is given, much is required," I said, without looking up. He barked out a short laugh. "For someone who repeatedly tells me he has no faith, you have a surprising capacity to quote scripture. And that's just my point." I eyed him. "What?" "You wouldn't be twisting yourself into knots like this, Harry, if you didn't care." "So?" "Monsters don't care," Michael said. "The damned don't care, Harry. The only way to go beyond redemption is to choose to take yourself there. The only way to do it is to stop caring.

And the bubbles of light again rose and fell, and in their disordered, irregular, turbulent maze, mingled with the wan moonlight. And now from these globules themselves as from the shell of an egg, monstrous things burst out; the air grew filled with them; larvae so bloodless and so hideous that I can in no way describe them except to remind the reader of the swarming life which the solar microscope brings before his eyes in a drop of water - things transparent, supple, agile, chasing each other, devouring each other - forms like nought ever beheld by the naked eye. As the shapes were without symmetry, so their movements were without order. In their very vagrancies there was no sport; they came round me and round, thicker and faster and swifter, swarming over my head, crawling over my right arm, which was outstretched in involuntary command against all evil beings. ("The House And The Brain")

Finally I find it, the book, but as I’m pulling it out of the stack I hear a noise coming from my toy room. It sounds like scratching or scraping maybe and my mind instantly goes to the possibility that maybe it’s a monster or a dragon or something else with claws. My hand shakes a little as I stand up and turn back toward the room. When I step into it, I feel the wind hit my cheeks. I shine the light around and notice one of the windows is open. I don’t understand why. I didn’t open it and I don’t think it was open when I came down here. What if it was a monster? I sweep the flashlight around the room at all my toys as I start back toward the corner. Then the light lands on something tall… I hear voices. Ones that don’t sound like they belong to a monster, but just people. But that’s what they end up being. Terrible, horrible monsters.

Remember that, Crowe. Monsters walk on two legs, and they're crafty. They're real good at fooling even the smartest of men. Don't forget that. Because sometimes, you don't realize monsters are stalking you until it's too late. It's far better to be smart, to be safe, and to watch for monsters in everyone you know.""Even Logan and Rafe?" he whispered, suddenly wondering if somehow his cousin were monsters.He couldn't hurt his little cousins. He'd promised Dad he'd always watch out for them, and for his baby sister. What was he supposed to do if one of them was a monster?His father gave him on of those small, man-to-man smiles Crowe always tried to get."Well, maybe not Logan and Rafe," his father amended. "It's hard to imagine a Callahan as a monster, don't you think?"Crowe nodded quickly. "They're just dumb kids sometimes," he sighed. "But I make sure to tell them when they're dumb so they'll get smart.

If you are a monster, stand up.If you are a monster, a trickster, a fiend,If you’ve built a steam-powered wishing machineIf you have a secret, a dark past, a scheme,If you kidnap maidens or dabble in dreamsCome stand by me.If you have been broken, stand up.If you have been broken, abandoned, aloneIf you have been starving, a creature of boneIf you live in a tower, a dungeon, a throneIf you weep for wanting, to be held, to be known,Come stand by me.If you are a savage, stand up.If you are a witch, a dark queen, a black knight,If you are a mummer, a pixie, a sprite,If you are a pirate, a tomcat, a wright,If you swear by the moon and you fight the hard fight,Come stand by me. If you are a devil, stand up.If you are a villain, a madman, a beast,If you are a strowler, a prowler, a priest,If you are a dragon come sit at our feast,For we all have stripes, and we all have horns, We all have scales, tails, manes, claws and thornsAnd here in the dark is where new worlds are born.Come stand by me.

Hän piirsi ensimmäisen hirviönhirviön leuat jäykät ja metallisetja niiden välissä kieli värähtelitätä hirviötä oli mahdollista soittaaHän piirsi toisen hirviönsen silmät ja suu olivat väärissä paikoissa,silmät kämmenissä ja suu rintakehässä.Oli mahdotonta auttaa sen silmätoikeille paikoilleen sillä se söi suuhunsa auttajan.Se oli torjuva. Hän piirsi kolmannen hirviönja hänen kynänsä pysähtyi.Hän nousi ja käveli puoliympyrän,sitten takaisin samaa reittiä,hän oli jaloillaan piirtänyt hirviön verkkokalvon.Niin suuri oli hirviön silmä.Hirviö oli omassa näkökentässäänja kaikkeus jäi sen näkökentän ulkopuolelleHän ahtoi kaikkeuden rakettiinsaja kiihdytti sen valon nopeuteenja siirtyi itse ajassa.Hän söi hirviön kämmeneltä.Hirviö söi hänen kämmeneltään.

We may see a Creature with forty-nine headsWho lives in the desolate snow,And whenever he catches a cold (which he dreads)He has forty-nine noses to blow.'We may see the venomous Pink-Spotted ScrunchWho can chew up a man with one bite.It likes to eat five of them roasted for lunchAnd eighteen for its supper at night.'We may see a Dragon, and nobody knowsThat we won't see a Unicorn there.We may see a terrible Monster with toesGrowing out of the tufts of his hair.'We may see the sweet little Biddy-Bright HenSo playful, so kind and well-bred;And such beautiful eggs! You just boil them and thenThey explode and they blow off your head.'A Gnu and a Gnocerous surely you'll seeAnd that gnormous and gnorrible GnatWhose sting when it stings you goes in at the kneeAnd comes out through the top of your hat.'We may even get lost and be frozen by frost.We may die in an earthquake or tremor.Or nastier still, we may even be tossedOn the horns of a furious Dilemma.'But who cares! Let us go from this horrible hill!Let us roll! Let us bowl! Let us plunge!Let's go rolling and bowling and spinning untilWe're away from old Spiker and Sponge!

