Books have survived television, radio, talking pictures, circulars (early magazines), dailies (early newspapers), Punch and Judy shows, and Shakespeare's plays. They have survived World War II, the Hundred Years' War, the Black Death, and the fall of the Roman Empire. They even survived the Dark Ages, when almost no one could read and each book had to be copied by hand. They aren't going to be killed off by the Internet.

She had forced herself to learn to read – picked up bits and pieces, here and there, from the very few teachers who had been patient with her; from looking at words while out and about; from television, and from friends. And to avoid the shouting and drug-induced moaning, and the row of male visitors her mum would entertain, she would barricade herself in her room – there'd been no lock – and lose herself in books.

I was on a walking tour of Oxford colleges once with a group of bored and unimpressable tourists. They yawned at Balliol's quad, T.E. Lawrence's and Churchill's portraits, and the blackboard Einstein wrote his E=mc2 on. Then the tour guide said, 'And this is the Bridge of Sighs, where Lord Peter proposed (in Latin) to Harriet,' and everyone suddenly came to life and began snapping pictures. Such is the power of books.

The book that simply demands to be read, for no good reason, is asking us to change our lives by putting aside what we usually think of as good reasons. It's asking us to stop calculating. It's asking us to do something for the plain old delight and interest of it, not because we can justify its place on the mental spreadsheet or accounting ledger (like the one Benjamin Franklin kept) by which we tote up the value of our actions.

I smiled at the stacks, inhaling again. Hundreds of thousands of pages that had never been turned, waiting for me. The shelves were a warm, blond wood, piled with spines of every color. Staff picks were arranged on tables, glossy covers reflecting the light back at me. Behind the little cubby where the cashier sat, ignoring us, stairs covered with rich burgundy carpet led up to the worlds unknown. 'I could just live here,' I said.

I'll tell you something," said Francis,urgent with shoe lace, "if we keep on saying things weren't when we know perfectly well they were, we shall soon dish up any sort of chance of magic we may ever have had. When do you find people in books going on like that? They just say 'This is magic!' and behave as if it was. They don't go pretending they're not sure. Why, no magic would stand it."Book: Wet Magic, Chapter 2

I love the book. I love the feel of a book in my hands, the compactness of it, the shape, the size. I love the feel of paper. The sound it makes when I turn a page. I love the beauty of print on paper, the patterns, the shapes, the fonts. I am astonished by the versatility and practicality of The Book. It is so simple. It is so fit for its purpose. It may give me mere content, but no e-reader will ever give me that sort of added pleasure.

Teenagers read millions of books every year. They read for entertainment and for education. They read because of school assignments and pop culture fads. And there are millions of teens who read because they are sad and lonely and enraged. They read because they live in an often-terrible world. They read because they believe despite the callow protestations of certain adults that books-especially the dark and dangerous ones-will save them.

And sometimes, when the stars are kind, we read with an intake of breath, with a shudder, as if someone or something had 'walked over our grave,' as if a memory had suddenly been rescued from a place deep within us - the recognition of something we never knew was there, or of something we vaguely felt as a flicker or a shadow, whose ghostly form rises and passes back into us before we can see what it is, leaving us older and wiser.

We are not quite novels.The analogy he is looking for is almost there.We are not quite short stories. At this point, his life is seeming closest to that.In the end, we are collected works.He has read enough to know that there are no collections where each story is perfect. Some hits. Some misses. If you're lucky, a standout. And in the end, people only really remember the standouts anyway, and they don't remember those for very long.

Pela experiência única que propicia, o amor é eterno, nunca vai deixar de existir. Como o livro, que nenhuma versão digital pode substituir. Nada se equipara ao prazer do livro nas mãos, do dedo prendendo a página ou deslizando sobre a frase escrita no papel. O livro a gente dá e recebe. Às vezes com uma dedicatória inesquecível que faz dele um exemplar especial, único.

I ate them like salad, books were my sandwich for lunch, my tiffin and dinner and midnight munch. I tore out the pages, ate them with salt, doused them with relish, gnawed on the bindings, turned the chapters with my tongue! Books by the dozen, the score and the billion. I carried so many home I was hunchbacked for years. Philosophy, art history, politics, social science, the poem, the essay, the grandiose play, you name 'em, I ate 'em.

Ah, Sir, a novel is a mirror carried along a high road. At one moment it reflects to your vision the azure skies, at another the mire of the puddles at your feet. And the man who carries this mirror in his pack will be accused by you of being immoral! His mirror shews the mire, and you blame the mirror! Rather blame that high road upon which the puddle lies, still more the inspector of roads who allows the water to gather and the puddle to form.

Dismissed like a dog. Damon groped for his jacket behind him, found it, and wished that his groping for his sense of humor could be as successful. The faces around him were all the same. They could have been carved in stone.But not stone as hard as that that was coming together again around his soul. That rock was remarkably quick to mend—and an extra layer was added, like the layering of a pearl, but not covering anything nearly so pretty.

I want to live simply. I want to sit by the window when it rains and read books I'll never be tested on. I want to paint because I want to, not because I've got something to prove. I want to listen to my body, fall asleep when the moon is high and wake up slowly, with no place to rush off to. I want not to be governed by money or clocks or any artificial restraints that humanity imposes on itself. I just want to be, boundless and infinite.