Perhaps many things inside you have been transformed; perhaps somewhere, someplace deep inside your being, you have undergone important changes while you were sad. The only sadnesses that are dangerous and unhealthy are the ones that we carry around in public in order to drown them out with the noise; like diseases that are treated superficially and foolishly, they just withdraw and after a short interval break out again all the more terribly; and gather inside us and are life, are life that is unlived, rejected, lost, life that we can die of. If only it were possible for us to see farther than our knowledge reaches, and even a little beyond the outworks of our presentiment, perhaps we would bear our sadnesses with greater trust than we have in our joys. For they are the moments when something new has entered us, something unknown; our feelings grow mute in shy embarrassment, everything in us withdraws, a silence arises, and the new experience, which no one knows, stands in the midst of it all and says nothing.

Will I begin it? said Doyler laughing. That's all that's in it, he laughing said.Oh sure that grin. Oh sure that wonderful saucerful grin. Jim sat on the grass and he plucked at the blades. He knew for certain sure that Doyler would be turning from him again. He said, You'll be walking away from me soon, won't you now? There was no answer. Jim plucked the grass and stared beyond where the waves broke on the island shore. He said, I wish you wouldn't Doyler. It does break my heart when you walk away.Old pal o' me heart, said Doyler.But already he had turned, and he was walking away. Walking that slow dreadful slope with never a leaf or a stone. Walking; and though Jim tried to keep pace, e could not, and sometimes he called out, Doyler! Doyler! but he never heard or he did not heed, only farther and farther he walked away. And when Jim woke from these dreams, if he did not remember, he knew he had dreamt, for the feeling inside him of not feeling at all. And it was hard then to make his day.

Part of the forces that sent Sam trudging across the white prairies was love of life, a gladness for health and youth that filled him as Mozart's gayest music filled him; and part of it was his belief that the earth on which he walked had been designed by the greatest of artists, and that is a man had the courage and fortitude not to fail it, it would not fail him. In Sam's rough mountain-man philosophy those persons who became the wards of sadness and melancholy had never summoned for use and trial more than a part of what they had in them, and so had failed themselves and their Creator. If it was a part of the inscrutable plan that he was to live through this ordeal, and again cover the bones of wife and child with mountain lilies, the strength was lying in him, waiting, and he had only to call on it- all of it- and use it, without flinching or whimpering. If he showed himself to be a worthy piece in the Great Architect's edifice he would live; in Sam's philosophy that was about all there was to it.

I am not, anymore, a Christian, but I am lifted and opened by any space with prayer inside it. I didn’t know why I was going, today, to stand in the long cool darkness of St. John of the Divine, but my body knew, as bodies do, what it wanted. I entered the oddly small door of the huge space, and walked without hesitating to the altar I hadn’t consciously remembered, a national memorial for those who died of AIDS, marked by banners and placards. My heart melted, all at once, and I understood why I was there. Because the black current the masseuse had touched wanted, needed, to keep flowing. I’d needed to know I could go on, but I’d also been needing to collapse. Which is what I did, some timeless tear span of minutes sitting on the naked gray stone. A woman gave me the kind of paper napkins you get with an ice cream cone. It seemed to me the most genuine of gifts, made to a stranger: the recognition of how grief moves in the body, leaving us unable to breathe, helpless, except for each other.

What's the use of crying, and retching, and belching, all day long, like your lady downstairs? Life has its sad side, and we must take the rough with the smooth. Why, maids have died on their marriage eve, or, what's worse, bringing their first baby into the world, and the world's wagged on all the same. Life's sad enough, in all conscience, but there's nothing to be frightened about in it or to turn one's stomach. I was country-bred, and as my old granny used to say, "There's no clock like the sun and no calendar like the stars." And why? Because it gets one used to the look of Time. There's no bogey from over the hills that scares one like Time. But when one's been used all one's life to seeing him naked, as it were, instead of shut up in a clock, like he is in Lud, one learns that he is as quiet and peaceful as an old ox dragging the plough. And to watch Time teaches one to sing. They say the fruit from over the hills makes one sing. I've never tasted so much as a sherd of it, but for all that I can sing.

