In the dark I rest,unready for the light which dawnsday after day,eager to be shared.Black silk, shelter me.I needmore of the night before I openeyes and heartto illumination. I must stillgrow in the dark like a rootnot ready, not ready at all.
From the shadow of domes in the city of domes,A snowflake, a blizzard of one, weightless, entered your roomAnd made its way to the arm of the chair where you, looking upFrom your book, saw it the moment it landed. That's allThere was to it.
The Old Poets Of ChinaWherever I am, the world comes after me.It offers me its busyness. It does not believethat I do not want it. Now I understandwhy the old poets of China went so far and highinto the mountains, then crept into the pale mist.
I can’t help but notice that you keep writing love poetry to my wife. Well, you see, I married her, which makes her my wife. You know what you might want to try? Writing some poems about the sunset. The sunset isn’t fucking married.
Thing were falling apart. We just could not slow down. We were evolving into something greater, perhaps too much for our own good. And one thing always remained as I moved on. I saved a little bit of love just in case you would ever return home.
I am talking about the responsibility of the poet, who is irresponsible by definition, an anarchist enamored of a solar order and never of the new order or whatever slogan makes five or six hundred million men march in step in a parody of order.
Don’t say that poetry, my friend, is beautifulor powerfulfor there is no powerful or beautiful poetryThere is poetry that strikes you, secretlywith the diseases of writing and schizophrenia, and you raveand your self leaves you for anothe
Calligraphy may well be simply an artistic version of another form, that is the ideograms which make up the poem, but then not only does it reflect the character and temperament of the artist but . . . also betrays his heart rate, his breathing.
The touch of your fingersgrazing minedelicate asa single drop of winein a crystal goblet.Rolling it round,I savor it on my tongue,try tomake it lastforever.The words Iloveyouform in the airand melt. Your palm againstmy cheek,light asa snowflake.
UtteranceSitting over wordsVery late I have heard a kind of whispered sighingNot farLike a night wind in pines or like the sea in the darkThe echo of everything that has everBeen spokenStill spinning its one syllableBetween the earth and silence
I could not have climbed any mountains while looking from the ground... I would not have flown... or dived... or surfed... or swum... I am not a tourist nor a spectator... this is the life I have left, and I will not waste it like some rubber-neck
In pride, in reasoning pride, our error lies;All quit their sphere and rush into the skies.Pride still is aiming at the blest abodes, Men would be angels, angels would be gods. Aspiring to be gods, if angels fell, Aspiring to be angels, men rebel.
I'd spent way more years worrying about how to look like a poet -- buying black clothes, smearing on scarlet lipstick, languidly draping myself over thrift-store furniture -- than I had learning how to assemble words in some discernible order.
How can the confessor teach/ those who are lost and sick at heart,/ when he himself, among the sinners,/ is worst, and most forsaken?/ It is only a game we play/ with other people's sins./ Besides, everyone knows/ that everyone lies confessing.
I long for scenes where man hath never trod A place where woman never smiled or wept There to abide with my Creator, God, And sleep as I in childhood sweetly slept, Untroubling and untroubled where I lie The grass below—above the vaulted sky.
