ليس من السهل أن يصبح المرء بطلًا، فإذا أخطأت في الدقة ملمترًا واحدًا تكون نذلًا خسيسًا. إنها مسألة ملمترات.

People love super heroes.  It's true we're  impressed by their bravery and fortitude, their supernatural gifts and physical brawn.  But the fact is, villains possess these same qualities.  So why our admiration for the hero and not the nemesis?  Because of virtue.   A super hero gives everything to defend what's good and right without seeking praise or reward.  Think about it.  All the great heroes give without taking; help without grumbling; sacrifice without asking recompense.  A super hero's real strength, what we absolutely fall in love with, is his finer virtue.

As we were about to cross the road, Davin suddenly grabbed my wrist and held me back a moment; a car peeled out of the driveway and roared past us. “Geez,” I gasped, and then, glancing at him curiously, I added, “Thanks.” He didn’t say anything, but slowly released my wrist. Before he completely withdrew, I took his hand and interlaced my fingers through his. He looked at me, his lips parted in surprise, but then he smiled shyly and gave my hand a squeeze as we kept walking. It gave me a feeling of nervous flutters in the best way. As we walked up to the doors, Jill and Laurel came bursting out the exit.

He thought of that heroic Colonel Pontmercy . . . who had left upon every field of victory in Europe drops of that same blood which he, Marius, had in his veins, who had grown grey before his time in discipline and in command, who had lived with his sword-belt buckled, his epaulets falling on his breast, his cockade blackened by powder, his forehead wrinkled by the cap, in the barracks, in the camp, in the bivouac, in the ambulance, and who after twenty years had returned from the great wars with his cheek scarred, his face smiling, simple, tranquil, admirable, pure as a child, having done everything for France and nothing against her.

I recognized the handwriting, and my heart gave a skip; when I opened it I got a turn, for it began, 'To my beloved Hector,' and I thought, by God she's cheating on me, and has sent me the wrong letter by mistake. But in the second line was a reference to Achilles, and another to Ajax, so I understood she was just addressing me in terms which she accounted fitting for a martial paladin; she knew no better. It was a common custom at that time, in the more romantic females, to see their soldier husbands and sweethearts as Greek heroes, instead of the whore-mongering, drunken clowns most of them were. However, the Greek heroes were probably no better, so it was not far off the mark.

The Howeitat spread out along the cliffs to return the peasants' fire. This manner of going displeased Auda, the old lion, who raged that a mercenary village folk should dare to resist their secular masters, the Abu Tayi. So he jerked his halter, cantered his mare down the path, and rode out plain to view beneath the easternmost houses of the village. There he reined in, and shook a hand at them, booming in his wonderful voice: 'Dogs, do you not know Auda?' When they realized it was that implacable son of war their hearts failed them, and an hour later Sherif Nasir in the town-house was sipping tea with his guest the Turkish Governor, trying to console him for the sudden change of fortune.

Every society needs heroes. And every society has them. The reason we don't often see them is because we don't bother to look.There are two kinds of heroes. Heroes who shine in the face of great adversity, who perform an amazing feat in a difficult situation. And heroes who live among us, who do their work unceremoniously, unnoticed by many of us, but who make a difference in the lives of others.Heroes are selfless people who perform extraordinary acts. The mark of heroes is not necessarily the result of their action, but what they are willing to do for others and for their chosen cause. Even if they fail, their determination lives on for others to follow. The glory lies not in the achievement, but in the sacrifice.

I was right outside the NSA [on 9/11], so I remember the tension on that day. I remember hearing on the radio, 'the plane's hitting,' and I remember thinking my grandfather, who worked for the FBI at the time, was in the Pentagon when the plane hit it...I take the threat of terrorism seriously, and I think we all do. And I think it's really disingenuous for the government to invoke and sort-of scandalize our memories to sort-of exploit the national trauma that we all suffered together and worked so hard to come through -- and to justify programs that have never been shown to keep us safe, but cost us liberties and freedoms that we don't need to give up, and that our Constitution says we should not give up.