When she woke up crying for one of her nightmares, the Kolker would stay with her, brush her hair with his hands, collect her tears in thimbles for her to drink the next morning (The only way to overcome sadness is to consume it, he said), and more than that: once her eyes closed and she fell back asleep, he was left to bear the insomnia. There was a complete transfer, like a speeding billiard ball colliding with a resting one. Should Brod feel depressed - she was always depressed - the Kolker would sit with her until he could convince her that it’s OK. It is. Really. And when she would move on with her day, he would stay behind, paralysed with a grief he couldn’t name and that wasn’t his. Should Brod become sick, it was the Kolker that would be bedridden by week’s end. Should Brod feel bored, knowing too many languages, too many facts, with too much knowledge to be happy, the Kolker would stay up all night studying her books, studying the pictures, so the next day he could try to make the kind of small talk that would please his young wife.

Percy, let me go" she croaked. "You can't pull me up."His face was white with effort. She could see in his eyes that he knew it was hopeless."Never," he said. He looked up at Nico, fifteen feet above. "The other side, Nico! We'll see you there. Understand?"Nico's eyes widened. "But-""Lead them!" Percy shouted. "Promise me!""I-I will."Below them, the voice laughed in the darkness. Sacrifices. Beautiful sacrifices to wake the goddess. Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome."We're staying together," he promised. "You're not getting away from me. Never again."Only then did she understand what would happen. A one-way trip. A very hard fall."As long as we're together," she said.She heard Nico and Hazel still screaming for help. She saw sunlight far, far above- maybe the last sunlight she would ever see.Then Percy let go of his ledge, and together, holding hands, he and Annabeth fell into the endless darkness.

Have you ever known DEATH? Its creatures crawl amidst the lost soul you live wondering if ever they will survive off the bloodthirsty desires of your midnight screams. Shuuush. Can you hear the voices in your head? I listen as I hear them calling you. I sneak a peak up the stairs with just a mere candle gently lit @ the far off end to the hallway … are you there? I hear foot prints … perhaps the logs making witches cackling is all it is? There is no comfort to the lost. No settling to the fire ignited through their veins. Have you not rejoiced in the victory from your burning haunts? Sadness prevails and I loathe sadness. It eats at your bones like a sick little parasite. Stop the madness I plead. Cut its very existence out like the heart of a filthy swine. DEATH be to this demon madness. DEATH I say. Sleep sweetly for the addiction to aliveness comforts your weakened brokenness. [the torturous journey one plays in the outside lines of addiction … as if experienced in the type of rock thrown down for it’s victory. HOP SCOTCH. have we erased the sidewalk chalk?]

Why’d you want to kill yourself? Didn’t you feel anything, or didn’t it hurt you?” Mandy questioned, looking puzzled. “Yes, I suppose it did, … it was strange, it was sharp, that’s all I can think of to describe it… and cold, but not cold like ice, more like… I don’t know, like something much worse, something horrible… and it seemed like the ground was falling upwards, becoming the sky… for a moment it made me consider that it was just a dream, that I was on some sort of drug, and then I remember being overjoyed to see the sky was still above me, then just really sad, really tired… and then I don’t remember much else about it,” Alecto told her, glaring straight ahead at the sky with narrowed eyes. “I don’t mind, I’m not supposed to mind, anyway. Mearth already told me that eventually I would want to be dead, that it was inevitable… still, I sometimes wish that I could have done something good for other people in my life, it might have made up for all the bad stuff I’ve done.

