Creatures of the Darkness BY VICKI JORDANIt was world of vampires and demons, where innocence was rare and so were the living. It was a world of darkness,where light had been outlawed and nightfall had swallowedus whole. An epic war had been fought, and the creatures of the darkhad finally prevailed over the promoters of the light. Finally,for the first time in existence, the people of the shadows couldcome out and freely walk among one another in the rays of the dying sun, which had once been used to shun them away. A little girl, a child of the light, had survived the battle and crawled out from under the ashes of the destruction. She looked around at her altered world in dismay and confronted a vampireabout the changes, of which she did not approve. “Why did you turn my world into a world of night, and make wrong into a new form of right? How could you make all the light disappear, and with it everyone I once loved so dear? Why are the shadows now the new sun, and why is everything lost what you havewon?” The vampire looked down at the little girl with amusement and delight. “Because, little girl, this is the real world you see, where there’s nolight to shine on false identities. We didn’t destroy the world just to scare; we simply uncovered what was already there. What has come out was all the darkness that was once hidden within, and you’ll soon meet the darkness in you once my fangs pierce your skin.”We are our own greatest fears…..

Here’s what happens when a single mom meets New York City’s hottest fireman…“Then…seductively…as if he received instruction not from the FDNY’s training school but at Chippendale’s…he slowly inches each suspender off his bare shoulders.”“You must know that exhilarating feeling of a man’s body on top of yours, all that power and muscle pressing you into the bed, the glorious taste of his tongue in your mouth, the manly scent that washes over you and makes you want to melt underneath him.”“Let’s not forget about his nine inches of shapely fireman hose dangling so close in front of my face the scent launches me into a blissful fever.”“Every place he touches contradicts his chosen profession, because instead of putting out a fire he surely starts one.”“I’m so darn helpless in the arms of this powerful, young, ripped personification of New York’s Bravest that I feel myself about to erupt in the most earth shattering explosion since Mount Vesuvius last announced her presence.”“I wonder if he could be enticed to show us a few maneuvers on the brass pole.”“He orchestrates his own personal opera, inspiring high notes with kisses and licks along my elongated nipples, and deep moans with hands that caress my belly.”“We are drawn uncontrollably to each other and have no power to resist, only the tremendous desire to experience everything in its most intense form.

Novelists when they write novels tend to take an almost godlike attitude toward their subject, pretending to a total comprehension of the story, a man's life, which they can therefore recount as God Himself might, nothing standing between them and the naked truth, the entire story meaningful in every detail. I am as little able to do this as the novelist is, even though my story is more important to me than any novelist's is to him - for this is my story; it is the story of a man, not of an invented, or possible, or idealized, or otherwise absent figure, but of a unique being of flesh and blood, Yet, what a real living human being is made of seems to be less understood today than at any time before, and men - each one of whom represents a unique and valuable experiment on the part of nature - are therefore shot wholesale nowadays. If we were not something more than unique human beings, if each one of us could really be done away with once and for all by a single bullet, storytelling would lose all purpose. But every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world's phenomena intersect, only once in this way and never again. That is why every man's story is important, eternal, sacred; that is why every man, as long as he lives and fulfills the will of nature, is wondrous, and worthy of every consideration. In each individual the spirit has become flesh, in each man the creation suffers, within each one a redeemer is nailed to the cross.

It was after a Frontline television documentary screened in the US in 1995 that the Freyds' public profile as aggrieved parents provoked another rupture within the Freyd family, when William Freyd made public his own discomfort.'Peter Freyd is my brother, Pamela Freyd is both my stepsister and sister-in-law,' he explained. Peter and Pamela had grown up together as step-siblings. 'There is no doubt in my mind that there was severe abuse in the home of Peter and Pam, while they were raising their daughters,' he wrote. He challenged Peter Freyd's claims that he had been misunderstood, that he merely had a 'ribald' sense of humour. 'Those of us who had to endure it, remember it as abusive at best and viciously sadistic at worst.' He added that, in his view, 'The False memory Syndrome Foundation is designed to deny a reality that Peter and Pam have spent most of their lives trying to escape.' He felt that there is no such thing as a false memory syndrome.' Criticising the media for its uncritical embrace of the Freyds' campaign, he cautioned:That the False Memory Syndrome Foundation has been able to excite so much media attention has been a great surprise to those of us who would like to admire and respect the objectivity and motive of people in the media. Neither Peter's mother nor his daughters, nor I have wanted anything to do with Peter and Pam for periods of time ranging up to two decades. We do not understand why you would 'buy' into such an obviously flawed story. But buy it you did, based on the severely biased presentation of the memory issue that Peter and Pam created to deny their own difficult reality. p14-14 Stolen Voices: An Exposure of the Campaign to Discredit Childhood Testimony

