You know, I discovered something. Everyone has something... Something deep inside their hearts. For some, it might have been enmity. For others, admiration. Wishes, a craving for the spotlight, feelings that one wants to deliver, feelings for one's mother. Everyone was supported by their own feelings. I realize now that, perhaps, no one can stand alone on stage.

I would often sit in the corner of the room wearing Dad's massive headphones, carefully replaying the records time after time. It was something I did frequently throughout my childhood with music, comedy and film, inspiring my own creative imagination, the headphones rendering the experience intensely personal, as though it were all happening inside my own head.

if the main reason we listen to music in the first place is to hear passion expressed- as i've believed all my life-then what good is this music going to prove to be? what does that say about us? what are we confirming in ourselves by doting on art that is emotionally neutral? and, simultaneously, what in ourselves might we be destroying or at least keeping down?

I grew up in a utopia, I did. California when I was a child was a child's paradise, I was healthy, well fed, well clothed, well housed. I went to school and there were libraries with all the world in them and after school I played in orange groves and in Little League and in the band and down at the beach and every day was an adventure. . . . I grew up in utopia.

And at 3am you sit near the window and wonder if there is magic... because all you need are some fairies to take your pain away and help you sleep... you take a book to read... you take a pen and a paper to write...you cling on some music that might just make you fall asleep... yet nothing helps... another sleepless night and all you want is the dawn to break soon....

I once had a dreams of becoming a beautiful poet, but upon an unfortunate series of events some of those dreams dashed and divided like a million stars in the night sky that I wished on over and over again, sparkling and broken.But I didn't really mind, because I knew that it takes getting everything you ever wanted, and then losing it to know what true freedom is.

Marko pressed the creased paper flat against the note stand, rested the pads of his fingers lightly over the top of the keys and began to play. I watched him at first, my eyes drinking in the gorgeous sight that was Marko lost inside his head, but then the music—at first soft, like drops of dew, then rippling and rolling like a shower of rain—swept me away.

...I don't ever want to feel that way. Feel as if there are no surprises left. The surprises make life worth living. Expecting nothing, accepting it all. Accepting isn't the right word. ACKNOWLEDGING it all. I suppose I'll just try to figure it out as I go or at least try to understand it. Or f***, just think about it. I'll face whatever comes my way...

I continued toward Atlanta with a Merle Haggard C.D. playing on the stereo. They weren't great hosts, but those guys in The Ted Kaczynski Fan Club had great taste in music. It was all classic country music- none of that sissy, boy-band country that they played on the radio all the time. I drove down the road while Merle preferred to just stay where he was and drink.

What do you mean, 'playing really creatively'? Can you give me an example?""Hmm, let's see ... you send the music deep enough into your heart so that it makes your body undergo a kind of a physical shift, and simultaneously the listener's body also undergoes the same kind of physical shift. It's giving birth to that kind of shared state. Probably.

The music began, passages of immense technical complexity fluidly bridging Caravaggio’s chiaroscuro with Renoir’s impressionism. The gloom and shadows of claustrophobic chambers contrasting with the vibrant radiance of a wide-open landscape. The realism of humanity down to its dirty nails and rotten wounds combined with the fleeting sanguinity of the moment.

I Wanna Hold Your Hand.’ First single. Fucking brilliant. Perhaps the most fucking brilliant song ever written. Because they nailed it. That’s what everyone wants. Not 24-7 hot wet sex. Not a marriage that lasts a hundred years. Not a Porsche or a blow job or a million-dollar crib. No. They wanna hold your hand. They have a feeling that they can’t hide.

Michael [Hutchence] is hands down one of the greatest frontmen in music. The style, the voice—all of it. Any way that I was ever influenced by him really comes down to small, pale imitations compared to the real thing. There is a fearlessness about him. Watching him at Wembley Stadium with 70,000 people, he looks as comfortable as if he were in his own living room.

My mind begs for you in the soft, secret, silent places of the night... I thirst for you and without you my soul is a desert. I thought when I first met you, first saw you, that I loved you more than any woman had ever loved a man, but now I know the feeling only grows within me. You are the song I sing each day, each moment, each second. You are the melody of my life...

I've never heard of anybody getting rid of their prized Exile postcards, much less actually writing on them and sending them through the mail to a girl. I watched these two, laughing over this story at the same kitchen table they've shared for thirty years. I realize that I will never fully understand the millions of bizarre ways that music brings people together.