My father,' I replied, 'I am fond of action. I like to succour the afflicted, and make people happy. Command that there be built for me a tower, from whose top I can see the whole earth, and thus discover the places where my help would be of most avai1.''To do good, without ceasing, to mankind, a race at once flighty and ungrateful, is a more painful task than you imagine,' said Asfendarmod. ------After saying these words, my father motioned to us to retire; and immediately I found myself in a tower, built on the summit of Mount Caf - a tower whose outer walls were lined with numberless mirrors that reflected, though hazily and as in a kind of dream, a thousand varied scenes then being enacted on the earth. Asfendarmod's power had indeed annihilated space, and brought me not only within sight of all the beings thus reflected in the mirrors, but also within sound of their voices and of the very words they uttered. (“The Story of The Peri Homaiouna”)

The moral, I suppose, would be that the first requirements for a heroic career are the knightly virtues of loyalty, temperance, and courage. The loyalty in this case is of two degrees or commitments: first, to the chosen adventure, but then, also, to the ideals of the order of knighthood. Now, this second commitment seems to put Gawain's way in opposition to the way of the Buddha, who when ordered by the Lord of Duty to perform the social duties proper to his caste, simply ignored the command, and that night achieved illumination as well as release from rebirth. Gawain is a European and, like Odysseus, who remained true to the earth and returned from the Island of the Sun to his marriage with Penelope, he has accepted, as the commitment of his life, not release from but loyalty to the values of life in this world. And yet, as we have just seen, whether following the middle way of the Buddha or the middle way of Gawain, the passage to fulfillment lies between the perils of desire and fear.

I need to give you one last bit of advice in the off chance this rather extraordinary and enviable situation in which you find yourself is actually true- that somehow you've fallen deep down into a Cordova story. I stared back at him. Be the good guy, he said. How do I know I'm the good guy? He pointed at me, nodding. A very wise question. You don't. Most bad guys think they're good. But there are a few signifiers. You'll be miserable. You'll be hated. You'll fumble around in the dark, alone and confused. You'll have little insight as to the true nature of things, not until the very last minute, and only if you have the stamina and the madness to go to the very, very end. But most importantly- and critically- you will act without regard for yourself. You'll be motivated by something that has nothing to do with the ego. You'll do it for justice. For grace. For love. Those large rather heroic qualities only the good have the strength to carry on their shoulders. And you'll listen.

Mungu hutumia watu 'wajinga' na 'wapumbavu' kufanya mambo makubwa katika maisha yao na ya watu wengine. Katika Biblia, Musa aliitwa mjinga alipokiuka amri ya Farao ya kuendelea kuwafanya watumwa wana wa Israeli nchini Misri; Nuhu aliitwa mpumbavu alipohubiri kwa miaka mia kuhusu gharika, katika kipindi ambacho watu hawakujua mvua ni nini; Daudi aliitwa mjinga alipojitolea kupambana na Goliati bonge la mtu, shujaa wa Gathi; Yusufu aliitwa mjinga alipokataa kulala na mke wa bosi wake, baada ya kuwa ameuzwa na nduguze kama mtumwa nchini Misri; Abrahamu aliitwa mjinga alipoamua kuhama nchi aliyoipenda na kwenda katika nchi ya ahadi, eti kwa sababu Mungu alimwambia kufanya hivyo; Yesu aliitwa mjinga mpaka akasulubiwa aliposema yeye ni Mfalme na Mwana wa Mungu. LAKINI, Musa alitenganisha Bahari ya Shamu na kuwapeleka Waisraeli katika nchi ya ahadi, ambako aliwakomboa kutoka utumwani. Nuhu aliokoa dunia. Daudi alimshinda Goliati. Yusufu aliokoa familia yake kutokana na njaa. Abrahamu alikuwa baba wa imani. Yesu aliyashinda mauti. Wakati mwingine tunatakiwa kufanya mambo makubwa kulingana na jinsi Roho Mtakatifu anavyotutuma, bila kujali watu au dunia itasemaje.

