When you're young, you always feel that life hasn't yet begun—that "life" is always scheduled to begin next week, next month, next year, after the holidays—whenever. But then suddenly you're old and the scheduled life didn't arrive. You find yourself asking, 'Well then, exactly what was it I was having—that interlude—the scrambly madness—all that time I had before?
Endlessly foremost, the recollection of youth’s fount flows deep in the psyche of an aged man. The loss of a first true love is never quite lost, for he sees her in the faces of passing strangers, is haunted in the quiet of his solitude as he waltzes with the “what ifs” of every passing season. For what reason does an enchanted kiss endure like a cold mist leaving an aged man wintry in summer time?
I want to be able to remember it all, not just the books but the newsrooms and the playgroups and the bad jokes and the holiday traditions. In my mind I can walk through the house where I grew up even though I have not been inside it for decades . . . I want to be able to walk through the house of my own life until my life is done. I want to hold on to who and what I have been even as both become somehow inevitably less.
At least a third of a woman's life is marked with aging; about a third of her body is made of fat. Both symbols are being transformed into operable condition--so that women will only feel healthy if we are two thirds of the women we could be. How can an "ideal" be about women if it is defined as how much of a female sexual characteristic does not show on her body, and how much of a female life does not show on her face?
They had painted a lady leaning her arms on the sill of the window. This lady was waiting for a husband. Her flesh was slack and she was some forty-five years old. Perhaps she had been waiting since she was fifteen. A rose and mauve lady that had not yet gathered her flesh and her beauty into dark clothes, and still waited, like a rose stripped of its petals, with her faded colors and her artificial smile, bitter as a grimace.
She may resent Playboy because she resents feeling ugly in sex--or, if "beautiful," her body defined and diminished by pornography. It inhibits in her something she needs to live, and gives her the ultimate anaphrodisiac: the self-critical sexual gaze. Alice Walker's essay "Coming Apart" investigates the damage done: Comparing herself to her lover's pornography, her heroine "foolishly" decides that she is not beautiful.
Butterfly KissesAged imperfectionsstitched upon my faceyears and years of wisdomearned by His holy grace.Quiet solitude in a humble homeall the family scattered nowlike nomads do they roam.Then a giftsent from abovea memorypure and tangiblewrapped in innocence andunquestioning love.A butterfly kisslands gently upon my cheekfrom an unseen childa kiss most sweet.Heaven grants graceand tears followas youth revisitsthis empty hollow.
You believed you could transcend the body as you aged, she tells herself. You believed you could rise above it, to a serene, nonphysical realm. But it’s only through ecstasy you can do that, and ecstasy is achieved through the body itself. Without the bone and sinew of wings, no flight. Without that ecstasy you can only be dragged further down by the body, into its machinery. Its rusting, creaking, vengeful, brute machinery.
I've put one foot before another and the years have passed, the time marked by late rent payments and the appearance of wrinkles - tiny ones, on the corners of my eyes. They are a reminder of my youth, and of the hourglass that we all live in, grains of sand slipping through the gap of time, each granule adding another wrinkle, another pocket of fat, another sag that I will fight to overcome, another grey hair to pluck or dye.
It is warm, I am alive, I am calm and sad, I hardly know why. In this existence so even, so tranquil, and so gentle as I have here, I am in an element that weakens me morally while strengthening me physically; and I fall into melancholies of honey and roses which are none the less melancholy. It seems to me that all those I love forget me, and that it is justice, because I live a selfish life having nothing to do for any one of them.
Youth. I don't seek it through another because I have it within; it's a state of mind, a spirit that is free, and a mind that is playful. The shell of my being is altered by the effects of time, but nothing will tarnish a soul that will never forget what its like to experience creation with endless wonder and appreciation. Each time I see the first snowfall of the season I feel it's the first time I've seen it at all.
Sitting in the wicker rocking chair with her interrupted work in her lap, Amaranta watched Aureliano José, his chin covered with foam, stropping his razor to give himself his first shave. His blackheads bled and he cut his upper lip as he tried to shape a mustache of blond fuzz, and when it was all over he looked the same as before, but the laborious process gave Amaranta the feeling that she had begun to grow old at that moment.
Age has given me what I was looking for my entire life - it has given me me . It has provided time and experience and failures and triumphs and time-tested friends who have helped me step into the shape that was waiting for me. I fit into me now. I have an organic life, finally, not necessarily the one people imagined for me, or tried to get me to have. I have the life I longed for. I have become the woman I hardly dared imagine I would be.
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I think she is going to find you too old... Yes that was it, the moment she said it I knew it was true, and the revelation caused me no surprise, it was like the echo of a dull, not unexpected shock. The age difference was the last taboo, the final limit, all the stronger for the fact that it remained the last and had replaced all the others. In the modern world you could be a swinger, bi, trans, zoo into S&M, but it was forbidden to be old.
