I believe in you my soul, the other I am must not abase itself to you,And you must not be abased to the other.Loaf with me on the grass, loose the stop from your throat,Not words, not music or rhyme I want, not custom or lecture, not even the best,Only the lull I like, the hum of your valved voice.I mind how once we lay such a transparent summer morning,How you settled your head athwart my hips, and gently turned over upon me,And parted the shirt from my bosom bone, and plunged your tongue to my bare-stripped heart,And reached till you felt my beard, and reached till you held my feet.Swiftly arose and spread around me the peace and knowledge that pass all the argument of the earth,And I know that the hand of God is the promise of my own,And I know that the spirit of God is the brother of my own,And that all the men ever born are also my brothers, and the women my sisters and lovers,And that a kelson of the creation is love,And limitless are leaves stiff or drooping in the fields,And brown ants in the little wells beneath them,And mossy scabs of the worm fence, heaped stones, elder, mullein and pokeweed.
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هناك أجيال ظلت تعمل في وظائف تكرهها فقط لتستطيع شراء أشياء لا تحتاج إليها .. لا توجد حروب عظيمة في جيلنا و لاكساد عظيم .. لكن لدينا حربًا عظمى للروح . لدينا ثورة عظمى ضد الثقافة . الكساد العظيم هو حياتنا
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You listen to me, and listen good!" she shouted, shocking me. "I am not evil because I have a thousand years of demon smut on my soul!" she exclaimed, the tips of her hair trembling and her face flushed. "Every time you disturb reality, nature has to balance it out. The black on your soul isn't evil, it's a promise to make up for what you have done. It's a mark, not a death sentence. And you can get rid of it given time.""Ceri, I'm sorry," I fumbled, but she wasn't listening. "You're an ignorant, foolish, stupid witch," she berated, and I cringed, my grip tightening on the copper spell pot and feeling the anger from her like a whip. "Are you saying because I carry the stink of demon magic, that I'm a bad person?""No..." I wedged in."That God will show no pity?" she said, green eyes flashing. "That because I made one mistake in fear that led to a thousand more that I will burn in hell?""No. Ceri -" I took a step forward."My soul is black," she said, her fear showing in her suddenly pale cheeks. "I'll never be rid of it all before I die, but it won't be because I'm a bad person but because I was a frightened one.
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Strange infatuation seems to grace the evening tide. I want you to be free, but it is your sorrow that has made a slave of me... I wish to know how to keep you... You rise like a tide in my oceans, shine bright like the moon over them, and darken the sky when you mysteriously leave... Forgive me, my Amphitrite, but you are all I know. The day is breaking now, the earth is dry and torn. I know you're tired from the violent storms. I do love you, and you are all I know. The look in your eyes has made a slave of me for eternity. Without you I seem to lose the power of speech. Without you, I am nothing at all. I once again feel you slipping from my reach. You grow me like an evergreen. You've never seen the lonely me at all. Let the wind and ocean water wash away a thousand memories, like sand. Gazing at this all you look back, turn around and continue to run... Run from the love that is chasing after... Exhausted and breathless you sit down on the diamond shore at last. Glance at the ocean - who could that be? Someone is coming. Worried, yet scared found, brought back to the one in search, you are truly happily thrilled to be in the arms of the one who loves...
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We have a soul at times.No one’s got it non-stop,for keeps.Day after day,year after yearmay pass without it.Sometimesit will settle for awhileonly in childhood’s fears and raptures.Sometimes only in astonishmentthat we are old.It rarely lends a handin uphill tasks,like moving furniture,or lifting luggage,or going miles in shoes that pinch.It usually steps outwhenever meat needs choppingor forms have to be filled.For every thousand conversationsit participates in one,if even that,since it prefers silence.Just when our body goes from ache to pain,it slips off-duty.It’s picky:it doesn’t like seeing us in crowds,our hustling for a dubious advantageand creaky machinations make it sick.Joy and sorrowaren’t two different feelings for it.It attends usonly when the two are joined.We can count on itwhen we’re sure of nothingand curious about everything.Among the material objectsit favors clocks with pendulumsand mirrors, which keep on workingeven when no one is looking.It won’t say where it comes fromor when it’s taking off again,though it’s clearly expecting such questions.We need itbut apparentlyit needs usfor some reason too.
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DICK’S DESIREDick's eyes-Soft, cold, and blue-Meet Devonshire's-Dark, sexy, and yearning.Turning away-Dick grabs two packets of sugar-While Devonshire's eyes-Are still upon him-Pondering his every move.Is Dick a playboy,A ladies' man,A mans' man,Or a killer?Does his sex long for,Something hard-Or something soft?Does he need cream in his coffee-The screaming splash of a man,Or the sweet flow of a woman?Finishing up at the bar-Dick turns to leave-Meets Devonshire's gaze again-Hot, thirsty, and longing-But full of trepidation.Following the flow of etiquette-Dick shoots out of the cafe,Past Devonshire,And into a world of dashed hopes,And regrets.But Devonshire-No longer of two worlds-Rises in pursuit-Goes after Dick,And taps him on the shoulder.Dick gives a turn,Raises his shoulders,And smiles with interest-Taking Devonshire's hand,And asking his name.Devonshire answers-Desire.Dick invites Devonshire to dinner,Where he eats everything,Swallowing Dick's life stories,And devouring his misgivings.For dessert,Devonshire takes Dick home,Into his bed,Against his flesh,And gives Dick all of him-His deepest desires,The love in his eyes,And the fire in his soul.
