I like the posture, but not the yoga. I like the inebriated morning, but not the opium. I like the flower but not the garden, the moment but not the dream. Quiet, my love. Be still. I am sleeping.

Under the greenwood tree,Who loves to lie with meAnd tune his merry note,Unto the sweet bird's throat;Come hither, come hither, come hither.Here shall he seeNo enemyBut winter and rough weather.

If you are a dreamer come inIf you are a dreamer a wisher a liarA hoper a pray-er a magic-bean-buyerIf youre a pretender com sit by my fireFor we have some flax golden tales to spinCome in! Come in!

There is a pleasure in the pathless woods,There is a rapture on the lonely shore,There is society, where none intrudes,By the deep sea, and music in its roar:I love not man the less, but Nature more

A black cat among roses,phlox, lilac-misted under a quarter moon,the sweet smells of heliotrope and night-scented stock. The garden is very still.It is dazed with moonlight,contented with perfume...

My friend, you thought you lost Him;that all your life you've been separated from Him.Filled with wonder, you've always looked outside for Him,and haven't searched within your own house.

How are poets able to unzip what they see around them, calling forth a truer essence from behind a common fact? Why, reading a verse about a pear, do you see past the fruit in so transcendent a way?

She believes poetry is 'a way of coming to know the realness of things; fiction is a way of coming to know the world of relationships; nonfiction is a way of coming to know the world of the mind.

Hill tops like hot iron glitter bright in the sun, And the rivers we're eying burn to gold as they run; Burning hot is the ground, liquid gold is the air; Whoever looks round sees Eternity there.

A lover goes toward his beloved as enthusiastically as a schoolboy leaving his books, but when he leaves his girlfriend, he feels as miserable as the schoolboy on his way to school. (Act 2, scene 2)

كل شيء أبيضهذه الغرفةروحيكذباتي

I Still Have Everything You Gave MeIt is dusty on the edges.It is slightly rotten.I guard it without thinking.I focus on it once a yearwhen I shake it out in the wind.I do not ache.I would not trade.

For a lot of people, poetry tends to be dull. It's not read much. It takes a special kind of training and a lot of practice to read poetry with pleasure. It's like learning to like asparagus.

The characters in my novels are my own unrealised possibilities. That is why I am equally fond of them all and equally horrified by them. Each one has crossed a border that I myself have circumvented.

Writing poetry is talking to oneself; yet it is a mode of talking to oneself in which the self disappears; and the product's something that, though it may not be for everybody, is about everybody.