Writers possess magic. It's in their words. They compose phrases as powerful as incantations, creating illusions in the minds of readers. These spells make eyes envision things that aren't real; they make hearts feel things that aren't actual. A writer's work is to pen enchantments meant to entrance and hypnotize the mind, causing neglect of all other duties and responsibilities in order for the reader to remain a puppet controlled by the writer's wand. And if some foul friend does manage to break the spell, he is despised for it. His heroics are too late in coming. The words―the fairytales―have seeped beyond the body and into the soul, taking possession. Our poor reader is infected, compromised, never to be cured. The notion of magic found in simple words such as, 'Once upon a time...' has always fascinated me. It is no wonder I am compelled to write.

Cam starts laughing, "Oh, I love it when she reads." He turns to Lucy who's face is starting to contort and turn to a bright shade of red, "She reads these smutty books, like full on dirty shit, full of sex and like... bdsm shit.""I'm not joking boys, they're like full on pornographic. Talking about silky shafts and veiny dicks and shit," Logan is now on the ground holding his side from the pain of laughing too hard."Sometimes she'll be reading, then all of sudden she'll put her book down and look at me like she wants to eat me, literally eat me!" he yells, laughing harder, still swatting away her hands that are trying to shut him up, "I mean I don't mind it, not at all. It's hot as fuck. And she wants to try everything she reads in these books. Like... everything. She learns everything from these books... so I don't give a shit when, of how much she reads, I get rewards.

Books do not per­ish like hu­mankind. Of course we com­mon­ly see them bro­ken in the hab­er­dash­er's shop when on­ly a few months be­fore they lay bound on the sta­tion­er's stall; these are not true works, but mere trash and new­fan­gle­ness for the vul­gar. There are thou­sands of such gew­gaws and toys which peo­ple have in their cham­bers, or which they keep up­on their shelves, be­liev­ing that they are pre­cious things, when they are the mere pass­ing fol­lies of the pass­ing time and of no more val­ue than pa­pers gath­ered up from some dunghill or raked by chance out of the ken­nel. True books are filled with the pow­er of the un­der­stand­ing which is the in­her­itance of the ages: you may take up a book in time, but you read it in eter­ni­ty.

The only advice, indeed, that one person can give another about reading is to take no advice, to follow your own instincts, to use your own reason, to come to your own conclusions. If this is agreed between us, then I feel at liberty to put forward a few ideas and suggestions because you will not allow them to fetter that independence which is the most important quality that a reader can possess. After all, what laws can be laid down about books? The battle of Waterloo was certainly fought on a certain day; but is Hamlet a better play than Lear? Nobody can say. Each must decide that question for himself. To admit authorities, however heavily furred and gowned, into our libraries and let them tell us how to read, what to read, what value to place upon what we read, is to destroy the spirit of freedom which is the breath of those sanctuaries. Everywhere else we may be bound by laws and conventions-there we have none.

Every time you open a book for the first time, there is something akin to safe-breaking about it. Yes, that's exactly it: the frantic reader is like a burglar who has spent hours digging a tunnel to enter the strongroom of a bank. He emerges face to face with hundreds of strongboxes, all identical, and opens them one by one. And each time a box is opened, it loses its anonymity and becomes unique: one is filled with paintings, another with a bundle of banknotes, a third with jewels or letters tied in ribbon, engravings, objects of no value at all, silverware, photos, gold sovereigns, dried flowers, files of paper, crystal glasses, or children’s toys--and so on. There is something intoxicating about opening a new one, finding its contents and feeling overjoyed that in a trice one is no longer in front of a set of boxes, but in the presence of the riches and wretched banalities that make up human existence.

The man who is contented to be only himself, and therefore less a self, is in prison. My own eyes are not enough for me, I will see through those of others. Reality, even seen through the eyes of many, is not enough. I will see what others have invented. Even the eyes of all humanity are not enough. I regret that the brutes connot write books. Very gladly would I learn what face things present to a mouse or a bee; more gladly still would I perceive the olfactory world charged with all the information and emotion it carries for a dog. Literary experience heals the wound, without undermining the privilege, of individuality... in reading great literature I become a thousand men and yet remain myself. Like the night sky in the Greek poem, I see with a myriad of eyes, but it is still I who see. Here, as in worship, in love, in moral action, and in knowing, I transcend myself; and am never more myself than when I do.

