The character of the architectural forms and spaces which all people habitually encounter are powerful agencies in determining the nature of their thoughts, their emotions and their actions, however unconscious of this they may be.
Cities and landscapes are illustrations of our spiritual and material worth. They not only express our values but give them a tangible reality. They determine the way in which we use or squander our energy, time, and land resources.
I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels
The unadorned gentleman's suit was the product of the change from rigid status to social structures constantly shifting in response to the forces of modern capitalism, becoming ever more egalitarian in both appearance and reality.
Architecture and urban design, both in their formal and spatial aspects, are seen as fundamentally configurational in that the way the parts are put together to form the whole is more important than any of the parts taken in isolation.
Architects, if they are really to be comprehensive, must assume the enormous task of thinking in terms always disciplined to the scale of the total world pattern of needs, its resource flows, its recirculatory and regenerative processes.
With the idea that a single creator can build a society wherein a huge number of people will live, Le Corbusier later approached Stalin. In India, he charmed a powerful provincial family and ended up making huge, sculptural relics in Chandigarh.
Nomadom je postao onda kada je o omjeru ljepote počeo razmišljati kao o ljubavnom odnosu između dvaju dijelova u kojem se suprotnosti privlače upravo magičnom snagom, a isti omjer jednako gospodari i arhitekturom i prirodom.
That’s Manhattan today—all the money goes up top, while the infrastructure wastes away from neglect. The famous skyline is a cheap trick now, a sleight-of-hand to draw your eye from the truth, as illusory as a bodybuilder with osteoporosis.
Gracie: You have an unusual house. Have you lived here long?Bobby Tom: A couple of years. I don't much like it myself, but the architect is real proud of it. She calls it urban Stone Age with a Japanese Tahitian influence. I sort of just call it ugly.
We owe it to the fields that our houses will not be the inferiors of the virgin land they have replaced. We owe it to the worms and the trees that the building we cover them with will stand as promises of the highest and most intelligent kinds of happiness.
A building is not a sentence, which in principle has the ability to match and express a thought closely. It is not linear, like language. Compared to the fluidity of words, a building is atrociously clumsy, but it can be lived and inhabited as books cannot be.
Abe said something interesting. He said that because everyone's so poor these days, the '90s will be a decade with no architectural legacy or style- everyone's too poor to put up new buildings. He said that code is the architecture of the '90s.
Feminism, in its fullest meaning, enjoins the human race to establish zones of liberation, and literally to reshape the territorial definition of our patriarchal world, along with the social identities and injustices that those boundaries have defined for all of us.
The architects who benefit us most maybe those generous enough to lay aside their claims to genius in order to devote themselves to assembling graceful but predominantly unoriginal boxes. Architecture should have the confidence and the kindness to be a little boring.