But what's left on earth that I haven't tried?" Prince Lír demanded. "I have swum four rivers, each in full flood and none less than a mile wide. I have climbed seven mountains never before climbed, slept three nights in the Marsh of the Hanged Men, and walked alive out of that forest where the flowers burn your eyes and the nightingales sing poison. I have ended my betrothal to the princess I had agreed to marry — and if you don't think that was a heroic deed, you don't know her mother. I have vanquished exactly fifteen black knights waiting by fifteen fords in their black pavilions, challenging all who come to cross. And I've long since lost count of the witches in the thorny woods, the giants, the demons disguised as damsels; the glass hills, fatal riddles, and terrible tasks; the magic apples, rings, lamps, potions, swords, cloaks, boots, neckties, and nightcaps. Not to mention the winged horses, the basilisks and sea serpents, and all the rest of the livestock." He raised his head, and the dark blue eyes were confused and sad."And all for nothing," he said. "I cannot touch her, whatever I do. For her sake, I have become a hero — I, sleepy Lír, my father's sport and shame — but I might as well have remained the dull fool I was. My great deeds mean nothing to her.

Oh, Draven," Simon said in a falsetto as he clasped his hands together and held them to his shoulder. He gave Draven a worshipful look. "You're my hero too!" Simon sniffed as if he were holding back tears and threw his arms about Draven's shoulders. "If not for you, that mean old boar would have eaten me alive." Draven pushed Simon away from him. "Get off me, you nimble-pated gelding." "But Draven," Simon said again in his falsetto, "you're my hero. Give me a kiss." Draven ducked Simon's embrace and stepped behind Emily. "What are you? Moonstruck?" "Fine then," Simon snapped. "Here, Emily, you kiss him for me." And before either one knew what Simon was about, she found herself tossed into Draven's arms. Their bodies collided. Draven's arms encircled her, and for a moment she couldn't breathe as she stared up into those startled blue eyes. Heat sizzled between them, skipping along both their bodies. Stealing their breath and setting fire to their blood. When Draven made no move to kiss her, Simon tasked. "Fine then," Simon said, pulling her out of Draven's embrace and into his own. "Let me show you how a kiss is given." Simon dipped his lips to hers, but before he could make contact, Draven caught his chin in one hand and pulled his face away from hers. "If your lips so much as pucker near hers, I will geld you, brother."-Simon & Draven

I would travel far and wide...seeing, listening, creating. I would weave tales for an enthralled audience. A song would be heard throughout the kingdom, and I would be a part of that. You would normally think that a bard would pick up his tales from stories heard in his travels or, perhaps, from personal observation of these events. Perhaps some bards would create the stories themselves or, at least, adapt the original versions heard... But what if the bard were really more than a bard? What if he were once a gallant knight or an old sea captain...perhaps even a forgotten prince? What if the stories he told, what if the characters brought to life in his stories, were really of his comrades and himself? Stories from long ago that he finally wished to be heard? What if those who listened to his tales, all the while assuming that they were far disconnected from their communicator, were really listening to the narrative of a wanderer intimately connected to it all? And where would such an individual go when his final days as an “official” bard were spent? Perhaps he would decide to retire in a lighthouse. For, surely, no place would be more fitting for the hero emeritus. He would gaze upon the glorious sea in recollection...guiding others with the beacon of light atop his home as he had once been shepherded. The adventurer became the storyteller...and then the Sentinel of the Sea.

-We need more love, to supersede hatred, -We need more strength, to resist our weaknesses, -We need more inspiration, to lighten up our innermind. -We need more learning, to erase our ignorance, -We need more wisdom, to live longer and happier, -We need more truths, to suppress deceptions, -We need more health, to enjoy our wealth, -We need more peace, to stay in harmony with our brethren -We need more smiles, to brighten up our day, -We need more hero's, and not zero's, -We need more change of ourselves, to change the lives of others, -We need more understanding, to tackle our misunderstanding, -We need more sympathy, not apathy, -We need more forgiveness, not vengeance, -We need more humility to be lifted up, -We need more patience and not undue eagerness, -We need more focus, to avoid distraction, -We need more optimism, not pessimism -We need more justice, not injustice, -We need more facts, not fiction,-We need more education, to curb illiteracy, -We need more skills, not incompetence, -We need more challenges, to make attempts, -We need more talents, to create the extraordinary, -We need more helping hands, not stingy folks, -We need more efforts, not laziness, -We need more jokes, to forget our worries, -We need more spirituality, not mean religion, -We need more freedom, not enslavement, -We need more peacemakers, not revolutionaries...with these, we create an heaven on earth.