Why’d you want to kill yourself? Didn’t you feel anything, or didn’t it hurt you?” Mandy questioned, looking puzzled. “Yes, I suppose it did, … it was strange, it was sharp, that’s all I can think of to describe it… and cold, but not cold like ice, more like… I don’t know, like something much worse, something horrible… and it seemed like the ground was falling upwards, becoming the sky… for a moment it made me consider that it was just a dream, that I was on some sort of drug, and then I remember being overjoyed to see the sky was still above me, then just really sad, really tired… and then I don’t remember much else about it,” Alecto told her, glaring straight ahead at the sky with narrowed eyes. “I don’t mind, I’m not supposed to mind, anyway. Mearth already told me that eventually I would want to be dead, that it was inevitable… still, I sometimes wish that I could have done something good for other people in my life, it might have made up for all the bad stuff I’ve done.

so here i sit. a sum of the parts. about a third way down this wonderful path, so to speak. and i've been thinking lately about a friendship that fell apart with time, with distance, and with the misunderstanding of youth. i'm trying not to confuse sadness with regret. not the easiest thing at times. i dont regret that certain things happened. i understand that perhaps i had a choice in the matter, or perhaps i believe in fate. probably not, but so far actions as small as the quickest glance to events as monumental as death have pushed me slowly along to right here, right now. there was no other way to get here. the meandering and erratic path was actually the straightest of lines. take away a handful of angry words, things once thought of as mistakes or regrets, and i'm suddenly a different person with a different history, a different future. that, i would regret. so here i sit. thinking about a person i once called my best friends. a man who might be full of sadness and regret, who might not give a damn, or who might, just might, remember the future and realize that's where its at.

Zoe—" I said."Stars," she whispered. "I can see the stars again, my lady."A tear trickled down Artemis's cheek. "Yes, my brave one. They are beautiful tonight.""Stars," Zoe repeated. Her eyes fixed on the night sky. And she did not move again.Thalia lowered her head. Annabeth gulped down a sob, and her father put his hands on her shoulders. I watched as Artemis cupped her hand above Zoe's mouth and spoke a few words in Ancient Greek. A silvery wisp of smoke exhaled from Zoe's lips and was caught in the hand of the goddess. Zoe's body shimmered and disappeared.Artemis stood, said a kind of blessing, breathed into her cupped hand and released the silver dust to the sky. It flew up, sparkling, and vanished.For a moment I didn't see anything different. Then Annabeth gasped. Looking up in the sky, I saw that the stars were brighter now. They made a pattern I had never noticed before—a gleaming constellation that looked a lot like a girl's figure—a girl with a bow, running across the sky."Let the world honor you, my Huntress," Artemis said. "Live forever in the stars.

لو صحَّ أن نحكم على القلوب بقلب الأم لبدت القلوب أحجاراً.. إنَّه رجل و ليس حزن الرجال كحزن النساء. . لو استسلم الرجال للأحزان لناءت بهم كواهلهم المثقلة بالأعباء.. عليك إذا أنست منه حزناً أن تسري عنه.

لو صحَّ أن نحكم على القلوب بقلب الأم لبدت القلوب أحجاراً.. إنَّه رجل و ليس حزن الرجال كحزن النساء. . لو استسلم الرجال للأحزان لناءت بهم كواهلهم المثقلة بالأعباء.. عليك إذا أنست منه حزناً أن تسري عنه.

When my grandpa died, I had this same fear. I love Grandpa so much. He was Mom's dad, and he was my favorite person in the whole world. He lived up north, between Grayling and the Mackinaw Bridge. He had, like, twenty acres. He had horses and dirt bike and all this awesome stuff. I'd go up there for weeks at a time during the summers, and he'd let me do whatever I wanted. We'd go hunting and fishing and four-wheeling, and I'd stay up till midnight every night. Then one day, he died. All of a sudden, just like that that. I cried for days. Dad kicked the shit out of me for crying, but I didn't care. I loved Grandpa, and he was gone. Then, like a month after he'd died, I had this panic attack. I couldn't remember what he looked like. I thought it meant I didn't love him, or that I'd forgotten about him. It was the only time Dad was anything like helpful. He told me you have to forget what they look like. Otherwise, you can't learn to live without them. Forgetting is your brain's way of telling you it's time to try and move on. Not forget who they were, just...keep living.