Telling a story is like sowing a seed—you always hope to see it become a beautiful tree, with firm roots and branches that soar up in the sky. But it is a peculiar sowing, for you will never know whether your seed sprouts or dies.
Narration, after all, isn’t just a literary function. It represents the human capacity to tell stories in such a manner that they yield meaning. Television replaced this concerted quest for meaning with a frantic pursuit of wonder.
People want to do business with you because of 'who you are' and 'what you stand for'... not because of 'what you do'."Create your story... publish it online and make sure people will find you when they Google you.
But as she continued and finished her tale, I could tell that her heart was elsewhere, and when she excused herself to go to bed, she left without saying good night. After that, the princesses in her stories were always beautiful. Always.
If you focus on the humanity of your stories, your characters, then the horror will be stronger, scarier. Without the humanity, the horror becomes nothing more than a tawdry parlor trick. All flash and no magic, and worst of all, no heart.
Now, before you make a movie, you have to have a script, and before you have a script, you have to have a story; though some avant-garde directors have tried to dispense with the latter item, you'll find their work only at art theaters.
To be truly Christian we must both assent to the historical fact and also to receive the myth (the fact that what has become) with the same imaginative embrace which we accorded to all myths. The one is hardly more necessary than the other.
A story is not a thing. A story is an act. It only exists in the brief moment of its telling. The question you must ask is what a story has the power to do. The truth of something you do is very different from the truth of something you know.
A story is not a thing. A story is an act. It only exists in the brief moment of its telling. The question you must ask is what a story has the power to do. The truth of something you do is very different from the truth of something you know.
No book can be written till it wants to be written, till it shouts to be written, and raises up a persistent din in the writer's head. And then, if you want peace, you just have to pull it out and freeze it in print. Nothing less would do.
The reader should be carried forward, not merely or chiefly by the mechanical impulse of curiosity, or by a restless desire to arrive at the final solution; but by the pleasurable activity of mind excited by the attractions of the journey itself.
All the stories I would like to write persecute me. When I am in my chamber, it seems as if they are all around me, like little devils, and while one tugs at my ear, another tweaks my nose, and each says to me, 'Sir, write me, I am beautiful.
The boy thought, How powerful a story is, and how by a kind of magic it compels the imagination; there was nothing in the world, it seemed to him, so mysteriously strong; and he began to wonder if he would ever have anything as beautiful to tell.
Your whole life and the story of your journey is the landscape picture on the front of the box of a 1,000 piece puzzle. The pieces are each a small sticky note that ends in mid-sentence. You simply need to figure out where each one starts and ends.
You may tell a tale that takes up residence in someone's soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows that they might do because of it, because of your words. That is your role, your gift.
