Poetry has its uses for despair. It can carve a shape in which a pain can seem to be; it can give one’s loss a form and dimension so that it might be loss and not simply a hopeless haunting. It can do these things for one person, or it can do them for an entire culture. But poetry is for psychological, spiritual, or emotional pain. For physical pain it is, like everything but drugs, useless.

I believe that all people allow the act of victimization to take lead in their lives without realizing or trying to stop it. You hear of another person's problems, automatically feel the need to salve their pain, so you make it your own. After a while, it no longer matters if the problem was yours to begin with. You absorb their pain into your body, your blood stream, your soul. It becomes yours.

Trauma. It doesn't eke itself out over time. It doesn't split itself manageably into bite-sized chunks and distribute itself equally throughout your life.Trauma is all or nothing. A tsunami wave of destruction.A tornado of unimaginable awfulness that whooshes into your life - just for one key moment - and wreaks such havoc that, in just an instant, your whole world will never be the same again.

It is through the tender austerity of our troubles that the Son of Man comes knocking. In every event He seeks an entrance to my heart, yes, even in my most helpless, futile, fruitless moments. The very cracks and empty crannies of my life, my perplexities and hurts and botched-up jobs, He wants to fill with Himself, His joy, His life...He urges me to learn of Him: 'I am gentle and humble in heart.

I have a new name for pain. What’s that?The Obliterator. Because when you’re in pain, nothing else can exist. Not thought. Not emotion. Only the drive to escape the pain. When it’s strong enough, the Obliterator strips us of everything that makes us who we are, until we’re reduced to creatures less than animals, creatures with a single desire and goal: escape. A good name, then.

The paradox of vengefulness is that it makes men dependent upon those who have harmed them, believing that their release from pain will come only when they make their tormentors suffer. In seeking the Bird's death to free himself, Louie had chained himself, once again, to his tyrant. During the war, the Bird had been unwilling to let go of Louie; after the war, Louie was unable to let go of the Bird.

There was no doubt now in Ender's mind. There was no help for him. Whatever he faced, now and forever, no on ewould save him from it. Peter might be scum, but Peter had been right, always right; the power to cause pain is the only power that matters, the power to kill and destroy, because if you can't kill then you are always subject to those who can, and nothing and no one will ever save you.

Mama?""Yes, Emmy."She traced a rivulet of rain with her finger as it made its journey down the glass. "How do you know when it's been long enough?"Emmy could sense her mother smiling into the phone. "When you relaize that love doesn't have a time span. Only pain does. I think sometimes it's hard to distinguish between the two, so we just hold on to both of them like they're inseparable.

We all have scars, Kere. Inside and out. Wounds that go so deep, they leave a permanent mark on us. But that doesn’t make them ugly or revolting. They were hard lessons learned and for better or worse, they changed us. No matter how hard you try to hide them, they will always be there. And I think your scars are beautiful because they are what have made you the man I care about.” - Zarya Starska

The reality of our life is in love, in solidarity,” said a tall, soft-eyed girl. “Love is the true condition of human life.”Bedap shook his head. “No. Shev’s right,” he said. “Love’s just one of the ways through, and it can go wrong, and miss. Pain never misses. But therefore we don’t have much choice about enduring it! We will, whether we want to or not.

Some boys walk by and you cry, seeing them. They feel good, they look good, they are good. Oh, they're not above peeing off a bridge, or stealing an occasional dime-store pencil sharpener; it's not that. It's just, you know, seeing them pass, that's how they'll be all their life; they'll get hit, hurt, cut, bruised, and always wonder why, why does it happen? how can it happen to them?

It’s not okay,” I tell her. This gets her attention; it’s not what she was expecting. “You don’t have to be okay.” “What do you want from me?” Her voice is ragged, desperate. “I want you to let yourself be broken. Let yourself hurt.” She shakes her head again. “I can’t. If I let it out, it’ll never stop.” “Yes, it will.

But this you must know: the violent murder of a mother- when a boy is at the tender age, when he is just discovering girls- it is a terrible thing. confusingly mixed up with all the things feminine, it leaves a charred residue on the soul, like the black marks found at the bottom of a burned pot. no matter how much you scrub and scrub the pot bottom with steel wool and cleansers, the scars, they are permanent

Have you ever thought, thought your heart would break? Wished you could cut open your chest tear it out to stop the pain? Why don´t you riot like everyone else. I don't care, life's too long. You can have any man you want. I want him...except him. Always suspected the world didn't smell of fresh paint and flowers. Smells of piss and human sweat If there could have been more moments like this.

Souraya thought those days that she knew so many songs about the misery of love because pain kept love within the boundaries of time, and knowable, whereas what she was experiencing passed beyond the horizon of birth and death; it was like the eternal life the prophets spoke of. A gesture, a kiss, a task, a sentence had a golden elemental endlessness, like the scenes in the murals painted in the island houses.