If an object - a star, for instance, like our own sun - is eight hundred light years away from the Earth, it would take light leaving that object eight hundred years until it reached our eyes. So when you look at that object, you are seeing it as it appeared eight hundred light years ago, not as it looks today. It might not even exist anymore. Every time you look up at the stars, you are looking into the past.
I would like to hear your life as you heard it, coming at you, instead of hearing it as I do, a sober sound of expectations reduced, desires blunted, hopes deferred or abandoned, chances lost, defeats accepted, griefs borne. I don't find your life uninteresting, as Rodman does. I would like to hear it as it sounded while it was passing. Having no future of my own, why shouldn't I look forward to yours.
All that time I'd spent worrying about why I'm here and how I'm supposed to live had kept me from remembering that Jeremy Pratt will never be back. His people will never have him again. He is Jeremy Pratt who died and stayed dead and will never get a second chance. And even though that hand that spent the last five years holding hers was somehow doing it again, it wasn't Jeremy Pratt's anyone
And so it is with our own past. It is a labour in vain to recapture it: all the efforts of our intellect must prove futile. The past is hidden somewhere outside the realm, beyond the reach of intellect, in some material object (in the sensation which that material object will give us) which we do not suspect. And as for that object, it depends on chance whether we come upon it or not before we ourselves must die.
He’s got things to do, places to be, realities to believe in. He can feel the phone he’s been told to keep switched off in this communication-free zone vibrating in his pocket and he thanks God for its rebellion and, when the nurse pops out, he quickly reaches closer to life and lets the screen light up inside his pocket. Someone – a beautiful, living someone – is trying to speak with him.
Time is different for a tree than for a man. Sun and soil and water, these are the things a weirwood understands, not days and years and centuries. For men, time is a river. We are trapped in its flow, hurtling from past to present, always in the same direction. The lives of trees are different. They root and grow and die in one place, and that river does not move them. The oak is the acorn, the acorn is the oak.
Memory, therefore, not simply as the resurrection of one’s private past, but an immersion in the past of others, which is to say: history - which one both participates in and is a witness to, is a part of and apart from. Everything, therefore, is present in his mind at once, as if each element were reflecting the light of all the others, and at the same time emitting its own unique and unquenchable radiance.
Page 99: "...unless something changes, the future that you can expect is more of the past. Sorry or becoming committed does not make Jim Carrey a great golfer, or made Jack nicklaus funny. Recommitment does not make a person who is unsuited for a particular position suited for it all of a sudden. Promises by someone who has a history of letting you down in a relationship mean nothing certain in terms of the future.
Maybe you've gotten through something and when you did you thought, I am leaving that behind and will never return. And that's a great way of thinking...for selfish jerks.If we actually care about people other than ourselves, we can't leave our problems behind and never return. If we don't take the freedom we've experienced and try to bring it to others, we are not becoming people worth becoming.
A part of me will probably always be waitin’ for her. And even when I get to the end of this life and she’s not there, I think I’ll still just wait. It’s the cruel reality of love, I think—that once you find it, it’s yours to carry. And even if you lose it and never find it back again, I think you still just keep on carrying it...and waitin’—long after the curtain closes.
Od onog ondašnjeg čovjeka ja sam se, i to upravo zbog onog doživljaja, potpuno odvojio, promatram ga sa strane, sasvim mirno i hladno, i mogu ga opisati kao prijatelja o kojem znam mnogo i sve ono što je bitno, ali ja uopće više nisam taj čovjek. Mogao bih pričati o njemu, prekoravati ga ili ga osuđivati a da uopće ne osjetim da je on jednom bio sastavni dio mene.
Great beauty and youth capture our attention, excite a deep pleasure; however, why shouldn't our souls gaze at a countenance over which the years have passed? Isn't there a story there, one unknown, full of pain or beauty, which pours its reflection into the features, a story we can read with some compassion or at least get a slight hint of its meaning? The young point toward the future; the old tell of a past.
And it is clear to Evan, now: the difference between what is and what has been done; the present and the past. He sees that what he does and who he is isn't based on the past unless he wants it to be... No. That is the past, which has been seen differently through many different eyes and has become hazy and unclear, like a pond when stirred with a stick. Only the present moment is clear and free from prejudice.
Our past cannot be changed, and to be preoccupied with it is inefficient in time and effort. Likewise, by fretting over the future, we only exhaust ourselves, making us less able to effectively respond when the future is actually upon us. By worrying about a mishap that may or may not take place, we’re forced to undergo the event twice—once when imagining it and once again if and when we actually experience it.
Memories do not change, and change is the law of existence. If our dead, the closest, the most beloved, were to return to us after a long absence and instead of the old, familiar trees were to find in our souls English gardens and stone walls -- that is to say, other loves, other tastes, other interests, they would gaze upon us sadly and tenderly for a moment, wiping away their tears, and then return to their tombs to rest.
