The messengers of Jesus will be hated to the end of time. They will be blamed for all the division which rend cities and homes. Jesus and his disciples will be condemned on all sides for undermining family life, and for leading the nation astray; they will be called crazy fanatics and disturbers of the peace. The disciples will be sorely tempted to desert their Lord. But the end is also near, and they must hold on and persevere until it comes. Only he will be blessed who remains loyal to Jesus and his word until the end.

The silhouettes of Lovat now dominated the skyline. Nine levels stretching skyward. Five hundred meters high at its apex. Each level housing buildings of various sizes sagged on the backs of buildings below. Thousands of sodium lamps twinkled in their recesses.Lovat was the oldest and largest city on the coast, and it showed its age by the haphazard mess it had become. Roads rose and dipped, elevators and staircases criss-crossed, and floors would end and then begin across the city leaving large empty spaces between levels.

One of the reasons why I liked living in Manhattan was that the city would share your mood the moment you walked out the door. If you were in a hurry, everything else was too, even the pigeons. You shared the same speed and sense of urgency to get wherever you were going.When you had time to kill, it was happy to give you things to look at and do that easily took up whole days. I didn't agree with people who said Manhattan was a cold, indifferent town. Sure it was gruff, but it was also playful and sometimes very funny.

So many problems we will get to the bottom of later, but whose spatial aspect we must grasp right away. If the space of the industrial economy dominates the social space in which the Parisian worker or intellectual develops, to what extent could residential space, cultural space, or political space be planned without it being necessary to first intervene in economic structures?...In short...: to what extent can we freely build the framework for a social life in which we might be guided by our aspirations and not by our instincts?

You are mad to be spending the summer in the country, where the days are too quiet and you have so much time to think. In the city you live on Broadway, where the noise is so thick your scary thoughts can't get a word in edgewise. But here in the county, there is only space. On the stone bridge by the stream. On the mossy rock at the edge of the yard. Behind the abandoned trailer where Art, the old man with the glass eye, used to live. Space, space, space, and you can scare yourself into thinking your thoughts are more like voices.

The new towns of the 1950s and '60s were nothing less than the spatial translation of alienation and control and in these cities power increasingly could relinquish the old forms of advertising in favor of 'the simple organization of the spectacle of objects of consumption, which will only have consumable value illusory to the extent to which they will first of all have been objects of spectacle' -- to the extent, that is, they have first appeared on the television screen, which henceforth had to be seen as an urbanistic tool in its own right.

I had a theory; I’m not sure if it was my own but it worked for me. Public spaces, such as streets and subway stations, became inhabitable as I assigned them some value and imprinted an experience on them. If I recited a snatch of Paterson every time I walked along a certain avenue, eventually that avenue would sound like William Carlos Williams. The entrance to the subway at 116th Street was Emily Dickinson’s:Presentiment is that long shadow on the lawnIndicative that suns go down;The notice to the startled grassThat darkness is about to pass.

...all this convinced him that he had come to one of those revolting havens where pathetic depravity makes its abode, born of tawdry education and the terrible populousness of the capital. One of those havens where man blasphemously crushes and derides all the pure and holy that adorns life, where woman, the beauty of the world, the crown of creation, turns into some strange, ambiguous being, where, along with purity of soul, she loses everything feminine and repulsively adopts all the mannerisms and insolence of a man, and ceases to be that weak, that beautiful being so different from us.

Whoever is born in New York is ill-equipped to deal with any other city: all other cities seem, at best, a mistake, and, at worst, a fraud. No other city is so spitefully incoherent. Whereas other cities flaunt there history - their presumed glory - in vividly placed monuments, squares, parks, plaques, and boulevards, such history as New York has been unable entirely to obliterate is to be found, mainly, in the backwaters of Wall Street, in the goat tracks of Old and West Broadway, in and around Washington Square, and, for the relentless searcher, in grimly inaccessible regions of The Bronx.

Na Natureza nunca eu descobriria um contorno feio ou repetido! Nunca duas folhas de hera, que, na verdura ou recorte, se assemelhassem! Na Cidade, pelo contrário, cada casa repete servilmente a outra casa; todas as faces reproduzem a mesma indiferença ou a mesma inquietação; as ideias têm todas o mesmo valor, o mesmo cunho, a mesma forma, como as libras; e até o que há mais pessoal e íntimo, a Ilusão, é em todos idêntica, e todos a respiram, e todos se perdem nela como no mesmo nevoeiro... A "mesmice" - eis o horror das Cidades!

...the assessment of psychological drift, that is the way in which an undirected pedestrian tends to move about in a particular quarter of the town, tending to establish natural connections between places, the zones of influence of particular institutions and public services, and so forth. It may well be objected that these techniques are un-scientific, disorderly and too subjective, but the fact remains that the Situationists are studying the actual texture of towns and their relationship to human beings more intensively than most architects and in a more down-to-pavement manner than most town planners.

روما لا تتنافس مع أحد .روما تتفرج على الهرج والمرج من دون أيّ تأثّر ، وكأنها تقول : مهما فعلتم ، أبقى أنا روما .

To walk is to lack a place. It is the indefinite process of being absent and in search of a proper. The moving about that the city mutliplies and concentrates makes the city itself an immense social experience of lacking a place -- an experience that is, to be sure, broken up into countless tiny deportations (displacements and walks), compensated for by the relationships and intersections of these exoduses that intertwine and create an urban fabric, and placed under the sign of what ought to be, ultimately, the place but is only a name, the City...a universe of rented spaces haunted by a nowhere or by dreamed-of places.

It's like coming home," said Webster and he wasn't talking to the dog. "It's like you've been away for a long, long time and then you come home again. And it's so long you don't recognize the place. Don't know the furniture, don't recognize the floor plan. But you know by the feel of it that it's an old familiar place and you are glad you came.""I like it here," said. Ebenezer and he meant Webster's lap, but the man misunderstood."Of course, you do," he said. "It's your home as well as mine. More your home, in fact, for you stayed here and took care of it while I forgot about it.

The greatest drug of all, my dear, was not one of those pills in so many colors that you took over the years, was not the opium, the hash you smoked in houses at the beach, or the speed or smack you shot up in Sutherland's apartment, no, it wasn't any of these. It was the city, darling, it was the city, the city itself. And do you see why I had to leave? As Santayana said, dear, artists are unhappy because they are not interested in happiness; they live for beauty. God, was that steaming, loathsome city beautiful!!! And why finally no human lover was possible, because I was in love with all men, with the city itself.