Jina langu ni Enock Maregesi na ningependa kukwambia kisa kidogo kuhusiana na bibi yangu, Martha Maregesi. Mwanamke huyu alikuwa mke mwenye upendo usiokuwa na masharti yoyote. Alikuwa mama na bibi aliyefundisha familia yake umuhimu wa kujitolea na umuhimu wa uvumilivu. Ijapokuwa hakupendelea sana kujizungumzia mwenyewe, ningependa kukusimulia kisa kidogo kuhusiana na hadithi ya maisha ya mwanamke huyu wa ajabu katika maisha yangu.Bibi yangu alizaliwa katika Kitongoji cha Butimba, Kijiji cha Kome, Kata ya Bwasi, Tarafa ya Nyanja (Majita), Wilaya ya Musoma Vijijini, Mkoa wa Mara, katika familia ya watoto kumi, mwaka 1930. Alisoma katika Shule ya Msingi ya Kome ambako alipata elimu ya awali na msingi na pia elimu ya kiroho kwani shule yao ilikuwa ya madhehebu ya Kisabato. Aliolewa na Bwana Maregesi Musyangi Sabi mwaka 1946, na kufanikiwa kupata watoto watatu; wa kiume wakiwa wawili na wa kike mmoja. Matatizo hasa ya bibi yalianza mwaka 2005, alipougua kiharusi akiwa nyumbani kwake huko Musoma. Hata hivyo alitibiwa hapo Musoma na Dar es Salaam akapona na kuwa mwenye afya ya kawaida. Lakini tarehe 19/10/2014 alipatwa tena na kiharusi na kulazwa tena katika Hospitali ya Mkoa ya Musoma, ila akajisikia nafuu na kuruhusiwa kurudi nyumbani – lakini kwa maagizo ya daktari ya kuendelea na dawa akiwa nje ya hospitali. Tarehe 29/10/2014 alirudi tena Hospitali ya Mkoa ya Musoma kwa tiba zaidi, lakini tarehe 4/11/2014 saa 7:55 usiku akafariki dunia; akiwa amezungukwa na familia yake.Dunia ina watu wachache sana wenye matumaini na misimamo ya kutegemea mazuri, na wachache zaidi ambao wako tayari kugawa matumaini na misimamo hiyo kwa watu wengine. Nitajisikia furaha siku zote kwamba miongoni mwa watu hao wachache, hata bibi yangu alikuwemo. Msalaba uliwekwa wakfu na Mwenyezi Mungu baada ya mwili wa Yesu Kristo kuning’inizwa juu yake. Kwa kuwa bibi yangu ametanguliwa na msalaba, msalaba utamwongoza mahali pa kwenda.

Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?"Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?"Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be."Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations.""That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story."Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen.""What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now.""I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.

Lachlan frowned as he misjudged the distance and his forehead hit Cormag's head with a bump. He wrapped his arms around his neck to steady himself, two big hands reaching up to hold onto his arms as if to offer extra support. “You,” he began, talking quietly into his ear, “are so beautiful,” he confessed, resting his heavy skull against Cormag's for a moment.He meant it as well. Cormag was stunning. He was taller and broader than he was, very much the fine figure of hotness. His dark hair was well kept, but a little messy, he had amazing bone structure; the type that made him look more like a model than a museum manager. A chiselled jaw, nicely defined cheekbones and a rugged quality thatmade him so appealing. He had never noticed how handsome a male face could be until those eyes drew him in.“And so are you,” his companion chuckled, “but we discussed this…I've ruined every relationship I've ever had. I get needy, possessive and my baggage gets in the way.Besides,” he lowered his voice to a whisper and brushed his hand over his upper arm, “You're not gay,” he protested, reminding him yet again that they were different.“Nope. Not gay,” he agreed with that, nodding his head as he pulled back a little to see him better. “But that doesn't make you any less beautiful. Why is it wrong that I can see how special you are?” he asked, having difficulty understanding why part of his brainwas telling him he was being a drunken idiot and that the man before him wasn'tattractive. But the rest of his brain – about ninety-eight percent of it – was telling him that he was the most attractive person he'd ever seen.“It's not, Lachlan. It really isn't.”“But it's somehow wrong for me to tell you?” Lachlan wondered, glancing across the bar to see Matteo smiling at him. He didn't know what it meant.Cormag cupped his face, capturing his undivided attention again. “No. Not thateither. But it makes it hard for me to keep my distance. You're stunning. Inside and out,” he claimed, with chocolatey eyes that said he meant every word.