Prolific libraries take on an independent existence, and become living things...We may have chosen its themes, and the general pathways along which it will develop, but we can only stand and watch as it invades all the walls of the room, climbs to the ceiling, annexes the other rooms one by one, expelling anything that gets in the way. It eliminates pictures hanging on the walls, or ornaments that obstruct its advance; it moves on with its necessary but cumbersome acolytes -- stools and ladders -- and forces its owner into constant reorganization since its progress is not linear and calls for ever new kinds of diviion. At the same time, it is undeniably the reflection, the twin image of its master. To anyone with the insight to decode it, the fundamental character of the librarian will emerge as one's eye travels along the bookshelves. indeed no library of any size is like another, none has the same personality. (pp. 30-31)

Madem kimileri iyi insan olmayı seçiyor, madem bundan haz alıyorlar, onlara hayatta karışmam, kimse de bana karışmasın. Ama bana karışıyorlardı. Üstelik kötülük bireye özgüdür, sizlere, bana ve tek tabancalığımıza özgüdür ve bizleri yaratan bizim Tanrı'dır, hem de gururla ve keyifle yaratmıştır. Ama birey olmayan şeyler kötülüğe katlanamazlar, yani devlet ve yargıçlar ve okullar kötülüğe izin vermezler çünkü bireylere izin veremezler. Hem modern tarihimiz, bu büyük makinelerle savaşan cesur, küçük bireylerin öyküsü değil midir kardeşlerim? Bu konuda ciddiyim kardeşlerim. Ama yaptıklarımı sevdiğim için yapıyorum.

Calling a book "Young Adult" is just a fancy way of saying the book is censored. People used to say they like to read books about romance, true crime, comedy, horror or science fiction. But these days people simply say they like to read "Young Adult" books. As if that were a topic. But that's the thing: Young Adult is not a topic, it's a level of censorship. Saying "I like Young Adult books" is just another way of saying "I like books that have been dumbed down for children. I like books with no big words and no difficult abstract concepts. Nothing that will strain my brain." People like to brag that they used to start reading at an early age, as if that were a badge of honor, a sign of intelligence. Nobody brags about when they started to watch TV. But books are being dumbed down so much these days, it's really not a sign of great intelligence when you're a grown up and you struggle your way through Green Eggs and Ham.

There must always be a fringe of the experimental in literature--poems bizarre in form and curious in content, stories that overreach for what has not hitherto been put in story form, criticism that mingles a search for new truth with bravado. We should neither scoff at this trial margin nor take it too seriously. Without it, literature becomes inert and complacent. But the everyday person's reading is not, ought not to be, in the margin. He asks for a less experimental diet, and his choice is sound. If authors and publishers would give him more heed they would do wisely. They are afraid of the swarming populace who clamor for vulgar sensation (and will pay only what it is worth), and they are afraid of petulant literati who insist upon sophisticated sensation (and desire complimentary copies). The stout middle class, as in politics and industry, has far less influence than its good sense and its good taste and its ready purse deserve.

Амьдрал гэж нэг иймэрхүү авсаархан ном байлаа гэхэд, санаандгүй сөхөхөд тааралдах тохиолдлын ганц өгүүлбэрт л уг номыг унших учир шалтгаан бүрэн шингээстэй бий.

There may be little room for the display of this supreme qualification in the retail book business, but there is room for some. Be enterprising. Get good people about you. Make your shop windows and your shops attractive. The fact that so many young men and women enter the teaching profession shows that there are still some people willing to scrape along on comparatively little money for the pleasure of following an occupation in which they delight. It is as true to-day as it was in Chaucer's time that there is a class of men who "gladly learn and gladly teach," and our college trustees and overseers and rich alumni take advantage of this and expect them to live on wages which an expert chauffeur would regard as insufficient. Any bookshop worthy of survival can offer inducements at least as great as the average school or college. Under pleasant conditions you will meet pleasant people, for the most part, whom you can teach and form whom you may learn something.

I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn't be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children's books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires.

Jesus, Mary …”She said it out loud, the words distributed into a room that was full of cold air and books. Books everywhere! Each wall was armed with overcrowded yet immaculate shelving. It was barely possible to see the paintwork. There were all different styles and sizes of lettering on the spines of the black, the red, the gray, the every-colored books. It was one of the most beautiful things Liesel Meminger had ever seen.With wonder, she smiled.That such a room existed!Even when she tried to wipe the smile away with her forearm, she realized instantly that it was a pointless exercise. She could feel the eyes of the woman traveling her body, and when she looked at her, they had rested on her face.There was more silence than she ever thought possible. It extended like an elastic, dying to break. The girl broke it.“Can I?”The two words stood among acres and acres of vacant, wooden-floored land. The books were miles away.The woman nodded.Yes, you can

Steadily, the room shrank, till the book thief could touch the shelves within a few small steps. She ran the back of her hand along the first shelf, listening to the shuffle of her fingernails gliding across the spinal cord of each book. It sounded like an instrument, or the notes of running feet. She used both hands. She raced them. One shelf against the other. And she laughed. Her voice was sprawled out, high in her throat, and when she eventually stopped and stood in the middle of the room, she spent many minutes looking from the shelves to her fingers and back again. How many books had she touched? How many had she felt? She walked over and did it again, this time much slower, with her hand facing forward, allowing the dough of her palm to feel the small hurdle of each book. It felt like magic, like beauty, as bright lines of light shone down from a chandelier. Several times, she almost pulled a title from its place but didn't dare disturb them. They were too perfect.