...Imagine having to ask whether you can go barefoot or not...But she remembers similar requests and prohibitions now, from twenty years and more back. "The childhood years are the best years of your life..." Whoever coined that was an unmitigated fuckwit, a bullshit artist supreme. Life gets better the older you grow, until you grow too old of course.
One reason that the task of inventing manners is so difficult is that etiquette is folk custom, and people have emotional ties to the forms of their youth. That is why there is such hostility between generations in times of rapid change; their manners being different, each feels affronted by the other, taking even the most surface choices for challenges.
This life therefore is not righteousness, but growth in righteousness, not health, but healing, not being but becoming, not rest but exercise. We are not yet what we shall be, but we are growing toward it, the process is not yet finished, but it is going on, this is not the end, but it is the road. All does not yet gleam in glory, but all is being purified.
One day you're something, so promising and full o' dares, so big the world's too small a place to hold you. Then, 'fore you know it, you're old, and you realise all them things you had in mind you'll never get to. All them doors you felt too big to fit through have already shut. Only one left open and it leads to nothing but nothing.
Old men tend to forget what thought was like in their youth; they forget the quickness of the mental jump, the daring of the youthful intuition, the agility of the fresh insight. They become accustomed to the more plodding varieties of reason, and because this is more than made up by the accumulation of experience, old men think themselves wiser than the young.
...A mirror can trick you day by day into thinking you remain looking and existing in one way forever. But a photograph presents you with the truth: it freezes you eternally, existing as a reminder that you can never, ever go back to any one moment again- that you are always changing, hour by hour, cell by cell, in tiny fragments that build skyscrapers overnight.
How old are you?""About fifteen, I think. Though I still feel the same as I always did," Bod said, but Mother Slaughter interrupted, "And I still feels like I done when I was a tiny slip of a thing, making daisy chains in the old pasture. You're always you, and that don't change, and you're always changing, and there's nothing you can do about it.
The Master said, At fifteen I set my heart upon learning. At thirty, I had planted my feet firm upon the ground. At forty, I no longer suffered from perplexities. At fifty, I knew what were the biddings of Heaven. At sixty, I heard them with docile ear. At seventy, I could follow the dictates of my own heart; for what I desired no longer overstepped the boundaries of righ.
The closer I get, the faster I have to go. Otherwise, I might be late to the very place where I’m not even expected. Adding to my tardiness is the fact that I don’t even know where I’m going. And I can’t get from here to there when I don’t even know where I am, let alone where I’m going. All I know is I’m going fast, but not fast enough.
And our ages never bothered her from the very beginning. I was married, but that didn’t matter, either. She seemed to consider things like age and family and income to be of the same a priori order as shoe size and vocal pitch and the shape of one’s fingernails. The sort of thing that thinking about won’t change one bit. And that much said, well, she had a point.
I walked past her, thinking: Is this what happens to the youth of women? Those whom we have met in the past, if suddenly we desire to see them again, have they become old? Is the young woman whom we desire like a character on the stage, when, unable to secure the actress who created the part, the management is obliged to entrust it to a new star? But then it is no longer the same.
Zehrunisa didn’t know Abdul’s age herself. Seventeen was what she’d said before the burning, when people asked her, but he could have been twenty-seven, for all she knew. You didn’t keep track of a child’s years when you were fighting daily to keep him from starving, as she and many other Annawadi mothers had been doing when their teenagers were young.
Kitabu cha KOLONIA SANTITA kinaweza kusomwa na watu wenye umri wa kuanzia miaka 13 na kuendelea. Katika umri wa miaka 13 fikra za mtoto huanza kuwa na maono na utambuzi wa vitu mbalimbali. Watoto katika umri huu wanao uwezo wa kuchambua dhana kadha wa kadha za kinadharia, na hali kadhalika wanao uwezo wa kuchambua nadharia tata zisizokuwa na uhakika, kama nadharia ya KOLONIA SANTITA.
For children, childhood is timeless. It is always the present. Everything is in the present tense. Of course, they have memories. Of course, time shifts a little for them and Christmas comes round in the end. But they don’t feel it. Today is what they feel, and when they say ‘When I grow up,’ there is always an edge of disbelief—how could they ever be other than what they are?
I am strongly of the opinion that, after the age of twenty-one, a man ought not to be out of bed and awake at four in the morning. The hour breeds thought. At twenty-one, life being all future, it may be examined with impunity. But, at thirty, having become an uncomfortable mixture of future and past, it is a thing to be looked at only when the sun is high and the world full of warmth and optimism.
