... because one day, maybe one day, if I learned how to write clear enough, sing loud enough, be strong enough, I could explain myself in a way that made sense and then maybe one day, one day, someone out there would hear and recognise her or himself and I could let them know that they are not alone. Just like that song I had on repeat for several nights as I walked lonely on empty streets, let me know that I was notaloneand that’s how it starts.
One of the greatest tragedies of growing up is the discovery that your parents- and your teachers, and your sports heroes, and your favorite actors, singers, YouTube sensations- are fallible. Adults don't know all, and what they do know, they often won't tell you- because they've got their own agendas, or because they want to shield you from the hard truths "for your own good." Adults lie, they betray, they screw up in every way possible...
...the place I was bound for on my latest pilgrimage was filled with living, first-hand memories of all the enchanted years that lie between two and eighteen. How enchanted those years are is made more and more clear to me the older I grow. There has been nothing in the least like them since; and though I have forgotten most of what happened six months ago, every incident, almost every day of those wonderful long years is perfectly distinct in my memory.
There is something about Christmas that requires a rug rat. Little kids make Christmas fun. I wonder if could rent one for the holidays. When I was tiny we would by a real tree and stay up late drinking hot chocolate and finding just the right place for the special decorations. It seems like my parents gave up the magic when I figured out the Santa lie. Maybe I shouldn't have told them I knew where the presents really came from. It broke their hearts.
Over the years our mother has beaten us with belts, shoes, rulers, extension cords, hair brushes, a wooden spoon, a fly swatter, a toilet brush, wire coat hangers, wooden coat hangers and sometimes one of our own toys. When you get whacked by your own paddleball paddle or you have to watch your sister getting spanked with a badminton racquet that she asked Santa Claus (AKA Grandma) to bring, you don't feel much like playing with those things ever again.
It’s the poet we love in Caeiro, not the philosopher. What we really get from these poems is a childlike sense of life, with all the direct materiality of the child’s mind, and all the vital spirituality of hope and increase that exist in the body and soul of nescient childhood. Caeiro’s work is a dawn that wakes us up and quickens us; a more that material, more than anti-spiritual dawn. It’s an abstract effect, pure vacuum, nothingness.
If a serious statement is defined as one that may be made in terms of waking life, poetry will never rise to the level of seriousness. It lies beyond seriousness, on that more primitive and original level where the child, the animal, the savage, and the seer belong, in the region of dream, enchantment, ecstasy, laughter. To understand poetry we must be capable of donning the child's soul like a magic cloak and of forsaking man's wisdom for the child's.
When my friends began to have babies and I came to comprehend the heroic labor it takes to keep one alive, the constant exhausting tending of a being who can do nothing and demands everything, I realized that my mother had done all of these things for me before I remembered. I was fed; I was washed; I was clothed; I was taught to speak and given a thousand other things, over and over again, hourly, daily, for years. She gave me everything before she gave me nothing.
Redwing had read somewhere that one of his favourite writers, Ernest Hemingway, had been asked what was the best training for a novelist. He had said “an unhappy childhood.” Redwing had enjoyed a fine time growing up, but he wondered if this whole expedition was unfolding more like a novel, and would be blamed on one person, one character, the guy in charge: him. Maybe you got a happy childhood and then an unhappy adulthood, and that’s how novels worked.
My mother used to read to me every night when I was little. We got through most of the major fantasy books of that time. The Narnia books by C.S. Lewis were my favorites and, later, Tolkien's The Lord of the Rings. I started making dolls to fill in the gaps of the dolls I had. Obviously we couldn't buy centaurs and fauns and elves and fairies, so I made them to play with the normal dolls I had. I must have been about six years old when I started making fantasy dolls.
The child is not a citizen of the future; he (sic) is a citizen from the very first moment of life and also the most important citizen because he represents and brings the 'possible'...a bearer, here and now of rights, of values, of culture...It is our hiostorical responsibility not only to affirm this but the create cultural, social, political and educational contexts which are able to receive children and dialogue with their potential for constructing human rights.
Еврика!Потопих телесните си мощи в детството и измерих точното тегло на скръбта.
What better reminder do we have than our kids of our own best selves, our less stressed and more carefree selves? In their silliness we see the echo of the way we used to be: when we were kids, yes, but also before we had kids, or even two weeks ago, before all of the stress of these year-end corporate meetings. Their joy, their infectious enthusiasm, their sense of "mission" as the poor dog is dressed in boxer shorts, cannot help but cajole you, and beckon you, to lighten up.
Now he slept soundly through the nights, and often he dreamed of trains, and often of one particular train: He was on it; he could smell the coal smoke; a world went by. And then he was standing in that world as the sound of the train died away. A frail familiarity in these scenes hinted to him that they came from his childhood. Sometimes he woke to hear the sound of the Spokane International fading up the valley and realized he’d been hearing the locomotive as he dreamed.
I don't know where to start," one [writing student] will wail. Start with your childhood, I tell them. Plug your nose and jump in, and write down all your memories as truthfully as you can. Flannery O' Connor said that anyone who has survived childhood has enough material to write for the rest of his or her life. Maybe your childhood was grim and horrible, but grim and horrible is Okay if it is well done. Don't worry about doing it well yet, though. Just get it down.
