How would it alter Juliet’s love perception to learn the sea is but a rounded jug of water? Would her sensuous analogy turned simple simile unveil to her the limits of herself? Or would she forget the ocean, that deplorable casket, and turn on the true bottomless tumbler, the only running tap: the sky? It may have lost the title ‘heavens’ when its gods were dethroned, but its infinity reigns. So long as you walk, it reigns. So long as I talk and you listen, there’s a voice and ears to keep it active, moving, and reason to say: look! infinity lives. And when we and the other consciousnesses pass, though it in part dies with us, still it reigns. It will, in a sense, plod on, like a lifeless coffin through its own space, sails set for nothing, unstoppable when trailing its fabric.

White heterosexual male characters need not disappear from narratives. They need not stop being central focus of some stories. They just need to stop taking most of the narrative space, and make more rooms to other types of protagonists: persons of colors, women, persons with disability, and people of other sexual orientation – including asexual ones. What shows on our screens has an impact on our society, not only on our youth. We need to propose stories that include this vast variety of people that form human kind. The Star Wars franchise has a role to play in the media landscape. Not only it is a long term one that has had many fans across different generations since its origin, but now it belongs to the Disney group, one of the major media companies, the image and narratives it offers may have even greater impact.

A face stared up at her from the mirror beside her hand. Was that really what she looked like? Was that really what she looked like, all sharp lines and huge silver-grey eyes? Certainly, no one would ever call those features beautiful, Jame thought ruefully; but were they really enough like a boy's to have fooled that old man the alley? Well, maybe with that long black hair out of sight under a cap. It was a very young face and a defiant one, she thought with a odd sense of detachment, but frightened, too. And those extraordinary eyes... what memories lived in them that she could not share? Stranger, where have you been she asked silently. What have you seen? The thin lips locked in their secrets."Ahhh!" Jame said in sudden disgust, tossing away the mirror. Fool, to be obsessed with a past she couldn't even remember. But it was all behind her now.

My father and I used to watch a ton of old horror movies when I was growing up. ’The Creature from the Black Lagoon‘ was one of my father’s favorites and he was very excited for me to see the film. But after the movie was over, I told him that I was kind of bored. I said to him, ‘I’m sorry, Daddy, but I saw the zipper in the back of the monster’s costume. From that point on, I was really never scared at all. The point I’m trying to make is that I don’t believe someone intentionally tipped off the target. And I maintain that no one made some horrendous mistake, which I’m now trying to cover up. I believe what really happened with the operation was that our target ended up seeing the zipper. Orlo Kharms realized something around him wasn’t… real. And he was able to avoid the trap we had laid out for him.

Fiction is dangerous because it lets you into other people's heads. It shows you that the world doesn't have to be like the one you live in." At the first nationally recognized science fiction convention in China in 2007, Gaiman took a party official aside and said, "While not actually illegal, science fiction is regarded as dangerous and subversive in China. Why did you say yes to a science-fiction convention?"The party official answered, "In China, we're really good at making things people bring to us, but we don't invent, we don't innovate." When Chinese party officials visited Google, Apple and Microsoft, they asked what the executives read as children. The official continued: "They all said, 'We read science fiction. The world doesn't have to be the way it is right now. We can change it.' " "That," said Gaiman, "is the big dangerous thing.

Sooner or later it must come out, even if other men rediscover it. And then...Governments and powers will struggle to get hither, they will fight against one another and against these moon people. It will only spread warfare and multiply the occasions of war. In a little while, in a very little while if I tell my secret, this planet to it's deepest galleries will be strewn with human dead. Other things are doubtful, but this is certain...It is not as though man had any use for the moon. What good would the moon be to men? Even of their own planet what have they made but a battleground and theatre of infinite folly? Small as his world is, and short as his time, he has still in his little life down there far more than he can do. No! Science has toiled too long forging weapons for fools to use. It is time she held her hand. Let him find it out for himself again-in a thousand years' time.

What are you about?" said the vehicle as a panel popped open to reveal delicate components. "I am not accustomed to such usage."The little man said nothing, but began to rearrange connections and sever some linkages within the autocab's mechanism. The vehicle lurched and then spiraled down to a meadow bordered by trees."I will be compelled to summon assist-" said the car, then broke off as Gaskarth made a final adjustment. The autocab dropped the remaining few inches to the grass, and the dwarf twisted the emergency release handle to open the doors. Filidor followed him out of the autocab."Who am I?" inquired the car. "Have I a function?""Perhaps you are a type of bird," said Gaskarth. "If so, it is your function to fly."The autocab digested this information briefly, then lifted slightly. "Experimentation tends to support the hypothesis," it said, and flew in widening circles out of their ken.

S’ils participent tous deux des littératures de l’imaginaire, s’ils ont quelques points communs, comme par exemple leur localisation sur des planètes exotiques et la description de sociétés organisées selon des règles différentes des nôtres, la science-fiction et la fantasy n’en sont pas moins de nature très différente. L’une procède d’un retour à la pensée magique, elle est donc régressive, tandis que l’autre s’appuie sur les conquêtes de l’intelligence et du savoir. L’une flatte l’irrationnel, l’autre est un outil de questionnement du monde. La fantasy est une pure littérature d’évasion alors que la science-fiction est toujours en prise, même dans ses projections les plus lointaines, avec le réel.

