I do not know anything about Art with a capital A. What I do know about is my art. Because it concerns me. I do not speak for others. So I do not speak for things which profess to speak for others. My art, however, speaks for me. It lights my way.
The mask of art is the means through which corruption is spread. The mask makes vice seem beautiful, turns squalor and nastiness into glamorous thrill, seduces the onlooker into the game – and leaves him or her with the corpse on his hands.
Industry in art is a necessity—not a virtue—and any evidence of the same, in the production, is a blemish, not a quality; a proof, not of achievement, but of absolutely insufficient work, for work alone will efface the footsteps of work.
Art is a kind of innate drive that seizes a human being and makes him its instrument. To perform this difficult office it is sometimes necessary for him to sacrifice happiness and everything that makes life worth living for the ordinary human being.
Behind every work of art lies the enormous pretension of exhibiting one's vision of the world. If such obvious arrogance is not counterbalanced by the tribulations of doubt, all that remains is a monster who is to art what a fanatic is to faith.
The working artist will not tolerate trouble in her life because she knows trouble prevents her from doing her work. The working artist banishes from her world all sources of trouble. She harnesses the urge for trouble and transforms it in her work.
The working artist will not tolerate trouble in her life because she knows trouble prevents her from doing her work. The working artist banishes from her world all sources of trouble. She harnesses the urge for trouble and transforms it in her work.
as an artist, one of the toughest things to do is getting someone to understand why you think the way you think. And as much as i don't wanna care what they think about my thinking, it comes down to making them understand or watching them leave.
Ultimately, culture, secular and otherwise, is a collection of survival strategies. The things that look like decoration—poetry, novels, music, dancing—if you strip away all the layers, are mechanisms for coping, surviving, understanding.
We do it because we care. We care that Vincent Van Gogh mutilated his ear. We care that behind a pile of manure in the yard he destroyed his life. We care that Scott Joplin's music lives! We care because we know this: the life we save is our own.
I had a dream about you. You were trying to perfect the art of sexual intercourse, and I offered you the use of one of my statues to practice on. Artists have to stick together, even if one artist is sticking it to another artist’s work.
I had a dream about you. You were trying to perfect the art of sexual intercourse, and I offered you the use of one of my statues to practice on. Artists have to stick together, even if one artist is sticking it to another artist’s work.
I had already established, as you know, that it was logically impossible for Kenneth to be distressed by anything that might occur between Ned and myself; but Kenneth, being an artist, has perhaps not studied logic and is unaware of the impossibility.
The artist, and particularly the poet, is always an anarchist in the best sense of the word. He must heed only the call that arises within him from three strong voices: the voice of death, with all its foreboding, the voice of love and the voice of art.
Though I am often in the depths of misery, there is still calmness, pure harmony and music inside me. I see paintings or drawings in the poorest cottages, in the dirtiest corners. And my mind is driven towards these things with an irresistible momentum.