Brahma made up his mind to make the world and a man and woman. He made the world, and he made the man and then the woman, and put them on the island of Ceylon. According to the account it was the most beautiful island of which man can conceive. Such birds, such songs, such flowers and such verdure! And the branches of the trees were so arranged that when the wind swept through them every tree was a thousand Æolian harps.Brahma, when he put them there, said: 'Let them have a period of courtship, for it is my desire and will that true love should forever precede marriage.' When I read that, it was so much more beautiful and lofty than the other, that I said to myself, If either one of these stories ever turns out to be true, I hope it will be this one.'Then they had their courtship, with the nightingale singing, and the stars shining, and the flowers blooming, and they fell in love. They were married by the Supreme Brahma, and he said to them: 'Remain here; you must never leave this island.' Well, after a little while the man—and his name was Adami, and the woman's name was Heva—said to Heva: 'I believe I'll look about a little.' He went to the northern extremity of the island where there was a little narrow neck of land connecting it with the mainland, and the devil, who is always playing pranks with us, produced a mirage, and when he looked over to the mainland, such hills and vales, such dells and dales, such mountains crowned with snow, such cataracts clad in bows of glory did he see there, that he went back and told Heva: 'The country over there is a thousand times better than this; let us migrate.' She, like every other woman that ever lived, said: 'Let well enough alone; we have all we want; let us stay here.' But he said 'No, let us go;' so she followed him, and when they came to this narrow neck of land, he took her on his back like a gentleman, and carried her over. But the moment they got over they heard a crash, and looking back, discovered that this narrow neck of land had fallen into the sea. The mirage had disappeared, and there were naught but rocks and sand; and then the Supreme Brahma cursed them both to the lowest hell.Then it was that the man spoke,—and I have liked him ever since for it—'Curse me, but curse not her, it was not her fault, it was mine.'That's the kind of man to start a world with.The Supreme Brahma said: 'I will save her, but not thee.' And then she spoke out of her fullness of love, out of a heart in which there was love enough to make all her daughters rich in holy affection, and said: 'If thou wilt not spare him, spare neither me; I do not wish to live without him; I love him.' Then the Supreme Brahma said—and I have liked him ever since I read it—'I will spare you both and watch over you and your children forever.'Honor bright, is not that the better and grander story?

The story was called 'Annika and the Bears.' The beginning of the story is really the end, and Annika is staring wide-eyed into new velvet-black darkness. The eyes she stares with were brown once, sparkling and the exact color of root beer, but are now an empty ice-blue, almost white. Annika is waiting for her body to grow warm so that she can fall asleep and, as she waits, she remembers life outside this darkness, remembers the world she loved and how it changed. Once, her home was called the Land of Spring and Fall because that's what it was, a place in which the seasons didn't turn in a circle, but moved like a seesaw, Fall becoming Spring becoming Fall becoming Spring. And there had been a moment every year when the seesaw hit a perfect balance. This was Annika's favorite time because blossoms burst from branches alongside red and gold leaves, crocuses opened between rows of corn, and baby animals were born under autumn skies. In the Land of Spring and Fall, it was never too cold or too hot to play outside; brooks never froze or dried up; leaves never fell from the trees; and people and animals never grew old or died. But when a witch appeared in the land, a witch who was furiously angry, but for no reason anyone could understand, and the witch cast a spell that plunged the land into a never-ending winter. In Winterland, terrible things began to happen. People and animals got sick, with wrenching coughs and burning fevers. Desperate for warmth, the people began to kill their friends the animals in order to wrap themselves in fur coats. Food became scarce, and everyone began to fight over what little there was. And strangest of all, one by one, every living, breathing creature in the land began to turn as white as chalk, as colorless as snow with no sun shining on it. One day, Annika sat at her window, looking sadly at the blank world, when she saw, trudging across the snow, her beloved friend John the bear and his family of bears. Some of the bears were white, some were a dull gray, but only John was still a rich chestnut brown. The bears walked with their immense heads hanging down and some of them cried, dropping tears onto the snow. Before they hit the ground, the tears turned to ice. Annika ran outside, calling John's name. He stopped and looked at her with his kind eyes and told her that they were going away, to a cave deep inside one of the high hills that surrounded Winterland. 'To sleep,' he said. 'To wait.' Annika threw her arms around John, buried her face in his beautiful fur, and then stood and watched as the procession of bears patiently resumed their long journey.That night, Annika woke up with a start. She sat up in bed and saw that the hair falling over her shoulders was as white as milk, and she ran to the mirror. As she stared at her reflection, the pink began draining from her cheeks. 'Oh no,' she whispered. 'It's happening. I'm turning into someone else. A winter girl.' In a flash, she had on her shoes and her thickest wool coat and was out the door. The trail of crystal tears the bears had left gleamed in what little moonlight could force its way through the clouds and, slogging through snow, cold eating into her bones, Annika followed the trail. When she got to the cave and moved away the rock that blocked the entrance, all the bears were asleep, except John. He rested his paw on the patch of soft dirt next to him. 'For you, dear heart,' he said sleepily. Then he moved the rock into place and lay back down. Annika curled up between John and another bear, listening to their slow breathing, readying herself for sleep. The bears' bodies warmed her own from the outside in. The last thing to get warm was her heart, and then Annika fell asleep.The story ends this way: 'Imagine the deepest sleep you've ever slept. Multiply its deepness by the number of stars in the sky and the number of fish in the sea. Then you will know the sleep of Annika and the bears.