What if it turns out there really are witches and vampires and werewolves living right here alongside us? After all, what better disguise could there be than to get your image enshrined in the culture of the mass media? Anything that's described in artistic terms and shown in the movies stops being frightening and mysterious. For real horror you need the spoken word, you need an old grandpa sitting on a bench, scaring the grandkids in the evening: 'And then the Master of the house came to him and said: "I won't let you go, I'll tie you up and bind you tight and you'll rot under the fallen branches!"' That's the way to make people wary of anomalous phenomena! Kids sense that, you know–it's no wonder they love telling stories about the Black Han and the Coffin on Wheels. But modern literature, and especially the movies, it all just dilutes that instinctive horror. How can you feel afraid of Dracula, if he's been killed a hundred times? How can you be afraid of aliens, if our guys always squelch them? Yes, Hollywood is the great luller of human vigilance. A toast–to the death of Hollywood, for depriving us of a healthy fear of the unknown!

In fairy tales, monsters exist to be a manifestation of something that we need to understand, not only a problem we need to overcome, but also they need to represent, much like angels represent the beautiful, pure, eternal side of the human spirit, monsters need to represent a more tangible, more mortal side of being human: aging, decay, darkness and so forth. And I believe that monsters originally, when we were cavemen and you know, sitting around a fire, we needed to explain the birth of the sun and the death of the moon and the phases of the moon and rain and thunder. And we invented creatures that made sense of the world: a serpent that ate the sun, a creature that ate the moon, a man in the moon living there, things like that. And as we became more and more sophisticated and created sort of a social structure, the real enigmas started not to be outside. The rain and the thunder were logical now. But the real enigmas became social. All those impulses that we were repressing: cannibalism, murder, these things needed an explanation. The sex drive, the need to hunt, the need to kill, these things then became personified in monsters. Werewolves, vampires, ogres, this and that. I feel that monsters are here in our world to help us understand it. They are an essential part of a fable.

Start by pulling him out of the fire andhoping that he will forget the smell.He was supposed to be an angel but they took himfrom that light and turned him into something hungry,something that forgets what his hands are for when theyaren’t shaking.He will lose so much, and you will watch it all happenbecause you had him first, and you would let the worldbreak its own neck if it means keeping him.Start by wiping the blood off of his chin andpretending to understand.Repeat to yourself“I won’t leave you, I won’t leave you”until you fall asleep and dream of the placewhere nothing is red.When is a monster not a monster?Oh, when you love it.Oh, when you used to sing it to sleep.Here are your upturned hands.Give them to him and watch how he prayslike he is learning his first words.Start by pulling him out of another fire,and putting him back together with the piecesyou find on the floor.There is so much to forgive, but you do notknow how to forget.When is a monster not a monster?Oh, when you are the reason it has become so mangled.Here is your humble offering,obliterated and broken in the mouthof this abandoned church.He has come back to stop the worldfrom turning itself inside out, and you love him, you do,so you won’t let him.Tell him that you will never know any better.

Nobody looks like what they really are on the inside. You don’t. I don’t. People are much more complicated than that. It’s true of everybody.'I said, 'Are you a monster? Like Ursula Monkton?'Lettie threw a pebble into the pond. 'I don't think so,' she said. 'Monsters come in all shapes and sizes, Some of them are things people are scared of. Some of them are things that look like things people used to be scared of a long time ago. Sometimes monsters are things people should be scared of, but they aren't.'I said, 'People should be scared of Ursula Monkton.''P'raps. What do you think Ursula Monkton is scared of?''Dunno. Why do you think she's scared of anything? She's a grown-up, isn't she? Grown-ups and monsters aren't scared of things.'Oh, monsters are scared," said Lettie. "That's why they're monsters. And as for grown-ups...' She stopped talking, rubbed her freckled nose with a finger. Then, 'I'm going to tell you something important. Grown-ups don't look like grown-ups on the inside either. Outside, they're big and thoughtless and they always know what they're doing. Inside, they look just like they always have. Like they did when they were your age. Truth is, there aren't any grown-ups. Not one, in the whole wide world.

He is a demon, Clarissa,” said Valentine, still in the same soft voice. “A demon with a man’s face. I know how deceptive such monsters can be. Remember, I spared him once myself.”“Monster?” echoed Clary. She thought of Luke, Luke pushing her on the swings when she was five years old, higher, always higher; Luke at her graduation from middle school, camera clicking away like a proud father’s; Luke sorting through each box of books as it arrived at his store, looking for anything she might like and putting it aside. Luke lifting her up to pull apples down from the trees near his farmhouse. Luke, whose place as her father this man was trying to take. “Luke isn’t a monster,” she said in a voice that matched Valentine’s, steel for steel. “Or a murderer. You are.”“Clary!” It was Jace.Clary ignored him. Her eyes were fixed on her father’s cold black ones. “You murdered your wife’s parents, not in battle but in cold blood,” she said. “And I bet you murdered Michael Wayland and his little boy, too. Threw their bones in with my grandparents’ so that my mother would think you and Jace were dead. Put your necklace around Michael Wayland’s neck before you burned him so everyone would think those bones were yours. After all your talk about the untainted blood of the Clave — you didn’t care at all about their blood or their innocence when you killed them, did you? Slaughtering old people and children in cold blood, that’s monstrous.