First, if any opinion is compelled to silence, that opinion may, for aught we can certainly know, be true. To deny this is to assume our own infallibility. Secondly, though the silenced opinion be an error, it may, and very commonly does, contain a portion of the truth; and since the general or prevailing opinion on any subject is rarely or never the whole truth, it is only by the collision of adverse opinions that the remainder of the truth has any chance of being supplied.

To the everlasting credit of the people of District 12, not one person claps. Not even the ones holding betting slips, the ones who are usually beyond caring. Possibly because they know me from the Hob, or knew my father, or have encountered Prim, who no one could help loving. So instead of acknowledging applause, I stand there unmoving while they take part in the boldest form of dissent they can manage. Silence. Which says we do not agree. We do not condone. All of this is wrong.

I miss the snow. I miss looking at it, walking in it, tasting it. I used to love those days when it was so cold everyone else would be tucked away inside trying to stay warm. I would be the only one out walking, so I could look across the fields and see miles of snow without a single footprint in it. It would be completely silent -- no cars, no birds singing, no doors slamming. Just silence and snow. God, I miss snow. The stars, the moon, the wind, and blankets of pure, pristine snow.

You can listen to silence, Reuven. I've begun to realize that you can listen to silence and learn from it. It has a quality and a dimension all its own. It talks to me sometimes. I feel myself alive in it. It talks. And I can hear it....You have to want to listen to it, and then you can hear it. It has a strange, beautiful texture. It doesn't always talk. Sometimes - sometimes it cries, and you can hear the pain of the world in it. It hurts to listen to it then. But you have to.

Why?” he whispered as he leaned over her, supported on one arm. “Why must ye be the one that haunts me dreams? I’ve seen ye weepin’ night after bloody night since the day I sent ye from me palace with yer dress half undone. If I had it to do over again, I’d cut me own right hand off rather than hurt ye so. Will ye never be able to forgive me, Silence love?”“I already have,” she replied, cradling his cheek in her hand. “Long, long ago.

He had grown fat on solitude, he thought, and had learned to expect nothing from the day but at best a dull contentment. Sometimes the dullness came to the fore with a strange and insistent ache which he would entertain briefly, but learn to keep at bay. Mostly, however, it was the contentment he entertained; the slow ease and the silence could, once night had fallen, fill him with a happiness that nothing, no society nor the company of any individual, no glamour or glitter, could equal.

You have family, only a brother you clearly don't like to speak about. Fine. That's all right." She ran her fingers through her hair. "But don't ever say dreams are a waste. It's a miracle I can still speak of dreams and futures after all I've been through. There's love in this world, Thristan, love that can encompass the heart abiding in humans' mortal, fragile bodies. And there are stupid little humans like me, dreamers, who believe one day they'll find it.

When clouds of pain loom in the skyWhen a shadow of sadness flickers byWhen a tear finds its way to the eyeWhen fear keeps the loneliness aliveI try and console my heartWhy is it that you cry? I askThis is only what life impartsThese deep silences withinHave been handed out to all by timeEveryone’s story has a little sorrowEveryone’s share has a little sunshineNo need for water in your eyesEvery moment can be a new lifeWhy do you let them pass you by?Oh heart, why is it that you cry?

We'll just sit here," said Barney, "and if we think of anything worth while saying we'll say it. Otherwise, not. Don't imagine you're bound to talk to me.""John Foster says," quoted Valancy, "'If you can sit in silencewith a person for half an hour and yet be entirely comfortable, youand that person can be friends. If you cannot, friends you'llnever be and you need not waste time in trying.'""Evidently John Foster says a sensible thing once in a while,"conceded Barney.

It does not do to rely too much on silent majorities, Evey, for silence is a fragile thing, one loud noise, and its gone. But the people are so cowed and disorganised. A few might take the opportunity to protest, but it'll just be a voice crying in the wilderness. Noise is relative to the silence preceding it. The more absolute the hush, the more shocking the thunderclap. Our masters have not heard the people's voice for generations, Evey and it is much, much louder than they care to remember.

Have you ever heard the wonderful silence just before the dawn? Or the quiet and calm just as a storm ends? Or perhaps you know the silence when you haven't the answer to a question you've been asked, or the hush of a country road at night, or the expectant pause of a room full of people when someone is just about to speak, or, most beautiful of all, the moment after the door closes and you're alone in the whole house? Each one is different, you know, and all very beautiful if you listen carefully.

The sound is gone. There's nothing left but the insomniac throbbing of crickets. Crickets in the garden, the courtyard, the back courtyard. Close, domestic, identifiable. And those out in the country. Between all of them they raise, little by little, a wall that will keep out the thing that lies waiting for the tiniest crack of silence to steal through. The thing that is feared by all those who are sleepless, those who walk through the night, those who are lonely, children. That thing. The voice of the dead.

Literary history and the present are dark with silences . . . I have had special need to learn all I could of this over the years, myself so nearly remaining mute and having to let writing die over and over again in me. These are not natural silences--what Keats called agonie ennuyeuse (the tedious agony)--that necessary time for renewal, lying fallow, gestation, in the natural cycle of creation. The silences I speak of here are unnatural: the unnatural thwarting of what struggles to come into being, but cannot.

I wanted to feel the blood running back into my veins, even at the cost of annihilation. I wanted to shake the stone and light out of my system. I wanted the dark fecundity of nature, the deep well of the womb, silence, or else the lapping of the black waters of death. I wanted to be that night which the remorseless eye illuminated, a night diapered with stars and trailing comets. To be of night so frighteningly silent, so utterly incomprehensible and eloquent at the same time. Never more to speak or to listen or to think.

To look at life without words is not to lose the ability to form words- to think, remember, and plan. To be silent is not to lose your tongue. On the contrary, it is only through silence that one can discover something new to talk about. One who talked incessantly, without stopping to look and listen, would repeat himself ad nauseam. It is the same with thinking, which is really silent talking. It is not, by itself, open to the discovery of anything new, for its only novelties are simply arrangements of old words and ideas.