And the stars: the sky gets crowded at night, and it is a bit like watching a clock, seeing the constellations slide across the sky. It’s comforting to know that they’ll show up, however bad the day has been, however crook things get. That used to help in France. It put things into perspective—the stars had been around since before there were people. They just kept shining, no matter what was going on. I think of the light here like that, like a splinter of a star that’s fallen to earth: it just shines, no matter what is happening. Summer, winter, storm, fine weather. People can rely on it.

But if a man be alone, let him look at the stars. The rays that come from those heavenly worlds, will separate between him and vulgar things. One might think the atmosphere was made transparent with this design, to give man, in the heavenly bodies, the perpetual presence of the sublime. Seen in the streets of cities, how great they are! If the stars should appear one night in a thousand years, how would men believe and adore; and preserve for many generations the remembrance of the city of God which had been shown! But every night come out these envoys of beauty, and light the universe with their admonishing smile.

The black land slid by and he was going into the country among the hills. For the first time in a dozen years the stars were coming out above him, in great processions of wheeling fire. He saw a great juggernaut of stars form in the sky and threaten to roll over and crush him... the river was mild and leisurely, going away from the people who ate shadows for breakfast and steam for lunch and vapors for supper. The river was very real; it held him comfortably and gave him the time at last, the leisure, to consider this month, this year, and a lifetime of years. He listened to his heart slow. His thoughts stopped rushing with his blood.

Smiling now, Michael Dawn sat on his rooftop, gazing at the stars above him, just like men had done for thousands of years. Out there lay secrets and mysteries that an eternity could never unravel, worlds he could only imagine. Yet looking at them then, it all seemed so surreal. As if the only purpose the stars had in this world was to shine their tiny points of light down on him that evening. To give him something beautiful and breathtaking to admire. Maybe that was their only purpose. Maybe trying to get more out of them, trying to travel among them and shed light on things that were better left unexposed, had been the trouble all along.

I went outside. Tried taking in the billions of stars above, lingering long enough to allow each point of light the chance to scratch a deep hole in the back of my retina, so that when I finally did turn to face the dark surrounding forest I thought I saw the billion eyes of a billion cats blinking out, in the math of the living, the sum of the universe, the stories of history , a life older than anyone could have ever imagined. And even after they were gone--fading away together, as if they really were one--something still lingered in those sweet folds of black pine , sitting quietly, almost as if it too were waiting for something to wake.

I could try composing wonderful musical works, or day-long entertainment epics, but what would that do? Give people pleasure? My wiping this table gives me pleasure. And people come to a clean table, which gives them pleasure. And anyway" - the man laughed - "people die; stars die; universes die. What is any achievement, however great it was, once time itself is dead? Of course, if all I did was wipe tables, then of course it would seem a mean and despicable waste of my huge intellectual potential. But because I choose to do it, it gives me pleasure. And," the man said with a smile, "it's a good way of meeting people. So where are you from, anyway?

See the stars, Lily?"She sighed, surrendering. "Of course.""Do you think they can see the sun coming up?""I don't know. Probably?""Do you think they're scared?""They're burning balls of gas, Calder.""Oh, c'mon. Where's the poet in you?"She exhaled, and I sensed her smile. "I see. Well, in that case, yes. They've finally come home. They are triumphant in their midnight kingdom. But the enemy approaches. They have the numbers on their side, but the enemy is bigger, stronger, with a history of winning that goes back to the dawn of time. They're definitvely terrified."I nodded. She understood my analogy."But they don't run, Calder.

What's wrong with me? I lose my footing, in here.' He touched his head. 'When a neuro-typical looses their footing, they yell or escape to the TV, or maybe the doctor throws them on depression meds. But when I slip, I fall all the way through. I feel the ground give way and I'm gone. It's a crack -- a crack in what's real, and beneath there I'm stuck. Then, I guess I become someone else. Mom says I still know my name, but I walk a different world. The shrink calls it DID -- Dissociative Identity Disorder -- with a little added autism to spice up my other personality. I suppose he's right, but only I know how it feels to slip through the cracks. Then the monster shows up.

