HEARTWORKEach day is born with a sunriseand ends in a sunset, the same way weopen our eyes to see the light, and close them to hear the dark.You have no control overhow your story begins or ends.But by now, you should know thatall things have an ending.Every spark returns to darkness.Every sound returns to silence.And every flower returns to sleepwith the earth.The journey of the sunand moon is predictable.But yours, is your ultimateART.
Little world, full of scars and gashes, ripened with another's pain,Your flowers feed on carrion--so do your birds;Men feed on each other because you taught them life was cheap,Flowing from your endless womb without pain or understanding.No midwife caresses your flesh or bathes clean your progeny,Life spurts from you, little world,and you regard it with disdain.Only bruised men sense your cruelty, men whose life has lost its meaning.
We may feel bitterly how little our poems can do in the face of seemingly out of control technological power and seemingly limitless corporate greed, yet it has always been true that poetry can break isolation, show us to ourselves when we are outlawed or made invisible, remind us of beauty where no beauty seems possible, remind us kinship where all is represented as separation."(Defy the Space That Separates, The Nation, October 7, 1996)
The Way It IsThere’s a thread you follow. It goes amongthings that change. But it doesn’t change.People wonder about what you are pursuing.You have to explain about the thread.But it is hard for others to see.While you hold it you can’t get lost.Tragedies happen; people get hurtor die; and you suffer and get old.Nothing you do can stop time’s unfolding.You don’t ever let go of the thread.~ William Stafford ~
All the black leathershe needsis the E-Z boy reclinerwhere her love is parkedwith one of his hands wrapped around a remote,the other, a bottle of beer.She's right. It's kinky.The way he doesn't look awayfrom the TV,as her head bobsin his laplike a fisherman's floaton a nature program,hecticwith the pacehis breath sets.His crotch swellsunder her mouth'sprowess. He's sucha sweethearthe waitsuntil thecommercialsto come.
We must remember that there is a great difference between a myth and a miracle. A myth is the idealization of a fact. A miracle is the counterfeit of a fact. There is the same difference between a myth and a miracle that there is between fiction and falsehood -- between poetry and perjury. Miracles belong to the far past and the far future. The little line of sand, called the present, between the seas, belongs to common sense to the natural.
Song of myselfSmile O voluptuous cool-breath'd earth! Earth of the slumbering and liquid trees! Earth of departed sunset--earth of the mountains misty-topt! Earth of the vitreous pour of the full moon just tinged with blue! Earth of shine and dark mottling the tide of the river! Earth of the limpid gray of clouds brighter and clearer for my sake! Far-swooping elbow'd earth--rich apple-blossom'd earth! Smile, for your lover comes.
In Memoriam A.H.H. Section 5I sometimes hold it half a sinTo put in words the grief I feel;For words, like Nature, half revealAnd half conceal the Soul within.But, for the unquiet heart and brain,A use in measured language lies;The sad mechanic exercise,Like dull narcotics, numbing pain.In words, like weeds, I'll wrap me o'er,Like coarsest clothes against the cold:But that large grief which these enfoldIs given in outline and no more.
We didn’t deny the obvious,but we didn’t entirely accept it either.I mean, we said hello to it each morningin the foyer. We patted its little headas it made a mess in the backyard,but we never nurtured it. Many nights the obvious showed upat our bedroom door, in its pajamas,unable to sleep, in need of a hug,and we just stared at it like an Armenian,or even worse— hid beneath the coversand pretended not to hear its tiny sobs.
The RiderA boy told meif he roller-skated fast enoughhis loneliness couldn't catch up to him,the best reason I ever heard for trying to be a champion.What I wonder tonightpedaling hard down King William Streetis if it translates to bicycles.A victory! To leave your lonelinesspanting behind you on some street cornerwhile you float free into a cloud of sudden azaleas,pink petals that have never felt loneliness,no matter how slowly they fell.
My Papa's Waltz:The whiskey on your breathCould make a small boy dizzy;But I hung on like death:Such waltzing was not easy.We romped until the pansSlid from the kitchen shelf;My mother's countenanceCould not unfrown itself.The hand that held my wristWas battered on one knuckle;At every step you missedMy right ear scraped a buckle.You beat time on my headWith a palm caked hard by dirt,Then waltzed me off to bedStill clinging to your shirt.
I fancied my luck to be witnessing yet another full moon. True, I’d seen hundreds of full moons in my life, but they were not limitless. When one starts thinking of the full moon as a common sight that will come again to one’s eyes ad-infinitum, the value of life is diminished and life goes by uncherished. ‘This may be my last moon,’ I sighed, feeling a sudden sweep of sorrow; and went back to reading more of The Odyssey.
Yver, vous n'estes qu'un villain,Esté est plaisant et gentil,En tesmoing de May et d'AvrilQui l'acompaignent soir et main.Esté revest champs, bois et fleurs,De sa livrée de verdureEt de maintes autres couleurs,Par l'ordonnance de Nature.Mais vous, Yver, trop estes plainDe nege, vent pluye et grezil;On vous deust banie en essil.Sans point flater, je parle plain,Yver, vous n'estes qu'un villain !
Real haiku is the soul of poetry. Anything that is not actually present in one's heart is not haiku. The moon glows, flowers bloom, insects cry, water flows. There is no place we cannot find flowers or think of the moon. This is the essence of haiku. Go beyond the restrictions of your era, forget about purpose or meaning, separate yourself from historical limitations—there you will find the essence of true art, religion, and science.
Maka pada suatu pagi hari ia ingin sekali menangis sambil berjalan tunduk sepanjang lorong itu. Ia ingin pagi itu hujan turun rintik-rintik dan lorong sepi agar ia bisa berjalan sendiri saja sambil menangis dan tak ada orang bertanya kenapa.Ia tidak ingin menjerit-jerit berteriak-teriak mengamuk memecahkan cermin membakar tempat tidur. Ia hanya ingin menangis lirih saja sambil berjalan sendiri dalam hujan rintik-rintik di lorong sepi pada suatu pagi.
