Les gens riches à Paris demeurent ensemble, leurs quartiers, en bloc, forment une tranche de gâteau urbain dont la pointe vient toucher au Louvre, cependant que le rebord rebondi s'arrête aux arbres entre le Pont d'Auteuil et la Porte des Ternes. Voilà. C'est le bon morceau. Tout le reste n'est que peine et fumier.
When the Stranger says: “What is the meaning of this city ?Do you huddle close together because you love each other?”What will you answer? “We all dwell togetherTo make money from each other”? or “This is a community”?Oh my soul, be prepared for the coming of the Stranger.Be prepared for him who knows how to ask questions.
The soft rush of taxis by him, and laughter, laughters hoarse as a crow's, incessant and loud, with the rumble of the subways underneath - and over all, the revolutions of light, the growings and recedings of light - light dividing like pearls - forming and reforming in glittering bars and circles and monstrous grotesque figures cut amazingly on the sky.
As we walk back, it feels like the city is engulfing us. Adrenalin still pours through our veins. Sparks flow through to our fingers. We've still been running in the mornings, but the city's different then. It's filled with hope and with bristles of winter sunshine. In the evening, it's like it dies, waiting to be born again the next morning.
In the city, human beings celebrated and enjoyed material conditions and comforts, but were caught in the labyrinths and knots of spiritual shallowness and psychological confusion. In the city human beings wrestled with the demands of survival and profit but fled from life’s imperatives of honesty and moderation. In the city man was afraid to confront his own face.
There was a sky somewhere above the tops of the buildings, with stars and a moon and all the things there are in a sky, but they were content to think of the distant street lights as planets and stars. If the lights prevented you from seeing the heavens, then preform a little magic and change reality to fit the need. The street lights were now planets and stars and moon.
The city defeated him. It refused to be bent into shape; it stayed a willful, sprawling, sinful place. It even told him as much. When he walked through the gutted wreck of old Saint Paul's, he tripped and fell over a piece of rubble -- a tombstone. When he got to his feet and dusted himself down he saw that it read, in Latin, 'Resurgam' -- 'I Will Rise Again.
Workers were required to stay six months, and even then permission to quit was not always granted. The factory held the first two months of every worker's pay; leaving without approval meant losing that money and starting over somewhere else. That was a fact of factory life you couldn't know from the outside: Getting into a factory was easy. The hard part was getting out.
Do you want to achieve something or do you just want to make money?” asked a nearby man in a white shirt to another man in a striped shirt. I waited for the answer as I slowly walked past them. “Why is it an either or question?” the man in the striped shirt finally murmured philosophically under a sip of beer. They both stood there looking at each other in thought.
There seems to be a different Chicago around every street corner, behind every bar, and within every apartment, two-flat, cottage, or bungalow. City of immigrants or city of heartless plutocrats, say what you will, Chicago almost defies interpretation. In many ways Chicago is like a snake that sheds its skin every thirty years or so and puts on a new coat to conform to a new reality.
In photographs taken from the sky, cities resembled circuit boards. It was no surprise, really, that there were sparky misfirings, dangerous connections. Even traffic, Alice concluded, set up a kind of static in the air, let loose vibrations and uncontainable agitation. Freighted with more than they could absorb, with city intentions, citizens moved in designs of inexplicable purpose.
It was a cruel city, but it was a lovely one; a savage city, yet it had such tenderness; a bitter, harsh, and violent catacomb of stone an steel and tunneled rock, slashed savagely with light, and roaring, fighting a constant ceaseless warfare of men and of machinery; and yet it was so sweetly and so delicately pulsed, as full of warmth, of passion, and of love, as it was full of hate.
Chicago does not go to the world, the world comes to Chicago! Who needs New York? Who has taller buildings than our tall buildings? Who's got a busier airport than our airport? You want Picasso? We got Picasso, big Picasso. Nobody can make heads or tails of it. It's a lion? No, a seahorse. Looks to me like a radiator with wings. Who gives a damn, people, a Picasso's a Picasso.
It is as though the practices organizing a bustling city were characterized by [city practitioners', everyday citizens'] blindness. The neworks of these moving, intersecting writings compose a manifold story that has neither author nor spectator, shaped out of fragments of trajectories and alterations of spaces: in relation to representations, it remains daily and indefinitely other.
Seen from inside the bar, the avenue, the stores opposite, the street glimpsed going off at right angles, the trapezoid of sky visible above the lower buildings, are altered by the tinted windows into an elsewhere, oddly peaceful, a desert or the interior of the sea. Sometimes when he has fallen asleep face upward in the sun, his dreams have taken on this quality of supernatural bright darkness. ("Novelty")
