What else is a poem about?The rhythm and the images buried in the language. All the ways you can build an emotion with words, but you can't just write 'I feel sad.' I mean, you can, but it's not poetry... I think it has to be experienced instead of studied. You step into it.
She tells me about dreams. She says my dreams are helium and balloons, and I've made the mistake of letting go a few to many times, but I still got this one. Tied around my finger like a wedding ring because even though I don't believe in marriages, I'm gonna bring this one home.
I dragged myself to my feet, and with my hellhound in tow started off once more through the fastness of the wood, feeling, as the poet did before me, that my companion would be with me through the nights and through the days and down the arches of the years, and I should never be rid of him.
Fondling,' she saith, 'since I have hemm'd thee here Within the circuit of this ivory pale, I'll be a park, and thou shalt be my deer; Feed where thou wilt, on mountain or in dale: Graze on my lips, and if those hills be dry, Stray lower, where the pleasant fountains lie.
look, you know i don't wanna come on ungrateful, but that warren report, you know as well as me, just didn't make it. You know, like they might as well have asked some banana salesman from des moines, who was up in toronto on the big day, if he saw anyone around looking suspicious/...
a bruise, bluein the muscle, youimpinge upon me.As bone hugs the ache home, soI'm vexed to love you, your bodythe shape of returns, your hair a torsoof light, your heatI must have, your openingI'd eat, each momentof that soft-finned fruit,inverted fountain in which I don't see me.
My heart born nakedwas swaddled in lullabies.Later alone it worepoems for clothes.Like a shirtI carried on my backthe poetry I had read.So I lived for half a centuryuntil wordlessly we met.From my shirt on the back of the chairI learn tonighthow many yearsof learning by heartI waited for you.
And tell me everything, tell chain by chain, and link by link, and step by step; sharpen the knives you kept hidden away, thrust them into my breast, into my hands, like a torrent of sunbursts, an Amazon of buried jaguars, and leave me cry: hours, days and years, blind ages, stellar centuries.
لكي تعيش طويلا في ذاكرتيأحبني كما تفعل الآنوأكثر
And when I stand in the receiving linelike Jackie Kennedywithout the pillbox hat,if Jackie were fat and had taken enough Klonopinto still an ox,and you whisperI think of youevery day,don't finish withbecause I've been going to Weight Watcherson Tuesdays and wonder if you want to go too.
Take this kiss upon the brow!And, in parting from you now,Thus much let me avow-You are not wrong, who deemThat my days have been a dream;Yet if hope has flown awayIn a night, or in a day,In a vision, or in none,Is it therefore the less gone?All that we see or seemIs but a dream within a dream.
All that is gold does not glitter,Not all those who wander are lost;The old that is strong does not wither,Deep roots are not reached by the frost.From the ashes a fire shall be woken,A light from the shadows shall spring;Renewed shall be blade that was broken,The crownless again shall be king.
Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpiresAt every pore with instant fires, Now let us sport us while we may, And now, like amorous birds of prey, Rather at once our time devour Than languish in his slow-chapt power.
Who is the third who walks always beside you?When I count, there are only you and I togetherBut when I look ahead up the white roadThere is always another one walking beside youGliding wrapt in a brown mantle, hoodedI do not know whether a man or a woman-But who is that on the other side of you?
For it has come about, by the wise economy of nature, that our modern spirit can almost dispense with language; the commonest expressions do, since no expressions do; hence the most ordinary conversation is often the most poetic, and the most poetic is precisely that which cannot be written down.