Every time you look up at the stars, it’s like opening a door. You could be anyone, anywhere. You could be yourself at any moment in your life. You open that door and you realize you’re the same person under the same stars. Camping out in the backyard with your best friend, eleven years old. Sixteen, driving alone, stopping at the edge of the city, looking up at the same stars. Walking a wooded path, kissing in the moonlight, look up and you’re eleven again. Chasing cats in a tiny town, you’re eleven again, you’re sixteen again. You’re in a rowboat. You’re staring out the back of a car. Out here where the world begins and ends, it’s like nothing ever stops happening.

The sentiment may perceive and love the universe, but the universe cannot perceive and love the sentiment. The universe sees no distinction between the multitude of creatures and elements which comprise it. All are equal. None is favoured. The universe, equipped with nothing but the materials and the power of creation, continues to create: something of this, something of that. It cannot control what it creates and it cannot, it seems, be controlled by its creations (though a few might deceive themselves otherwise). Those who curse the workings of the universe curse that which is deaf. Those who strike out at those workings fight that which is inviolate. Those who shake their fists, shake their fists at blind stars.

Bette Davis lived long enough to hear the Kim Carnes song, 'Bette Davis Eyes'. The lyrics to that song were not very interesting. But the fact of the song was the proof of an acknowledgement that in the twentieth century we lived through an age of immense romantic personalities larger than life, yet models for it, too - for good or ill. Like twin moons, promising a struggle and an embrace, the Davis eyes would survive her - and us. Kim Carnes has hardly had a consistent career, but that one song - sluggish yet surging, druggy and dreamy - became an instant classic. It's like the sigh of the islanders when they behold their Kong. And I suspect it made the real eyes smile, whatever else was on their mind.

He was there alone with himself, collected, tranquil, adoring, comparing the serenity of his heart with the serenity of the skies, moved in the darkness by the visible splendors of the constellations, and the invisible splendor of God, opening his soul to the thoughts which fall from the Unknown. In such moments, offering up his heart at the hour when the flowers of night inhale their perfume, lighted like a lamp in the center of the starry night, expanding his soul in ecstasy in the midst of the universal radiance of creation, he could not himself perhaps have told what was passing in his own mind; he felt something depart from him, and something descend upon him, mysterious interchanges of the depths of the soul with the depths of the universe.

How strange it was, I thought, that when the tiny though thousandfold beauties of the Earth disappeared and the immeasurable beauty of outer space rose in the distant quiet splendor of light, man and the greatest number of other creatures were supposed to be asleep! Was it because we were only permitted to catch a fleeting glimpse of those great bodies and then only in the mysterious time of a dream world, those great bodies about which man had only the slightest knowledge but perhaps one day would be permitted to examine more closely? Or was it permitted for the great majority of people to gaze at the starry firmament only in brief, sleepless moments so that the splendor wouldn't become mundane, so that the greatness wouldn't be diminished?

I do not agree with you," insisted Georyn. "Must a man then live always as his fellows live, and never reach beyond? There is more to knowledge than you dream of, Terwyn, and if it lies in some enchanted realm- well, I think that there is a door to that realm. And I think that the Enchantress knows where the door is and can open it." "Perhaps; but will she leave it open? Think, Georyn: even if she should let you look for such a door, the time will surely come when it will be sealed again; and when that happens you will not be on her side of it, but on ours. How will you feel then? Let us accept her help against the Dragon, but no more- for we are men, not wizards" "I am not sure," said Georyn, "that there is such a difference between the two.

My feeling is that an observer needs to see four hundred and fifty stars to get that feeling of infinitude, and be swept away…and I didn’t make that number up arbitrarily, that’s the number of stars that are available once you get dimmer than third magnitude. So in the city, you see a dozen stars, a handful, and it’s attractive to no one. And if there’s a hundred stars in the sky it still doesn’t do it. There’s a certain tipping point where people will look and there will be that planetarium view. And now you’re touching that ancient core, whether it’s collective memories or genetic memories, or something else form way back before we were even human…astronomer Bob Berman quoted in The End of Night