Why don't you just do it, then?" Racath hissed. "Just kill me. I dare you."Now, I assume you know what this is. You've seen this before in other stories - the part where the disgruntled villain stands over the hero. He is triumphant, the hero now at his mercy. But when commanded to slay him, he hesitates. He lowers his sword. And he says: "I cannot."If you are to take away but one thing from the words I have spoken, let it be this: there is a world of difference between "I Cannot" and "I will not". "I cannot" is a surrender. It implies a lack of options. Someone who says such a thing does so only because they have no other choice. They do not WISH to relent - in fact, they usually want to obey their mandate and destroy the hero at their feet. But they cannot, because the guilt is too unbearable. But that does not make him a better man; all that a man who says "I cannot" has done, is given in to the compulsion to repent.Allow me to make myself perfectly clear - I HAD other options. Easy options. Simple options. I could have killed Racath Thanjel that day. I could have killed him and all the others, too. I could have left them dead and bloody on that grassy hill, and gone trotting back to the Imperator's lap. I could have shrugged off the attrition that had dogged my every step, thought better of my disenssion, given up on all hope of absolution and accepted my damnation. And I could have spent the rest of eternity destroying God's green earth at Lavethion's side.I could have. It would have been so easy. So simple. So wrong. And I didn't want to.And so I took a sickened step away. Stabbed Osveta into the grass. Shook my head. And said: "I won't.

Anticipating their calamity and fright when deportation day came (August 6, 1942) he [Henryk Goldszmit, pen name: Janusz Korczak] joined them aboard the train bound for Treblinka, because, he said, he knew his presence would calm them—“You do not leave a sick child in the night, and you do not leave children at a time like this.” A photograph taken at the Umschlagplatz (Transshipment Square) shows him marching, hatless, in military boots, hand in hand with several children, while 192 other children and ten staff members follow, four abreast, escorted by German soldiers. Korczak and the children boarded red boxcars not much larger than chicken coops, usually stuffed with seventy-five vertical adults, though all the children easily fit. In Joshua Perle’s eyewitness account in The Destruction of the Warsaw Ghetto, he describes the scene: “A miracle occurred, two hundred pure souls, condemned to death, did not weep. Not one of them ran away. None tried to hide. Like stricken swallows they clung to their teacher and mentor, to their father and brother, Janusz Korczak.”In 1971, the Russians named a newly discovered asteroid after him, 2163 Korczak, but maybe they should have named it Ro, the planet he dreamed of. The Poles claim Korczak as a martyr, and the Israelis revere him as one of the Thirty-Six Just Men, whose pure souls make possible the world’s salvation. According to Jewish legend, these few, through their good hearts and good deeds, keep the too-wicked world from being destroyed. For their sake alone, all of humanity is spared. The legend tells that they are ordinary people, not flawless or magical, and that most of them remain unrecognized throughout their lives, while they choose to perpetuate goodness, even in the midst of inferno.

The Fool in the Tarot deck frequently depicted a boy with a dog at his heels, staring at the sky while he walked blithely off a cliff, burdened only by a bundle on a stick. The diabolist had admitted a relationship to the card.No single detail was quite right, but much as something might appear similar if one were to unfocus their vision…The young diabolist walked with the sparrow at his shoulder, eyes on the windows without looking through the windows, walking forward as if he were afraid to stop. His burden here was the gas containers.No, he was burdened not just by the gas containers, but by some notion of responsibility.A man, when facing death, aspires to finish what he started.What had the custodian of the Thorburn estate started? What drove him?She knew he sought to do good and to vanquish evil, and she could surmise that both good acts and the existence of evil had touched him deeply.The Fool card was akin to the ace. Depending on the game being played, it was often the lowest card or the highest. Valueless or highly valued. Powerless or powerful.It all depended on context. He sought to kill the demon, and he would either catastrophically fail or succeed.This Fool sought to slay the metaphorical dragon. He felt his own mortality, which was quite possibly her fault, in part, and now he rushed to finish the task he’d set for himself. To better the world.The Fool was wrought with air – the clouds he gazed at, the void beyond the cliff, the feather in his cap, even the dog could often be found mid-step, bounding, just above the ground.He was a Fool wrought with a different element. The familiar didn’t quite fit for the departure from the air, but the traditional dog didn’t conjure ideas of air right off the bat either.What was he wrought with? That was another question that begged an answer.

