In the case of someone who is spiritual receptive, it is possible to talk of an analogy between the impact made by a work of art and that of a purely religious experience. Arts acts above all on the soul shaping its spiritual structure.
Think of the great poetry, the music and dance and ritual that spring forth from our aspiring to a life beyond death. Maybe these things are justification enough for our hopes and dreams, although I wouldn't say that to a dying man.
Tattooing, when understood in its entirety, must be seen as a religious act. The human being brings forth images from the center of the self and communicates them to the world. Fantasy is embodied in reality and the person is made whole.
Tattooing, when understood in its entirety, must be seen as a religious act. The human being brings forth images from the center of the self and communicates them to the world. Fantasy is embodied in reality and the person is made whole.
I don't want to think too much about art, you see. I don't want to attend symposia, listen to papers, or discuss it at cocktail parties ... What I want to do is clutch my heart and fall down when I see it. (Mr. Nannuzzi to Edgar)
Writers and artists build by hand little worlds that they hope might effect change in real minds, in the real world where stories are read. A story can make us cry and laugh, break our hearts, or make us angry enough to change the world.
We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art, the art of words.
In some ways, art is the most terrifying of human inventions. It preserves the right to undermine all the categories. The history of art is the history of iconoclasm, the history of some new voice saying that everything you know is wrong.
Not all are called to be artists in the specific sense of the term. Yet, as Genesis has it, all men and women are entrusted with the task of crafting their own life: in a certain sense, they are to make of it a work of art, a masterpiece.
Not all are called to be artists in the specific sense of the term. Yet, as Genesis has it, all men and women are entrusted with the task of crafting their own life: in a certain sense, they are to make of it a work of art, a masterpiece.
The difference between extras and audience members is that audience members don’t get chairs. Audience members are the daylaborers of the industry. When it's sunny, we stand in the sun. When it’s cold, we stand in the cold.
What we at first deem useless might end up being the next bestseller. It can be the product's novelty, fun factor or sheer stupidity. Whatever the case, just remember there's always room on the market for an original business idea.
If what any artist has to say is fundamentally human and profound the public will ultimately take his work unto itself. But if his own conceptions are limited and narrow in their human meaning it seems likely that time will erase his work.
No artist desires to prove anything. Even things that are can be proved. No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. No artist is ever morbid. The artist can express everything.
If a certain activity, such as painting, becomes the habitual mode of expression, it may follow that taking up the painting materials and beginning work with them will act suggestively and so presently evoke a flight into the higher state.
