How many books are there?" said Masklin."Hundreds! Thousands!""Do you know what they're all about?"Gurder looked at him blankly. "Do you know what you're saying?" he said."No. But I want to find out.""They're about everything! You'd never believe it! They're full of words even I don't understand!""Can you find a book which tells you how to understand words you don't understand?" said Masklin.Gurder hesitated. "It's an intriguing thought," he said.
Wherever they went the Irish brought with them their books, many unseen in Europe for centuries and tied to their waists as signs of triumph, just as Irish heroes had once tied to their waists their enemies' heads. Where they went they brought their love of learning and their skills in bookmaking. In the bays and valleys of their exile, they reestablished literacy and breathed new life into the exhausted literary culture of Europe.And that is how the Irish saved civilization.
I agree with Kilgore Trout about realistic novels and their accumulations of nit-picking details. In Trout’s novel, The Pan-Galactic Memory Bank, the hero is on a space ship two hundred miles long and sixty-two miles in diameter. He gets a realistic novel out of the branch library in his neighborhood. He reads about sixty pages of it, and then he takes it back. The librarian asks him why he doesn’t like it, and he says to her, “I already know about human beings.
Nuk e di. I kemi të gjitha ç’duhen për të qenë të lumtur, e prapë s’jemi dot të lumtur. Diçka mungon. Kërkova përreth dhe pashë se e vetmja gjë që më mungonte ishin librat, ata që unë i kisha djegur gjatë gjithë këtyre dhjetë a njëzet vjetve të fundit. Dhe atëherë mendova se ndoshta janë librat ata që do të më ndihmojnë.
Forty-three years old, and the war occurred half a lifetime ago, and yet the remembering makes it now. And sometimes remembering will lead to a story, which makes it forever. That’s what stories are for. Stories are for joining the past to the future. Stories are for those late hours in the night when you can’t remember how you got from where you were to where you are. Stories are for eternity, when memory is erased, when there is nothing to remember except the story.
Why is it that if you say you don’t enjoy using an e-reader, or that you aren’t going to get one till the technology is mature, you get reported as “loathing” it?The little Time article itself is fairly accurate about what I’ve said about e-reading, but the title of the series, “Famous Writers Who Loathe E-Books,” reflects or caters to a silly idea: that not being interested in using a particular technology is the same as hating and despising it.
Of all books printed, probably not more than half are ever read. Many are embalmed in public libraries; many go into private quarters to fill spaces; many are glanced at and put away...scarcely opened until the fire needs kindling. The most ardent book-lovers are not always the greatest readers; indeed, the rabid bibliomaniac seldom reads at all. To him books are as ducats to the miser, something to be hoarded and not employed... So pleasant it is to buy book; so tiresome to utilize them.
As one tends to the graves of the dead, so I tend the books. I clean them, do minor repairs, keep them in good order. And every day I open a volume or two, read a few lines or pages, allow the voices of the forgotten dead to resonate inside my head. Do they sense it, these dead writers, when their books are read? Does a pinprick of light appear in their darkness? Is their soul stirred by the feather touch of another mind reading theirs? I do hope so, for it must be very lonely being dead.
Geschichten sind die Essenz des Lebens, Apolonia", sagte er, so ernst wie immer, und sie hatte das Gefühl, dass es auf der ganzen Welt keinen gescheiteren Menschen gab. "Menschen kommen und gehen. Aber Geschichten überdauern die Zeit, denn sie sind hier in den Büchern, sie sind wie Schätze eingeschlossen und leben ewig. Du, Apolonia, wirst all das hier erben und nach mir die Bücher kaufen, verkaufen und lieben, die die ganze Schönheit der Welt in sich tragen.
School did give me one of the greatest gifts of my life, though. I learned how to read, and for that I remain thankful. I would have died otherwise. As soon as I was able, I read, alone. Under the covers with a flashlight or in my corner of the attic—I sought solace in books. It was from books that I started to get an inkling of the kinds of assholes I was dealing with. I found allies too, in books, characters my age who were going through or had triumphed against the same bullshit.
...that the decline in reading among children was largely the fault of their parents. Parents these days don't read books, themselves, but they feel they should make their children read. Since they aren't readers, however, they have no idea what to give their children. That's why they cling to the recommendations from the Ministry of Education. Those books are all insufferably boring and, as a result, the kids learn to hate books. It's a vicious cycle with no end in sight.
But what struck me was the book-madness of the place--books lay scattered across the unmade bed and the top of a battered-looking desk, books stood in knee-high piles on the floor, books were crammed sideways and right side up in a narrow bookcase that rose higher than my head and leaned dangerously from the wall, books sat in stacks on top of a dingy dresser. The closet door was propped open by a pile of books, and from beneath the bed a book stuck out beside the toe of a maroon slipper.
Read him slowly, dear girl, you must read Kipling slowly. Watch carefully where the commas fall so you can discover the natural pauses. He is a writer who used pen and ink. He looked up from the page a lot, I believe, stared through his window and listened to birds, as most writers who are alone do. Some do not know the names of birds, though he did. Your eye is too quick and North American. Think about the speed of his pen. What an appalling, barnacled old first paragraph it is otherwise.
Η διαφθορά των απολαύσεων θα μας γοητεύσει και θα μας προσεγγίσει σαν μια καινούρια μέρα.
Some are born to greatness; some achieve greatness; some have greatness thrust upon them.' It is in this way that the librarian has become a censor of literature... books that distinctly commend what is wrong, that teach how to sin and how pleasant sin is, sometimes with and sometimes without the added sauce of impropriety, are increasingly popular, tempting to the author to imitate them, the publishers to produce, the bookseller to exploit. Thank heaven they do not tempt the librarian.