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فالنفس المختلة، تثير الفوضى في أحكم النظُم، وتستطيع النفاذ منه إلى أغراضها الدنيئة، والنفس الكريمة ترقع الفتوق في الأحوال المختَلّة ويشرق نُبْلها من داخلها، فتحسن التصرف والمسير، وسط الأنواء والأعاصير
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Even Diotima and Amheim were shy of using it without a modifier, for it is still possible to speak of having a great, noble, craven, daring, or debased soul, but to come right out with "my soul" is something one simply cannot bring oneself to do. It is distinctly anolder person's word, and this can only be understood by assuming that in the course of life people become more and more aware of something for which they urgently need a name they cannot find until they finally resort, reluctantly, to the name they had originally despised. How to describe it, then? Whether one is at rest or in motion, what matters is not what lies ahead, what one sees, hears, wants, takes, masters. It forms a horizon, a semicircle before one, but the ends of this semicircle are joined by a string, and the plane of this string goes right through·the middle of the world. In front, the face and hands look out of it; sensations and strivings run ahead of it, and no one doubts that whatever one does·is always reasonable, or at least passionate. In other words, outercircumstances call for us to act in a way everyone can understand; and if, in the toils of passion, we do something incomprehensible, that too is, in its own way, understandable.
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Immortal existence..Sometimes Living is not such an easy task..Being here or there..The spirit is the same.. Only changes the place where shows..Here, the make-up is of meat.. There is infinite LIGHT..In the flesh, or out of it , what does order is what thinks and what creates..Each thought, a vibration..Each action, a reaction..That doesn't change with the death of the body.. Because actually nobody dies..We are immortal divine existences.. Believing or not..So many lives.. So many experiences..So many faces.. So many dreams..To each life new opportunities.. New learnings..The soul Request.. Thirsty to experiment, feels, develop, evolve, grow and so it goes..The spirit Obeys.. Enters and exit the perishable bodies..Gets right and misses.. rehearses, Conquers and proceeds..The spirit is a gift of the architect of the universe for the benefit of all..It's light.. it's love.. it's eternal..In the Astral or in the Earth.. There is to educate the thought and to clean the energies around yourself..Gives some work to do that spiritual maintenance, but it is worthwhile.It is Light that cleans the Light!So never forget you are imperishable consciousness..May a light circle involves and illuminate each soul..Much light and love in each heart that pulses in the heart of the whole..Namaste,Dave
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Breath (from the book Blue Bridge)Whispering to myselfWith every step I take,Trying out names, for I knowThere is something yet to be called …..I know it, something up aheadJust around the bendOr over the rise –A bird taking to the skyFrom the edge of a jagged cliff – A bird floating outwardsIn silence ……. A silenceWaiting for a footstepTo crunch on stones,For a voice to fling upwardThrough sharp sunlightWith a name…… callingBefore the bird could callBefore the bird called.Oh the bird was there alrightAnd sure it took flightWhen it heard me approachBut it broke my heartWith a mighty croak!So I’m sitting here playingWith a purple flowerSlender stem, no leavesPurple fizz –And it’s quiet again.I am stillI am nothingAnd the hillIs a long, long slopeDown, down, down to the seaFar below.I could rollI could runI could screamBut I am nothing.A cool wind blowsAnd the light is naked and namelessAnd the rocks are faces of angelsAnd the bird in the sky wheelsAnd cries to forget the earthAnd its ancient bones –Oh, sensual pain –Wings…. Wings…. Wings,Singing wings.If only I could begin To describe the emptinessWhich fills me to the brimWith new breathI might almost lose my nameAnd take instead a feather for my soul.
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I maintain, then, that scientific psychology (and, it may be added, the psychology of the same kind that we all unconsciously practise when we try to "figure to ourselves" the stirrings of our own or others' souls) has, in its inability to discover or even to approach the essence of the soul, simply added one more to the symbols that collectively make up the Macrocosm of the culture-man. Like everything else that is no longer becoming but become, it has put a mechanism in place of an organism. We miss in its picture that which fills our feeling of life (and should surely be " soul " if anything is) the Destiny-quality, the necessary directedness of existence, the possibility that life in its course actualizes. I do not believe that the word "Destiny" figures in any psychological system whatsoever — and we know that nothing in the world could be more remote from actual life-experience and knowledge of men than a system without such elements. Associations, apperceptions, affections, motives, thought, feeling, will — all are dead mechanisms, the mere topography of which constitutes the insignificant total of our "soul-science." One looked for Life and one found an ornamental pattern of notions. And the soul remained what it was, something that could neither be thought nor represented, the secret, the ever-becoming, the pure experience.