„Anticarul nu pierdu ocazia să-i relateze pe larg cum venise Georgeoiu întâia oară la Capșa în căutarea poetului, știind că acesta trecea zilnic pe-acolo, trebuia să semneze un contract important. Era seara, pe la șapte și ceva, în local nu se afla niciun client. Directorul editurii se așezase la o masă, chiar în mijloc, și comandase un pește și o sticlă de vin, negru! Închipuie-ți tu!, vin negru la șalău, era șalău, mi-a spus chiar el! Georgeoiu mânca, sorbind încet vinul, în așteptarea poetului, și la un moment dat, văzând că acesta nu mai apărea, îi făcuse un semn cu degetulș lui Spiridonachis, semn cu degetul! Oberul se plimba nervos de la un capăt la altul al salonului, și Georgeoiu îl întrebase ”când vine domnul T.”, -era opt, nici opt. Spiridonachis trecuse pe lângă masa lui în culmea iritării, și-i răspunsese din mers, fără să se oprească, ”Domnul T. trețe pe la douăsprezece, bea o cafea și pleacă!” dând informația asta despre poet ca un șef de gară despre un expres internațional de noapte, a cărui oră de sosire toată lumea o cunoaște, și numai un mocofan ca Georgeoiu habar n-are, un mitocan în localul lui și care mai bea și vin negru după șalău, și mai și zdrobește și peștele cu furculița, ca pe o tocana de cârciumă, fără să puie mâna pe cuțitul cuvenit, numai fiindcă o fi auzit el dracu` știe unde că nu se bagă în pește cuțit! Directorul se întorsese cu scaun cu tot ăn direcția în care grecul pornise furios printre banchetele și scaunele căptușite cu un pluș obosit, pe care se lăfăise aproape un secol „monstruoasa coaliție”, întrebndu-l de ce era atât de supărat, pe tonul acela al lui, bonom, popular, pe care Chiril îl cunoștea atât de bine. Spiridonachis se oprise pufăind pe sub mustăți și îi inșirase pe loc motivele, profitând de faptul că în salon nu se mai afla nimeni, altfel, pretindea Brummer, grecul nu și-ar fi permis. Georgeoiu îl înjurase urât, dar urât de tot,-spunea anticarul-, asemenea vorbe nu mai răsunaseră în localul acela ce păstra în pereți ecouri ilustre, replici memorabile, sau, ca violență, cel mult câte un gest bine studiat acasă, în fața oglinzii, cărți de vizită schimbate în vederea duelului din zorii zilei următoare, în pădurea Băneasa. Spiridonachis chemase miliția. Georgeoiu nu se intimidase deloc și rămăsese pe poziție la masa lui. În nici cinci minute apăruse un reprezentant al forței publice. Văzând promptitudinea acestuia, grecul se răzgândise. Nu era el omul să umble cu pâra. Spre surprinderea lui Georgeoiu, Spiridonachis îi spusele omului legii că avusese un incident „cu o persoană”, dar că între timp plecase. Asta-i plăcuse democratului director al editurii, și, cu jovialitatea sa, îi ceruse Oberului scuze pentru înjurătura urâtă. Grecul se înclinase țeapăn, adică el, ca santinelă la bariera claselor, era gata să înțeleagă orice insultă și să accepte scuzele, deși un domn adevărat-și acest lucru de asemeni ar fi trebuit să-l învețe omul acela gras și vulgar din fața lui-nu cere niciodată scuze unui chelner. Invitat să ia loc la masă, Spiridonachis nu-și îngădui, „-de ce?-se mira Georgeoiu-hai să fim prieteni!, de un` să știu eu aiurelile de aici, eu m-am născut în mahalaua Ploieștiului, domnule, eu sunt proletar, neam de neamul meu n-a mâncat la Capșa, așa că, dă-mi voie, asta-i situația istorică!