Soon you shall be landing In the battleground, ensure you have the right weapons to fight the enemy; ensure you know your enemy and what he is capable of; take them unprepared to gain the victory and stand with your head held high; show it to the world the cause you have been fighting for, deception is the key, challenge your enemy when it is least expected; break them mentally before breaking them physically. You are a soldier; your enemy is a soldier and you are facing the best, both sides have a lot of similarities only variation lies in the cause. Cause is driver for the battle; cause is binding comrades together and even if the victory is gained the cause stays undefeated. You stand defeated for your strategy, tactics and leaders but never for the cause, it’s still alive, it shall always be alive with the men who have sacrificed their lives, with the men who are still alive. They stand defeated with the physical strength but not for the cause they have believed in and you can never take it away from them. Fight for a cause and you shall stay invincible.A war story is always biased towards one side and it’s hard to narrate a true war story. We choose and make our heroes from what we have read, heard and believed in. If we know the cause both sides are standing for, it will become difficult to take sides. Always respect your enemy, respect for the fact they are standing neck to neck with you, respect them for the courage they have shown to defend the other side, their land, respect them for whatever you have earned the respect for from your men, from your country and from your people.Powerful strategies, tactics, weapons, leaders are allies to the war, they support but never claims victory all my themselves Greatest wars won always had the greater cause. Rebel without a cause is never a rebel just an aimless person whose fate lies in the defeat.

The Last HeroThe wind blew out from Bergen from the dawning to the day,There was a wreck of trees and fall of towers a score of miles away,And drifted like a livid leaf I go before its tide,Spewed out of house and stable, beggared of flag and bride. The heavens are bowed about my head, shouting like seraph wars,With rains that might put out the sun and clean the sky of stars,Rains like the fall of ruined seas from secret worlds above,The roaring of the rains of God none but the lonely love.Feast in my hall, O foemen, and eat and drink and drain,You never loved the sun in heaven as I have loved the rain.The chance of battle changes -- so may all battle be; I stole my lady bride from them, they stole her back from me.I rent her from her red-roofed hall, I rode and saw arise,More lovely than the living flowers the hatred in her eyes.She never loved me, never bent, never was less divine; The sunset never loved me, the wind was never mine.Was it all nothing that she stood imperial in duresse?Silence itself made softer with the sweeping of her dress.O you who drain the cup of life, O you who wear the crown,You never loved a woman's smile as I have loved her frown.The wind blew out from Bergen to the dawning of the day,They ride and run with fifty spears to break and bar my way,I shall not die alone, alone, but kin to all the powers,As merry as the ancient sun and fighting like the flowers.How white their steel, how bright their eyes! I love each laughing knave,Cry high and bid him welcome to the banquet of the brave.Yea, I will bless them as they bend and love them where they lie,When on their skulls the sword I swing falls shattering from the sky.The hour when death is like a light and blood is like a rose, -- You never loved your friends, my friends, as I shall love my foes.Know you what earth shall lose to-night, what rich uncounted loans,What heavy gold of tales untold you bury with my bones?My loves in deep dim meadows, my ships that rode at ease,Ruffling the purple plumage of strange and secret seas.To see this fair earth as it is to me alone was given,The blow that breaks my brow to-night shall break the dome of heaven.The skies I saw, the trees I saw after no eyes shall see,To-night I die the death of God; the stars shall die with me;One sound shall sunder all the spears and break the trumpet's breath: You never laughed in all your life as I shall laugh in death.

Часто в детстве я представлял себе газетный разворот, еще пахнущий свежей краской, с моим большим портретом посередине (я в шлеме и улыбаюсь) и подписью: «Космонавт Омон Кривомазов чувствует себя отлично!» Сложно понять, почему мне этого так хотелось. Я, наверное, мечтал прожить часть жизни через других людей – через тех, кто будет смотреть на эту фотографию и думать обо мне, представлять себе мои мысли, чувства и строй моей души. И самое, конечно, главное – мне хотелось самому стать одним из других людей; уставиться на собственное, составленное из типографских точечек лицо, задуматься над тем, какие этот человек любит фильмы и кто его девушка, – а потом вдруг вспомнить, что этот Омон Кривомазов и есть я. С тех пор, постепенно и незаметно, я изменился. Меня перестало слишком интересовать чужое мнение, потому что я знал: до меня другим все равно не будет никакого дела, и думать они будут не обо мне, а о моей фотографии с тем же безразличием, с которым я сам думаю о фотографиях другихлюдей. Поэтому новость о том, что мой подвиг останется никому не известным, не была для меня ударом; ударом была новость о том, что придется совершать подвиг.