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Kuan Yin is showing me visually how I’m (and we all are) part of a round ball of light that people call God,” delineates Lena.“There are those who would rather God were thought of as a person, a man with a white beard,” elaborates Kuan Yin. “However, for purposes of this manuscript, I will continue with this ball of light analogy of the God Force. Those who object to my use of the word ‘God’ or ‘God Force’ will just have to deal with it for now.”“I’m seeing not pie-shaped but straight slivers coming from this central ball of light,” depicts Lena. “These straight slivers of light become a person who plays out adventures from his or her beliefs. When you put all the slivers together they form God. It is as if one takes a small chip of gold from a cave made of gold. The cave and chip of gold are separate. Yet, they are the same. How can this be?”Answering her own question, Lena comments, “Because they are both comprised of the same chemical elements. Why do we even go through such a complex process? Is it all just a beautiful game?” Lena asks Kuan Yin.“The God Force likes intense pleasure,” expounds Kuan Yin. “However, the God Force experiences itself more clearly when it can separate itself out; obtaining a different point of view. Because of this separation, [becoming human--the personification of the “Always/Authentic Self”], there is the possibility for pain.
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I have lots of things to teach you now, in case we ever meet, concerning the message that was transmitted to me under a pine tree in North Carolina on a cold winter moonlit night. It said that Nothing Ever Happened, so don't worry. It's all like a dream. Everything is ecstasy, inside. We just don't know it because of our thinking-minds. But in our true blissful essence of mind is known that everything is alright forever and forever and forever. Close your eyes, let your hands and nerve-ends drop, stop breathing for 3 seconds, listen to the silence inside the illusion of the world, and you will remember the lesson you forgot, which was taught in immense milky way soft cloud innumerable worlds long ago and not even at all. It is all one vast awakened thing. I call it the golden eternity. It is perfect. We were never really born, we will never really die. It has nothing to do with the imaginary idea of a personal self, other selves, many selves everywhere: Self is only an idea, a mortal idea. That which passes into everything is one thing. It's a dream already ended. There's nothing to be afraid of and nothing to be glad about. I know this from staring at mountains months on end. They never show any expression, they are like empty space. Do you think the emptiness of space will ever crumble away? Mountains will crumble, but the emptiness of space, which is the one universal essence of mind, the vast awakenerhood, empty and awake, will never crumble away because it was never born.
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Outside and inside, life and soul, appear as parallels in “case history” and “soul history.” A case history is a biography of historical events in which one took part: family, school, work, illness, war, love. The soul history often neglects entirely some or many of these events, and spontaneously invents fictions and “inscapes” without major outer correlations. The biography of the soul concerns experience. It seems not to follow the one-way direction of the flow of time, and it is reported best by emotions, dreams, and fantasies … The experiences arising from major dreams, crises, and insights give definition to the personality. They too have “names” and “dates” like the outer events of case history; they are like boundary stones, which mark out one’s own individual ground. These marks can be less denied than can the outer facts of life, for nationality, marriage, religion, occupation, and even one’s own name can all be altered … Case history reports on the achievements and failures of life with the world of facts. But the soul has neither achieved nor failed in the same way … The soul imagines and plays – and play is not chronicled by report. What remains of the years of our childhood play that could be set down in a case history? … Where a case history presents a sequence of facts leading to diagnosis, soul history shows rather a concentric helter-skelter pointing always beyond itself … We cannot get a soul history through a case history.
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I would like to turn in my skin and change it for a new epidermis. It feels as if I will never be able to rinse the sadness from my soul. All the while I am cognizant of the fact that I am trying to purge myself of my feelings. I start with my shell. I am in the water at least an hour. I immerse my head. My long, thick mane is so heavy, but I feel the lightness of my hair as it floats. I can hear my heart beating in my ears. I wonder what would happen if I died in this water. I drain the bathtub and refill it. I scrub my skin until it stings. I still don't feel clean. I close my eyes.I switch to lying on my back. I gaze at the heavens through the skylight on the ceiling above the tub. I am thinking about Isabella. I am struck by the feeling of uncleanness that I have been immersed in that day. I would imagine that this child feels unclean always, in body and in mind. I am hoping that the sheets in her foster home are snow white and fragrant. I am hoping that she felt safe. I am worried that she is so deeply alone and frightened. I know somewhere deep inside of me that the decisions and choices I made today were sound. I am praying, with eyes glued to the stars, that I will not awaken in the night with my heart beating out of my chest; that I will not be haunted by Francis's diseased body; that I will not perseverate on ever nuance of my day - the smells, the cockroaches, the piercing torment of Isabella's unseeing eye, her father's sore-ridden penis penetrating her tiny body. Yet in many ways this is an experience I hope never to forget. The pearls. I must not forget the pearls that I have promised her.
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