Hazel blue anemone in a little SeaSide cave...drawing currents from the sea turquoise blue on sparkling waves. In ocean dreams, the poet waits by his grotto, passing days. Rhyming verse, his mind creates where his smiling Sea Nymph plays. The lapping seas of emerald green stir the poet's fantasy neath crystal skies aquamarine and cotton clouds that drift so free... Ageless are the diamond sands that stretch across this heaven shore... With quill in hand, this poet stands by Neptune's realm forevemore...

Early in her career, Muse engaged her skills for technical purposes, such as document translation and schematic visualizations for government entities. She continued to write and paint poetically, in secret, using her pen name, Muse. An inner compass is evident in her work. Pieces reflect both past and present dilemmas; while showcasing her victories in overcoming these obstacles ~ all from her faith based perspective. Light touches of modernism play hand in hand with old world strokes, offering highly visceral readings.

To be a poet in today’s technological age means to be underrated and at times, ignored. In a world where the noise of industry reigns supreme, the poet’s voice is being drowned out, but it is a voice that is desperately needed. Our words ring out into the atmosphere and calls the masses back to their senses. We must seize this opportunity and remain true to our purpose in society. Ours is a most noble duty, here to represent the misunderstood and underrepresented, and one day, one person will heed the call of our words and the world will be set ablaze!

Lovers and madmen have such seething brains,Such shaping fantasies, that apprehendMore than cool reason ever comprehends.The lunatic, the lover and the poetAre of imagination all compact:One sees more devils than vast hell can hold,That is, the madman: the lover, all as frantic,Sees Helen's beauty in a brow of Egypt:The poet's eye, in fine frenzy rolling,Doth glance from heaven to earth, from earth to heaven;And as imagination bodies forthThe forms of things unknown, the poet's penTurns them to shapes and gives to airy nothingA local habitation and a name.

Is a picture really worth a thousand words? What thousand words? A thousand words from a lunatic, or a thousand words from Nietzsche? Actually, Nietzsche was a lunatic, but you see my point. What about a thousand words from a rambler vs. 500 words from Mark Twain? He could say the same thing quicker and with more force than almost any other writer. One thousand words from Ginsberg are not even worth one from Wilde. It’s wild to declare the equivalency of any picture with any army of 1,000 words. Words from a writer like Wordsworth make you appreciate what words are worth.

All of us,' he said, 'have hopes of being poet, artist, discoverer, philospoher, scientist; of possessing the attributes of all these simultaneously. Few are permitted to achieve any of them in daily life. But in travel we attain them all. Then we have our day of glory, when all our dreams come true, when we can be anything we like, as long as we like, and, when we are tired of it, pull up stakes and move on. Travel -- the solitude of the mountains, the emptiness of the desert, the delicacy of the minaret; eternal change, limitless contrast, unending variety.' (Eric Lang)

These are all direct quotes, except every time they use a curse word, I'm going to use the name of a famous American poet:'You Walt Whitman-ing, Edna St. Vincent Millay! Go Emily Dickinson your mom!''Thanks for the advice, you pathetic piece of E.E. Cummings, but I think I'm gonna pass.''You Robert Frost-ing Nikki Giovanni! Get a life, nerd. You're a virgin.''Hey bro, you need to go outside and get some fresh air into you. Or a girlfriend.'I need to get a girlfriend into me? I think that shows a fundamental lack of comprehension about how babies are made.

The purest moment, tranquil hour of Earth's expectancy. We lay on the soft rose sands beside the sleeping sea in happy land of fragrant meadows I dreamed a dream of. The whisper of the tide, the sighing of the trees. You gentle silver song births my soul aloft upon the inspiration of your nurturing verse with sweet devotion, and flames before me like a holy vision, initiating me into life's beauty and comforting with quiet hope and ease... I feel the ardent flutter your heart gives for delight; you know how Earth is glad and hushed under the tent of purple night that soon to cover us. It glimpses fate's sacred essence with only God to witness...

