Tell me, Eric,” he said, licking a droplet from the corner of his mouth. “Have you ever tasted blood?”       My mouth was so dry I could barely find the voice to answer him. “What an odd question...”       “But a valid one. Well, have you?”       “I’ve cut my lip before, so yes, I suppose I have tasted blood, but...”       “Not your own, you foolish boy.” He let out a short, derisive laugh and leaned in so that he was only a few inches from my face. “I mean the blood of another.”       “Good God, Stefan, of course not!”       “Pity...

You are a bright light, Elli.’ His own breath hitches, a sound that I cannot quite grasp. His eyes are darkening, his lips tightening. His hands grasp me tighter and he moves closer, his mouth inches from mine, I can almost taste the sweetness and saltiness of his scent, the rich coffee beans and sugar, the vague spearmint. I say nothing, I’m not even sure I’m breathing.‘You shouldn’t have to see such pain, such blackness. You are too pure.’ His lips do not collide with mine, his skin does not brush against me, only his voice sends a shiver down every notch in my spine, trailing goose bumps over my skin. He tilts his head to the side, his lips gently brushing against my ear. And that is all. I’m not good enough for him. I’m not. That’s why… that’s why…‘Too pure…

They walked until the light died in the sky. Until it was dark, and Donald started to hear the whispers. They pleaded out to him in languages he couldn’t understand. Except when they were in English. Please help me, no don’t hurt me, Mommy, I want my, Dad please, it hurts Daddy! Harold, what are you doing with that axe? You drown now, bitch, DROWN! I do declare, what kind of a creature are… no, no ,NOOOO! Why do you hate me God, why did you make me put that shotgun in my mouth?It was strange when you heard a shout, or a scream, in a whisper. Almost, as if it wasn’t really a person saying something at all. Not a person at all. Not a person at all. Not a person at all. Not a person saying something, didn’t I just think that, already thought that, think that, he wondered. What’s going on with me, me on with, he thought.

I was too much taken up with another interest to care; I felt beneath my feet the threshold of the strange door, in my life, which had suddenly been thrown open and out of which came an air of a keenness I had never breathed and of a taste stronger than wine. I had heard all my days of apparitions, but it was a different thing to have seen one and to know that I should in all likelihood see it familiarly, as I might say, again. I was on the lookout for it as a pilot for the flash of a revolving light and ready to generalise on the sinister subject, to answer for it to all and sundry that ghosts were much less alarming and much more amusing than was commonly supposed. There's no doubt that I was much uplifted. I couldn't get over the distinction conferred on me, the exception - in the way of mystic enlargement of vision - made in my favour.("Sir Edmund Orme")

Traveled so far, and not yet have they come across anything of interest, he mused, except, of course, for that nest of goblins I managed to stir up. Indeed, his brother had always been a valiant fool; why not give him some excitement?He always did possess a love for a good fight, and who am I to deny him?The glass sphere, responding to his thoughts, zoomed in on the mountain nearby where Shrukian camped, and by putting both his hands on the sphere's sides and closing his eyes, Pharun could all but smell the power that radiated from its depths. He could taste it on the back of his tongue, and it awake all sorts of things inside of him. The power tasted of death and ash, and it was scalding hot, pouring down his throat like blood of the freshly dead. He did not need further searching to know what kind of power he was sampling.He smiled to himself, and it came out a satisfied smirk.

But a smell shivered him awake.It was a scent as old as the world. It was a hundred aromas of a thousand places. It was the tang of pine needles. It was the musk of sex. It was the muscular rot of mushrooms. It was the spice of oak. Meaty and redolent of soil and bark and herb. It was bats and husks and burrows and moss. It was solid and alive - so alive! And it was close.The vapors invaded Nicholas' nostrils and his hair rose to their roots. His eyes were as heavy as manhole covers, but he opened them. Through the dying calm inside him snaked a tremble of fear.The trees themselves seemed tense, waiting. The moonlight was a hard shell, sharp and ready to ready be struck and to ring like steel.A shadow moved.It poured like oil from between the tall trees and flowed across dark sandy dirt, lengthening into the middle of the ring. Trees seem to bend toward it, spellbound. A long, long shadow...

Quote from BEAUTIFULLY BROKEN – pgs. 86 -87 “A Kiss”:I went to snatch my hand away, but Trent caught my hand in his, startling me. I looked up to see warmth on his face. His smile held the promise of happiness. He scooted closer and held my gaze for a breath, glanced down. He leaned forward, as if he had no control over his actions. I inhaled his nice, soapy-clean scent, and all coherent thought left my head.His hands gripped my waist and Trent yanked me against him, his mouth covering mine in a deep kiss. The caress of his lips was softer than I’d imagined. An unfamiliar rush of excitement engulfed my senses. My hands wrapped around his neck, fingering his silky tousled hair. His moist lips seared a path from my lips to my neck, igniting a blaze of desire that flooded my skin everywhere his lips and roaming hands touched. Boys had kissed me before, but not like this. Never like this...

A certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present; and there must be a hint, expressed with a seriousness and portentousness becoming its subject, of that most terrible conception of the human brain - a malign and particular suspension or defeat of those laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space .... Therefore we must judge a weird tale not by the author's intent, or by the mere mechanics of the plot; but by the emotional level which it attains at its least mundane point... The one test of the really weird is simply this - whether or not there be excited in the reader a profound sense of dread, and of contact with unknown spheres and powers; a subtle attitude of awed listening, as if for the beating of black wings or the scratching of outside shapes and entities on the known universe's utmost rim.