Just because your electronics are better than ours, you aren't necessarily superior in any way. Look, imagine that you humans are a man in LA with a brand-new Trujillo and we are a nuhp in New York with a beat-up old Ford. The two fellows start driving toward St. Louis. Now, the guy in the Trujillo is doing 120 on the interstates, and the guy in the Ford is putting along at 55; but the human in the Trujillo stops in Vegas and puts all of his gas money down the hole of a blackjack table, and the determined little nuhp cruises along for days until at last he reaches his goal. It's all a matter of superior intellect and the will to succeed. Your people talk a lot about going to the stars, but you just keep putting your money into other projects, like war and popular music and international athletic events and resurrecting the fashions of previous decades. If you wanted to go into space, you would have.

Let's say that the God the Christians pray to is real. He actually exists. But this God is the same as the one that the Jews pray to and the same as the one that the Muslims pray to and whatever other religions are praying to a God, He is the one. One God with many faces. Most of these religions contain the myth of the Anti-Christ, a being who will come one day and lead the world astray, lead the world to a place of sin and evil. Who could this Anti-Christ be...Consider the God with many faces. How many wars have been fought in His Name? How many people have been beaten, jailed, and maimed to prove His points. Think of the Inquisition, the Holocaust, Salem, and the Sudan. All of these tragedies carried out in His name. Why is it accepted that He is a force for good? If we were to look for the Anti-Christ just by his accomplishments, wouldn't we clearly suspect the being who is the cause of so much woe?

Kandinski looked up. 'Do you read science fiction?' he asked matter-of-factly.'Not as a rule,' Ward admitted. When Kandinski said nothing he went on: 'Perhaps I’m too skeptical, but I can’t take it too seriously.'Kandinski pulled at a blister on his palm. 'No one suggests you should. What you mean is that you take it too seriously.'Accepting the rebuke with a smile at himself, Ward pulled out one of the magazines and sat down at a table next to Kandinski. On the cover was a placid suburban setting of snugly eaved houses, yew trees, and children’s bicycles. Spreading slowly across the roof-tops was an enormous pulpy nightmare, blocking out the sun behind it and throwing a weird phosphorescent glow over the roofs and lawns. 'You’re probably right,' Ward said, showing the cover to Kandinski. 'I’d hate to want to take that seriously.'("The Venus Hunters")

What?" The dread in her tone told Rob she knew what. "How much longer?""Thirty seconds."She laughed with a panicked urgency. "I just tried to nod. I can't feel my body, but I keep reaching for it, you know?"Rob nodded, feeling guilty he was able to."How about this? I'll just tell you when I'm nodding, or shaking my head, or punching you.""Oh, no," Rob laughed, "are you planning on punching me often?""We'll see."Rob couldn't help glancing at the timer, though he knew it would only make Winter more aware of what was about to happen. Seven seconds."I keep expecting this to get easier, taht it will start to feel as if I'm going to sleep. But it doesn't. Maybe it's not possible to get used to dying."Rob reached out to comfort her, then remembered it was forbidden and drew back. If not for the surveillance, Rob would have reached under the silver cover and taken her hand, cold and stiff as it would have been.

Is the beauty of the Whole really enhanced by our agony? And is the Whole really beautiful? And what is beauty? Throughout all his existence man has been striving to hear the music of the spheres, and has seemed to himself once and again to catch some phrase of it, or even a hint of the whole form of it. Yet he can never be sure that he has truly heard it, nor even that there is any such perfect music at all to be heard. Inevitably so, for if it exists, it is not for him in his littleness. But one thing is certain. Man himself, at the very least, is music, a brave theme that makes music also of its vast accompaniment, its matrix of storms and stars. Man himself in his degree is eternally a beauty in the eternal form of things. It is very good to have been man. And so we may go forward together with laughter in our hearts, and peace, thankful for the past, and for our own courage. For we shall make after all a fair conclusion to this brief music that is man.

Essentially, in the model of strange fiction based in shifts in narrative modality, we are reversing the polarity, treating those ‘contents’ (errata, nova and chimera) as the end results of a literary technique of estrangement, the effects of strangeness rather than the cause. These quirks – dragons, spaceships, magic, FTL – are not things which, in and of themselves, make fiction strange. Rather they are the epiphenomena of an underlying process of semiosis, figurae generated and combined to create meaning, gaining their symbolic power by their application. Genre is not a question of which trove of tropes one uses, of a characteristic set of quirks; rather it is a quality emergent from the underlying dynamics of modalities, the nature of the impossibilities and our affective responses to them – the uncertainties and ethical imperatives too, if we include epistemic and deontic quirks in our scope along with the alethic and boilomaic.

They knew where they were headed but they didn’t know where they were going. Retina shrugged the thought. Roma complained about the possibility they were walking into a trap. After all, he was one of the scientists that decided Solstice’s fate. Retina was adamant no one knew him. Lorenzo didn’t care about anything much but reaching Zharfar after Retina surgically removed his Unicell Groper. They were headed to Africa in what seemed a semi commercial private plane. Eight people including the pilots travelled. They weren’t supposed to know any more particulars. But Lorenzo’s watch placed the coordinates in both numbers and words. They were in West Africa, country Nigeria, state Osun, and township Isura. None of them had ever heard of it, the town, but they were there. And they had travelled for miles, over highly forested nonresidential areas and mountain peaks before they stopped. Wherever they were going was greatly isolated, Roma thought.