Moreover the present abundance3 of private cars is nothing other than the result of the non-stop propaganda through which capitalist production persuades the mob--and in this case is one of its most confounding successes--that the possession of a car is specifically one of the privileges our society reserves for its privileged members.
Every step of the road was just as she'd dreamt it all the time she'd been away. Every step took her further away from the smoke and the noise and the loneliness and fear of the city she'd left behind. Every step drew her deeper into the hollows of the landscape, the green hills and shining rivers and mist-tangled treetops.
I stood there and stared, into the sky and at the city around me. I stood, hands at my side, and I saw what had happened to me and who I was and the way things would always be for me. Truth. There was no more wishing, or wondering. I knew who I was, and what I would always do. I believed it, as my teeth touched and my eyes were overrun.
The ride had begun.The theatre and club spectaculars seemed to stick up into the sky at all sorts of crazy angles, probably because most of them were planted diagonally on rooftops. Follow Thru, Whoopee, Show Boat, El Fay Club, Club Richman, Texas Guinan's. It gave the town the appearance of standing on its ear. ("The Number's Up")
[Poem: Slates of Grey]Sullen faces like slates of grey—What I’d seen on a walk today.Bodies rushing bodies boltingTime for life a disregarding.Money to make and to grow oldWhat about the hands to hold?Deadlines, projects, people to meetWhat about our own two feet.Sullen faces like slates of grey...What I’d see most anyday.
8. Conditions of DialogueThe functional is what is practical. The only practical thing is the resolution of our fundamental problem: the realization of ourselves (our uncoupling from the system of isolation). This is useful and utilitarian. Nothing else. All the rest represents only trivial derivations of the practical, and its mystification.
Cities also believe they are the work of the mind or of chance, but neither the one nor the other suffices to hold up their walls. You take delight not in a city's seven or seventy wonders, but in the answer it gives to a question of yours. or to the question it asks you, forcing you to answer, like Thebes through the mouth of the Sphinx.
Ah, what sights and sounds and pain lie beneath that mist. And we had thought that our hard climb out of that cruel valley led to some cool, green and peaceful, sunlit place---but it's all jungle here, a wild and savage wilderness that's overrun with ruins. But put on your crown, my Queen, and we will build a New City on these ruins.
I don’t think I’ve ever referred to any girl I dated as my girlfriend. I think that would freak me out. Even the girl that I dated for two years in college I don’t think I ever referred to her as my girlfriend.”“How would you introduce her?” I asked.“I’m just going to say her name,” he said.
Monfleury est en vente, je perds cinquante mille francs, s'il le faut, mais je suis tout joyeux, je quitte cet enfer d'hypocrisie et de tracasseries. Je vais chercher la solitude et la paix champêtre au seul lieu où elles existent en France, dans un quatrième étage donnant sur les Champs-Élysées.
This was how it was with travel: one city gives you gifts, another robs you. One gives you the heart’s affections, the other destroys your soul. Cities and countries are as alive, as feeling, as fickle and uncertain as people. Their degrees of love and devotion are as varying as with any human relation. Just as one is good, another is bad.
The cities were sucking all the life of the country into themselves and destroying it. Men were no longer individuals but units in a vast machine, all cut to one pattern, with the same tastes and ideas, the same mass-produced education that did not educate but only pasted a veneer of catchwords over ignorance. Why do you want to bring that back?
New York had saved him, in a very real way. It had pushed and prodded him with its impatient and sharp fingers, reminding him on a daily basis during that jittery first year that it didn't really give a goddamn whether he sank or swam. He liked its selfishness and its generosity and its propensity for flipping the bird to the rest of the world.
For brick and mortar breed filth and crime,With a pulse of evil that throbs and beats;And men are whithered before their primeBy the curse paved in with the lanes and streets.And lungs are poisoned and shoulders bowed, In the smothering reek of mill and mine;And death stalks in on the struggling crowd—But he shuns the shadow of the oak and pine
The city blew the windows of my brain wide open. But being in a place so bright, fast and brilliant made you vertiginous with possibility: it didn't necessarily help you grasp those possibilities. I still had no idea what I was going to do. I felt directionless and lost in the crowd. I couldn't yet see how the city worked, but I began to find out.