Moreover, it is not just that the early documents are silent about so much of Jesus that came to be recorded in the gospels, but that they view him in a substantially different way -- as a basically supernatural personage only obscurely on Earth as a man at some unspecified period in the past, 'emptied' then of all his supernatural attributes (Phil.2:7), and certainly not a worker of prodigious miracles which made him famous throughout 'all Syria' (Mt.4:24). I have argued that there is good reason to believe that the Jesus of Paul was constructed largely from musing and reflecting on a supernatural 'Wisdom' figure, amply documented in the earlier Jewish literature, who sought an abode on Earth, but was there rejected, rather than from information concerning a recently deceased historical individual. The influence of the Wisdom literature is undeniable; only assessment of what it amounted to still divides opinion.

Quote from MOONLIGHT MAYHEM – pg 224 “Hero Intercedes”:His hands flickered upward, and before I knew it, they were cupping my face. So, damnably fast now. Demonic-like fast. Trent reeled me closer. Our foreheads joined. He held me, while I trembled in his arms. I was vaguely aware of Evans and Maxwell watching, although it didn’t seem important. Nothing seemed important whenever he did this. It felt like we were enclosed in our own personal bubble made only for the two of us. Trent murmured something in my ear. We stood like that until my shaky legs gradually regained strength. I shut my eyes and pretended my body wasn’t sizzling with heat-lightning because Trent stood so close. My hormones always decided to rebel whenever he put his arms around me. And it wasn’t totally awkward and uncomfortable. No, it felt like the best thing I’d experienced since before Dad’s death. And that’s saying a lot.

I thrust Sophie into a corner, blocking her with my body. She panted and snagged her lower lip in her teeth. “This is not my life,” she insisted.I looked at her solemnly. “I’m afraid it is. But it doesn’t have to be for long. Let’s just get through this. Then things go back to normal for you.”“Like they keep going back to normal for you?” Sophie hissed. “Ghost of your mother, psycho ex-best friend, company agent dating your dad, psychic vampire ex-boyfriend, werewolf current boyfriend—by the way, I can’t blame you for that one,” she confessed, eyes round as she mouthed the word whoa before continuing with her list, “Trip to the asylum, attempts against your life, vigilante father…”“Hey, the last ones are brand new. And the vigilante father thing? He’ll revert.”“Anyhow, I’m not so keen on your concept of normal.” I caught her staring at me.

(W.D.) Howells asserted that the Americans' 'love of the supernatural is their common inheritance from no particular ancestry.' Their fiction, he added, often gathers in the gray 'twilight of the reason,' on 'the borderland between experience and illusion." Howells's geographical metaphor was derived, of course, from Hawthorne's idea of a moonlit 'neutral territory, somewhere between the real world and fairy-land, where the Actual and the Imaginary may meet, and each imbue itself with the nature of the other.' Whether literally, as in Cooper's The Spy, or metaphorically, as in Hawthorne's works, the neutral territory/borderland was the familiar setting of the American romance. As American writers came to realize, not only was there a borderland between East and West, civilization and wilderness, but also between the here and the hereafter, between conscious and unconscious, 'experience and illusion' - psychic frontiers on the edge of territories both enticing and terrifying.

I had lied to myself from the very beginning, deceived myself into believing that I was being fanciful and overly imaginative. Surely such monstrosities only existed in nightmares? Yet I had lived through a nightmare these past months, and that was no dream at all.       I was still fighting against the awful truth, not wanting to give in, searching my mind for a logical explanation—but there was none. And the most horrible realization of all was that I had known, somewhere deep inside, ever since the day I first set eyes on Vladec Salei.       Plague carrier.       Living death.       Drainer of life.       The phrasing did not matter. No euphemism could strike fear into the hearts of men the way that single word could.       Vampire.        And for me, the uninitiated, that single word meant death.

Then the one called Raltariki is really a demon?" asked Tak."Yes—and no," said Yama, "If by 'demon' you mean a malefic, supernatural creature, possessed of great powers, life span and the ability to temporarily assume virtually any shape—then the answer is no. This is the generally accepted definition, but it is untrue in one respect.""Oh? And what may that be?""It is not a supernatural creature.""But it is all those other things?""Yes.""Then I fail to see what difference it makes whether it be supernatural or not—so long as it is malefic, possesses great powers and life span and has the ability to change its shape at will.""Ah, but it makes a great deal of difference, you see. It is the difference between the unknown and the unknowable, between science and fantasy—it is a matter of essence. The four points of the compass be logic, knowledge, wisdom and the unknown. Some do bow in that final direction. Others advance upon it. To bow before the one is to lose sight of the three. I may submit to the unknown, but never to the unknowable.

Nevertheless, the potential and actual importance of fantastic literature lies in such psychic links: what appears to be the result of an overweening imagination, boldly and arbitrarily defying the laws of time, space and ordered causality, is closely connected with, and structured by, the categories of the subconscious, the inner impulses of man's nature. At first glance the scope of fantastic literature, free as it is from the restrictions of natural law, appears to be unlimited. A closer look, however, will show that a few dominant themes and motifs constantly recur: deals with the Devil; returns from the grave for revenge or atonement; invisible creatures; vampires; werewolves; golems; animated puppets or automatons; witchcraft and sorcery; human organs operating as separate entities, and so on. Fantastic literature is a kind of fiction that always leads us back to ourselves, however exotic the presentation; and the objects and events, however bizarre they seem, are simply externalizations of inner psychic states. This may often be mere mummery, but on occasion it seems to touch the heart in its inmost depths and become great literature.