In the support group, the counselor had said: When you lose a loved one, you feel as if you're inside a confined space. Everyone else will seem to be careening along outside of this space. In time, you will become aware of an opening you are going to have to step through. It might be the touch of a new lover, a new job, a move--but you'll know. You will step through.
Somewhere in the notes Estraven wrote during our trek across the Gobrin Ice he wonders why his companion is ashamed to cry. I could have told him even then that it was not shame so much as fear. Now I went on through the Sinoth Valley, through the evening of his death, into the cold country that lies beyond fear. There I found you can weep all you like, but there's no good in it.
Even her name seemed empty, as though it had detached itself from her and was floating untethered in his mind. How am I supposed to live without you? It was not a matter of the body; his body would carry on as usual. The problem was located in the word how: he would live, but without Elspeth the flavour, the manner, the method of living were lost to him. He would have to relearn solitude.
Jeg tenkte på ting jeg hadde lest. At den som skal dø, mister sansene i minuttene før. En etter en. Først smakssansen, senere evnen til å lukte. Så forsvinner synet. Berøringssansen. Hørselen. Opplevelsen av smerte. Som å slukke lysene og gå fra kontoret for dagen, låse etter seg og miste nøklene på vegen hjem.
Holding the knife with the blade against my palm, it became so clear how my life would only contain shadows now. Shadows of things gone; not just the people themselves but everything connected to them. Was this my future? Every moment, every tiny thing I saw and did and touched, weighted by loss. Every space in this house andmy town and the world in general, empty in a way that could never be filled.
Some people, they can't just move on, you know, mourn and cry and be done with it. Or at least seem to be. But for me... I don't know. I didn't want to fix it, to forget. It wasn't something that was broken. It's just...something that happened. And like that hole, I'm just finding ways, every day, of working around it. Respecting and remembering and getting on at the same time.
...And yet a knowledgeis here that tenses the throatas for song: the inheritanceof the ones, alive or oncealive, who stand behindthe ones I have imagined,who took into their mindsthe troubles of this place,blights of love and race,but saw a good fate hereand willingly paid its cost,kept it the best they could,thought of its good,and mourned the good they lost.(From the ending of Where in Clearing, p179)
I am always saddened by the death of a good person. It is from this sadness that a feeling of gratitude emerges. I feel honored to have known them and blessed that their passing serves as a reminder to me that my time on this beautiful earth is limited and that I should seize the opportunity I have to forgive, share, explore, and love. I can think of no greater way to honor the deceased than to live this way.
Axsem would say nothing more to any of them. No sooner had Fallon released him than he fled deep into the trees, staff in hand, with Hailos following after. Through the morning air, they heard the wail of his mourning. The scarred heart of the general was torn wide open by having to recall even one abbreviated story from his past. He needed time to coddle his mangled heart and push away the torturous memories.
Each death laid a dreadful charge of complicity on the living; each death was incongenerous, its guilt irreducible, its sadness immortal; a bracelet of bright hair about the bone. I did not pray for her, because prayer has no efficacy; I did not cry for her, because only extroverts cry twice; I sat in the silence of that night, that infinite hostility to man, to permanence, to love, remembering her, remembering her.
Acknowledge that some moments are just plain awful―desperate and gloomy and painful and miserable and nothing at all but anguish. No truthful, cheerful thought in the world will fix it. So let me cry awhile. Don't try to find a sunbeam where a shroud of darkness encloses me. Let me mourn. Then after the storm, when the tears have run dry and my eyes choose to open, I will look for your rainbow of hope.
Although it was autumn and not summer the dark-gold sunlight and the inky shadows, long and slender in the shape of felled cypresses, were the same, and there was the same sense of everything drenched and jewelled and the same ultramarine glitter on the sea. I felt inexplicably lightened; it was as if the evening, in all the drench and drip of its fallacious pathos, had temporarily taken over from me the burden of grieving.
I did not know the work of mourningIs like carrying a bag of cementUp a mountain at nightThe mountaintop is not in sightBecause there is no mountaintopPoor Sisyphus griefI did not know I would struggleThrough a ragged underbrushWithout an upward path...Look closely and you will seeAlmost everyone carrying bagsOf cement on their shouldersThat’s why it takes courageTo get out of bed in the morningAnd climb into the day.
Can you remember another time when your chest felt like this?”My fingers splayed across my aching chest as I carefully pondered herquestion. Then I nodded vigorously as I remembered. Tears streamed down my cheeks unchecked as I whispered hoarsely, “Yes, I do remember.After my husband died, it hurt like this. My chest felt full and heavy, and I thought then, Oh, this is what it feels like to have your heart break.
Mourning is essential to uncoupling, as it is to any significant leavetaking. Uncoupling is a transition into a different lifestyle, a change of life course which, whether we recognize and admit it in the early phases or not, is going to be made without the other person. We commit ourselves to relationships expecting them to last, however. In leaving behind a significant person who shares a portion of our life, we experience a loss.
