Past is a picture that has been viewed already, and there's nothing more to learn from it, so we need to stop looking at the same picture again and again and start making a better picture for the future, so that when someday we look back the picture's made by us, instead of regretting we cherish it.
We are told we must choose — the old or the new. In fact, we must choose both. What is a life if not a series of negotiations between the old and the new?"[Speech upon being awarded the Friedenspreis des Deutschen Buchhandels (Peace Prize of the German Book Trade), Frankfurt Book Fair, October 12, 2003]
When a builder builds he clears the ground for his new foundations. Then he sees that the basic structure will support the whole. Should we not also clear the mind - at least that part of it that we can reach - of the ruins of past thinking, before building our palace of dharma which will one day reach the sky.
One thing I learned in here is the past is for learning. It's not for punishing others or yourself. It's not for dwelling on and getting angry about things you can't change. It's for learning how to do better in the rest of your life. And being grateful you get another chance to try and do better.
She always used to say that the past is a relentless parasite in its quest, feeding off of the senses, looking for anything that will trigger a memory–forever there to complicate the present, forever there to remind us that it will always be a piece of us. I never had a clue as to what she meant, until now.
The frontier will nevertheless survive in the attitudes a few of us inherited from it. One of those attitudes--to me a beatitude--is the conviction that the past matters, that history weighs on us and refuses to be forgotten by us, and that the worst poverty women--or men--can suffer is to be bereft of their past.
She'd cried over a broken heart before. She knew what that felt like, and it didn't feel like this. Her heart felt not so much broken as just ... empty. It felt like she was an outline empty in the middle. The outline cried senselessly for the absent middle. The past cried for the present that was nothing.
You do not even think of your own past as quite real; you dress it up, you gild it or blacken it, censor it, tinker with it...fictionalize it, in a word, and put it away on a shelf - your book, your romanced autobiography. We are all in the flight from the real reality. That is the basic definition of Homo sapiens.
I couldn’t help but feel as if everyone had lied about everything. We all had secrets. We all had a dark side to our innocent cover. I wondered what we would be like, if we had been completely honest with each other in the first place. Maybe more people would be alive, but then again, more people could be dead.
But since the facts which I should then have recalled would have been prompted only by an exercise of the will, by my intellectual memory, and since the pictures which that kind of memory shews us of the past preserve nothing of the past itself, I should never have had any wish to ponder over this residue of Combray.
It is a cruel, ironical art, photography. The dragging of captured moments into the future; moments that should have been allowed to be evaporate into the past; should exist only in memories, glimpsed through the fog of events that came after. Photographs force us to see people before their future weighed them down....
By keeping the mind in the present, unless you deliberately want to contemplate the past or future, it’s possible to firmly face life without fear. Then, no thoughts of past failures or future problems will exist in the mind, and a truly positive mental state will result—fudoshin, the “immovable mind.
The past is like a great stone that lies on the bed of a river, hidden from view but shaping the currents of the water as it flows by. You cannot read the currents in the river of your own life, and navigate them safely, if you do not understand what causes them. You must know your past, for it will shape your future.
When we have passed a certain age, the soul of the child that we were and the souls of the dead from whom we sprang come and shower upon us their riches and their spells, asking to be allowed to contribute to the new emotions which we feel and in which, erasing their former image, we recast them in an original creation.
There's a certain language, a dying language, and I can't remember who speaks it or where in the world they are, but in that language the future is referred to as being behind us. It must be behind us, since we can see the past. We walk backwards, blind, into the future, only knowing where we've already been.