It is clear enough that not every something can be elevated to the rank of a thing - otherwise everything and everyone would be speaking once more, and the chatter would spread from humans to things. Rilke privileges two categories of 'entities' [Seienden), to express it in the papery diction of philosophy, that are eligible for the lofty task of acting as message-things - artifices and living creatures - with the latter gaining their particular quality from the former, as if animals were being's highest works of art before humans. Inherent to both is a message energy that does not activate itself, but requires the poet as a decoder and messenger.

I love the quietude of misty dawn before the sober sun is up... The morning songs of birds awakening in blooming garden sets my soul gently... Aroma flowers with glistering of the dew... Deep full chest breath... Shy sunbeams flickering over the tops of wisdom whispering choir of waving trees... Serenity of mind... The crystal still lagoon reflecting soft lavender sailing clouds...I step in breeze realm, close eyes and fly with them over the miles, time and space... The serenading music fills my heart... Above the skies the joy of the refreshing winds, as our summer, recalls my being by your side and makes me feel the touch of you and gladness of your tranquil vibes. I smile...

An artist is identical with an anarchist,' he cried. 'You might transpose the words anywhere. An anarchist is an artist. The man who throws a bomb is an artist, because he prefers a great moment to everything. He sees how much more valuable is one burst of blazing light, one peal of perfect thunder, than the mere common bodies of a few shapeless policemen. An artist disregards all governments, abolishes all conventions. The poet delights in disorder only. If it were not so, the most poetical thing in the world would be the Underground Railway.''So it is,' said Mr. Syme.'Nonsense!' said Gregory, who was very rational when any one else attempted paradox.

It is not certain whether the effects of totalitarianism upon verse need be so deadly as its effects on prose. There is a whole series of converging reasons why it is somewhat easier for a poet than a prose writer to feel at home in an authoritarian society.[...]what the poet is saying- that is, what his poem "means" if translated into prose- is relatively unimportant, even to himself. The thought contained in a poem is always simple, and is no more the primary purpose of the poem than the anecdote is the primary purpose of the picture. A poem is an arrangement of sounds and associations, as a painting is an arrangement of brushmarks. For short snatches, indeed, as in the refrain of a song, poetry can even dispense with meaning altogether.

Philosophy is to the mind of the architect as eyesight to his steps. The Term 'genius' when applied to him simply means a man who understands what others only know about. A poet, artist or architect, necessarily 'understands' in this sense and is likely, if not careful, to have the term 'genius' applied to him; in which case he will no longer be thought human, trustworthy or companionable. Whatever may be his medium of expression he utters truth with manifest beauty of thought. If he is an architect, his building is natural. In him, philosophy and genius live by each other, but the combination is subject to popular suspicion and appellation 'genius' likely to settle him--so far as the public is concerned.

How to be a Poet (to remind myself)Make a place to sit down. Sit down. Be quiet. You must depend upon affection, reading, knowledge, skill-more of each than you have-inspiration work, growing older, patience, for patience joins time to eternity… Breathe with unconditional breath the unconditioned air. Shun electric wire. Communicate slowly. Live a three-dimensional life; stay away from screens. Stay away from anything that obscures the place it is in. There are so unsacred places; there are only sacred places and desecrated places. Accept what comes from silence. Make the best you can of it. Of the little words that come out of the silence, like prayers prayed back to the one who prays, make a poem that does not disturb the silence from which it came.

Tom prilikom Kafka mi reče: "Vi opisujete pesnika kao nekog čudesno velikog čoveka čije noge su na zemlji dok mu glava nestaje u oblacima. To je, prirodno, sasvim uobičajena slika u okviru malograđanskih konvencionalnih predstava. To je iluzija, proizišla iz skrivenih želja, a koja nema ničeg zajedničkog sa stvarnošću. U stvarnosti je pesnik uvek manji i slabiji od društvenog proseka. Otuda on oseća teret zemaljskog postojanja intenzivnije i jače nego drugi ljudi. Njegova pesma je za njega samo krik. Umetnost je za umetnika patnja putem koje on sebe oslobađa za novu patnju. On nije nikakav div, nego je tek više ili manje živopisna ptica u kavezu svoje egzistencije.