The only problem with the Angels' new image was that the outlaws themselves didn't understand it. It puzzled them to be treated as symbolic heroes by people with whom they had almost nothing in common. Yet they were gaining access to a whole reservoir of women, booze, drugs and new action -- which they were eager to get their hands on, and symbolism be damned. But they could never get the hang of the role they were expected to play, and insisted on ad-libbing the lines. This fouled their channels of communication, which made them nervous ... and after a brief whirl on the hipster party circuit, all but a few decided it was both cheaper and easier, in the long run, to buy their own booze and hustle a less complicated breed of pussy.

That’s what I said the first time I was called a hero. But you’re going to find that hero is a title other people give you; you don’t really get a say in the matter. Now me, I’m the kind of hero that slays the dragon. I overthrew the ArchTyrant and ended the age of Ragnarok...” he trailed off, his eyes distant. “...of course, ever since then I have been unable to reform the beauracrats and the nobles. Despite my best efforts, they beat me in the end.” He cleared his throat and looked up. “Now you, on the other hand, you are a different kind of hero. You take the dragon home with you. You feed it, teach it, tame it, befriend it. You remove the threat by changing its heart, rather than actually slaying the beast

What should we do?", I asked, and I had a pained feeling I thought was the beginning of love. In those early months we clung to each other with a rather silly desperation, because, in spite of everything my mother or Mrs Jordan could say, there was nothing that really prevented us from seeing each other. With imagined tragedy hovering over us, we became inseparable, two halves creating the whole: yin and yang. I was victim to his hero. I was always in danger and he was always rescuing me. I would fall and he would lift me up. It was exhilarating and draining. The emotional effect of saving and being saved was addicting to both of us. And that, as much as anything we ever did in bed, was how we made love to each other: conjoined where my weaknesses needed protection.

We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants...I am an animal like any other. Hazel is different. she walks lightly, old man. She walks lightly upon the earth. She knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either.People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad. It's triumphant. It's heroic. Isn't that the real heroism?The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention.

(Episode 9. Hijikata finds Gintoki on a rooftop and challenges him to a duel to avenge Kondo's defeat earlier. Gintoki doesn't want to fight him, so breaks Hijikata's sword easily, and leaves. It's then revealed that Okita and Kondo had been watching them clash, from another rooftop.)Okita Sougou: "He's an interesting man. I'd like to cross swords with him, myself."Kondo:"Don't bother. He'll kick your ass, Sougou.""He's the kind of guy fighting another battle far away, even as a sword swings at his throat.""Fair or unfair, it doesn't matter to him."(Not knowing that Kondo & Okita were watching his duel from a high vantage point, Hijikata lights a cigarette and sits back.)Hijikata (watching the blue sky above him):"Sorry, Kondo-san. I lost to him, as well ...

Gray rested his hand on Aric’s knee. “Sacrificed yourself, j-just like the giants.”“But I didn’t mean to! It’s only… the prince fell over the cliff, and I didn’t think at all, I just moved. I was the tallest and the strongest. I don’t think anyone else could have reached him in time. He was injured pretty badly. But I wasn’t a hero. I saw something that needed to be done, and I did it.”With a low chuckle, Gray squeezed his knee. “Th-that’s what heroes do, Aric.”“But I’m not—”“You s-saved me.”Aric shook his head and then gave a little tug on the chain that attached Gray’s collar to the floor. “You’re still a prisoner.”“You saved me,” Gray repeated firmly to Aric. And then he kissed him.

Personazhet e Kafkës na trubullojnë edhe sot e kësaj dite, ngaqë ata janë siç kemi qenë ne dikur, heronj të dorëzuar. Brenga jonë si lexues rritet edhe më, teksa mëvetësohemi e ndjejmë se, edhe si personazhë, jemi përshkruar krejt tjetër: ngrirë si njerëz, rrëgjuar mendërisht, vyshkur ndjesisht, pa reagime. Nuk na shfaqën si qenie njerëzore, dhe kurrë krijesa fiziologjike. Problemet tona, hallet si heronj të asaj letërsie, thjesht të qenieve politike, zgjidhjet e tyre një herë e mirë të parashikueshme. Ekonomi letrare e planifikuar. Aq sa sot dyshojmë nëse vërtetë kemi qenë. A quhet art letërsia që i vidhej njeriut. Më thua dot, a mund të ketë letërsi në Korenë e Veriut sot?!