A man is unlikely to be brought within earshot of women as they judge men's appearance, height, muscle tone, sexual technique, penis size, personal grooming, or taste in clothes--all of which we do. The fact is that women are able to view men just as men view women, as objects for sexual and aesthetic evaluation; we too are effortlessly able to choose the male "ideal" from a lineup and if we could have male beauty as well as everything else, most of us would not say no. But so what? Given all that, women make the choice, by and large, to take men as human beings first.

And the view was suddenly clear to me. The world opened out to its grim beyonds and I realized that, at forty, one must learn the rigors of acceptance. Capitalize it: Acceptance. I needed to accept what was put before me--be it a watery grave in Ireland's only natural fjord, or a return to the city and its grayer intensities, or a wordless exile in some steaming Cambodian swamp hole, or poems or no poems, or children or not, lovers or not, illness or otherwise, success or its absence. I would accept all that was put in my way, from here on through until I breathed my last.

John had written that normal fantasy ("normal" in the T.S. Kuhn sense) was written for the moderately educated class from suffering ennui. It was for folks stuck doing dull, repetitive work, growing old while not getting laid half often or variously enough, watching other, less deserving people (the privileged and the crooks) scoop up your share of fun. So then the fantasy generates the exciting world where you're given a heroic purpose and an opportunity to use those very powers you have suspected that you had but never have been able to locate and use, except in destructive ways when shit-faced.

John had written that normal fantasy ("normal" in the T.S. Kuhn sense) was written for the moderately educated class suffering from ennui. It was for folks stuck doing dull, repetitive work, growing old while not getting laid half often or variously enough, watching other, less deserving people (the privileged and the crooks) scoop up your share of fun. So then the fantasy generates the exciting world where you're given a heroic purpose and an opportunity to use those very powers you have suspected that you had but never have been able to locate and use, except in destructive ways when shit-faced.

[Women's magazines]ignore older women or pretend that they don’t exist; magazines try to avoid photographs of older women, and when they feature celebrities who are over sixty, ‘retouching artists’ conspire to ‘help’ beautiful women look more beautiful, ie less than their age...By now readers have no idea what a real woman’s 60 year old face looks like in print because it’s made to look 45. Worse, 60 year old readers look in the mirror and think they are too old, because they’re comparing themselves to some retouched face smiling back at them from a magazine.

When you're a young man like yourself, life is full of wonders. Everything new. Everything an adventure. But as the years roll on, things become ordinary. Colors lose their vibrance. Stars lose their glitter. You become less in awe of the world. It loses its magic.I don't see this as a painful thing. I think it's a mercy. I believe it's all just so it makes it easier to let the whole thing go when it's our time to pass on. But when you've lived as long as I have, the weight of the years and the tarnished luster of the world can break you down. And it's hard to be alive and be so broken.

I just got a rather nasty shock. In looking for something or other I came across the fact that one of my cats is about to be nine years old, and that another of them will shortly thereafter be eight; I have been labouring under the delusion they were about five and six. And yesterday I happened to notice in the mirror that while I have long since grown used to my beard being very grey indeed, I was not prepared to discover that my eyebrows are becoming noticeably shaggy. I feel the tomb is just around the corner. And there are all these books I haven't read yet, even if I am simultaneously reading at least twenty...

In the parlor was a huge camera on wheels like the ones used in public parks, and the backdrop of a marine twilight, painted with homemade paints, and the walls papered with pictures of children at memorable moments: the first Communion, the bunny costume, the happy birthday. Year after year, during contemplative pauses on afternoons of chess, Dr. Urbino had seen the gradual covering over of the walls, and he had often thought with a shudder of sorrow that in the gallery of casual portraits lay the germ of the future of the city, governed and corrupted by those unknown children, where note even the ashes of his glory would remain.

I am thinking about the way that life can be so slippery; the way that a twelve-year-old girl looking into the mirror to count freckles reaches out toward herself and that reflection has turned into that of a woman on her wedding day, righting her veil. And how, when that bride blinks, she reopens her eyes to see a frazzled young mother trying to get lipstick on straight for the parent/teacher conference that starts in three minutes. And how after that young woman bends down to retrieve the wild-haired doll her daughter has left on the bathroom floor, she rises up to a forty-seven-year-old, looking into the mirror to count age spots.

If we don't accept any common beliefs, we can't exist in spacetime. But when we don't believe in age, at least we don't have to die because our numbers change. [...] When you don't believe in birthdays, the idea of aging turns a little foreign to you. You don't fall into trauma over your sixteenth birthday or your thirtieth or the big Five-Oh or the deadly Century. You measure your life by what you learn, not by counting how many calendars you've seen. If you're going to have trauma, better it be the shock of discovering the fundamental principle of the universe that some date predictable as next July.

Though Charles II both craved and enjoyed female companionship till the end of his life, there is no question that by the cold, rainy autumn of 1682 his physical appetites had diminshed considerably. The Duchess of Portsmouth was, after all, more than twenty years his junior; and there comes a time in nearly every such relationship when the male partner is simply unable to fully accommodate the female partner. Or as Samuel Pepys tartly noted in his diary, "the king yawns much in council, it is thought he spends himself overmuch in the arms of Madame Louise, who far from being wearied, seems fresher than ever after sporting with the king.

[The thief-taker] was conspicuous by his age, I should estimate he is in his middle fifties, and by a bearing, I am tempted to call it dignity, wanting in the others. He has a good head of hair, only a bit thin on top, blond going grey, and sea green eyes. He has an excellently carved set of teeth, but displays them rarely. He has a trim figure, unusual in a profession that consists largely of loitering around taverns, but any illusion that he is especially fit is dispelled when he begins to move, for he is a little bit halt, and a little bit lame, stiff in the joints and given to frequent sighs and grimaces that hint at pains internal.

Men are visually aroused by women's bodies and less sensitive to their arousal by women's personalities because they are trained early into that response, while women are less visually aroused and more emotionally aroused because that is their training. This asymmetry in sexual education maintains men's power in the myth: They look at women's bodies, evaluate, move on; their own bodies are not looked at, evaluated, and taken or passed over. But there is no "rock called gender" responsible for that; it can change so that real mutuality--an equal gaze, equal vulnerability, equal desire--brings heterosexual men and women together.

I am persuaded that feminism is not at the root of political correctness. The actual source is much nastier and dares not speak its name, which is simply hatred for old people. The question of domination between men and women is relatively secondary—important but still secondary—compared to what I tried to capture in this novel, which is that we are now trapped in a world of kids. Old kids. The disappearance of patrimonial transmission means that an old guy today is just a useless ruin. The thing we value most of all is youth, which means that life automatically becomes depressing, because life consists, on the whole, of getting old.

The woman who undergoes this operation can sense the morphogenetic field at work in her face. She can feel the lines of force as they guide the embryonic cells into the patterns they must form. Why should a woman let her life be determined by tired collagens or by a shortage of zinc which weakens her electromagnetic field, the matrix of life? The goal of life is living. Life is a field of opportunity, guiding the individual forward along paths created by the meshed forces or objective possibilities as they interweave with a person's own potentialities. And this philosophy of life is now bodied forth in the faces of beautiful women. ("Motherhood